Tag Archives: Lesley Manville

Misbehaviour

Sally Alexander (Keira Knightley) and Jo Robinson (Jessie Buckley) have little in common, and they even fail to bond over their mutual cause when they meet at a women’s meeting. But though they usually take a different path toward their ideals, they unite over the upcoming 1970 Miss World beauty competition which will be held right in their backyard – London.

It’s extremely upsetting that women have been protesting the sexism inherent in such a pageant for 50 years now, and yet they continue to happen, judging women on the height of their hair and the curves in their bikinis.

Okay, technically the women were still competing in one-piece bathing suits in 1970, but their measurements were recorded and announced during the broadcast, which leaves even less to the imagination than even the skimpiest swimsuit. Sally, Jo, and their cohorts plan to attend the live broadcast, and to disrupt it.

Meanwhile, feminism isn’t the only movement on the rise. Racism is too, and this year, for the first time, South Africa is impelled to send a woman of colour in addition to the ubiquitous white one, and Grenada sends a Black woman to compete as well. Sally et. al believe that a “family” show judging a woman based on appearance alone shouldn’t exist, but Miss Grenada, Jennifer Hosten (Gugu Mbatha-Raw) knows what her presence will say to little girls of colour all over the world. They both have a point, and unfortunately, this is a good illustration of how feminism has routinely left its sisters of colour behind. Misbehaviour isn’t about to shy away from that unpleasant fact, and it isn’t afraid to tackle difficult or unpopular topics.

Case in fact: Bob Hope. Legendary, beloved Bob Hope, fondly remembered for his numerous USO trips, on which Miss Universe would sometimes join him, the mere sight of her deemed a boost to morale. Bob Hope had hosted the Miss Universe pageant back in 1961 and was tapped to host again in 1970, to the disapproval of his wife, since in ’61 he’d started a 30 year long affair with the winner. Bob Hope (portrayed in the film by Greg Kinnear, his wife Dolores by Lesley Manville) was a more legendary womanizer than he was a comedian; he carried on more affairs than he could probably count. Knowing that “women’s libbers” were protesting the pageant, he thought it wise to work some extra misogyny into the pageant with remarks like “It is quite a cattle market here tonight and I’ve been back there checking calves.” Har har.

These different story lines help tell a fuller truth and give the events a proper context. The lesson here is a little complicated, but it’s told in an entertaining way by an extremely talented cast and I’m quite pleased if a little surprised to confirm that Misbehaviour strikes the right balance and delivers a movie you’ll actually be glad you saw.

Phantom Thread

I fell in love with Punch Drunk Love, and by extension its director, Paul Thomas Anderson. Since I’d already loved Boogie Nights I re-visited Magnolia and found lots to love there too. Punch Drunk Love was the start of my affair with PTA, and also the end. I’ve seen and not really liked everything he’s done since: There Will Be Blood, The Master, Inherent Vice. It makes me feel like a failed cinephile to admit my inability to get behind these movies and I was itching to break the spell with Phantom Thread. It currently holds a 92% approval rating at Rotten Tomatoes and is being lauded for Daniel Day-Lewis’s committed (and final) performance, but no, Phantom Thread did nothing for me.

Set in London, 1950’s, Reynolds Woodcock (Day-Lewis) is a genius dressmaker whose fashion house is coveted by all ladies in good standing. His life is rigorously regimented the-phantom-thread-trailer-1e98fcf2-7417-4ff9-bb81-a75e0cabd04band he turns out perfection in taffeta and the finest silk. His sister Cyril (Lesley Manville) runs his business and his home. Neither tolerate the slightest deviance from their prescribed lifestyle. BUT then a lovely young woman causes a disruption. Alma (Vicky Krieps) turns out to not be the meek muse that Woodcock first took her for, and his world is soon turned more inside out than the discarded gowns on a dressing room floor.

Is Daniel Day-Lewis quite good? Yes he is. His performance is measured and he puts you under his spell – almost. The trouble with Woodcock is that he’s thoroughly detestable. Alma is plain but transformed by his designs, made to feel beautiful and important, but it’s his attention that she desires and his alone. And of course he’s too fastidious, too devoted to his work to give it. But why does she want it? Women, to him, are basically just objects. They’re either housekeepers, muses, or clients – and he’s already got a housekeeper, and loads of clients. So Alma needs to find herself a niche, and she’s not afraid to carve one out herself.

Phantom Thread is undeniably meticulous in its execution, but I found it slow and I felt uninvolved. Not caring for any of the lead characters makes you feel so removed no matter how stirring the colour palette. The dresses were sumptuous and incredible really, but it felt more like flipping through the pages of a beautiful catalogue. The emotions are so inaccessible Alma may as well be a mannequin and not since Today’s Special has that been a compliment. The internet is filled with positive reviews for this movie but this is not one of them.