Edgar Wright, I think I love you.
And Edgar Wright loves movies. It’s clear from Scott Pilgrim vs. The World that Wright pours love into his film by loading it with details that’ll take you several watches to truly absorb.
Scott Pilgrim (Michael Cera) is a young dude in a band. He’s dating a high school student but is ready to drop her the moment he meets his dream girl, Ramona (Mary Elizabeth Winstead). The catch? Catches? Well, his ex-girlfriend is in town, giving him a serious drought of self-confidence, and Ramona actually has 7 exes, er, 7 evil exes, whom Scott must fight in order to “win” her favour. The movie kind of asks: what would happen if a random guy suddenly had the ability to fight as if he were in a video game? And you know what? The results are pretty fantastic.
Edgar Wright soaks this movie in video game references. He got permission to use the theme song from The Legend of Zelda by writing a flowery letter to Nintendo, calling it “the nursery rhyme of this generation.” The more you know video games, the more you’ll appreciate this, but even I can concede its greatness.
Moreover, Wright has a knack for casting that you can’t help but admire. He picked a whole bunch of young kids who would launch into stardom. Brie Larson went on to win an Oscar just a few years later, and Anna Kendrick a nomination.
Of course, my favourite part of the movie is how carefully Wright, an Englishman, preserves the Toronto locale. Toronto is a cheap place to make movies so it often stands in for other places, notably New York City. For once, Toronto gets to be Toronto, unapologetically Toronto, with the TTC, Honest Ed’s, Casa Loma, and even dirty, dirty Pizza Pizza. This movie feels like home. In a meta moment, a fake New York City backdrop is literally ripped open to reveal the glorious Toronto skyline. When Scott Pilgrim earns points, the coins that rain down upon him are loonies and twonies, Canadian style.
And Wright, who is an excellent curator of music, finds some excellent Canadian bands to do the heavy lifting for him. Broken Social Scene wrote two of the 4-second songs played by Crash and the Boys (“We hate you, please die” and “Im so sad, so very, very sad”). Metric wrote the song performed by The Clash at Demonhead. And Chris Murphy vocalist and bassist for Sloan, served as the music performance supervisor, which I think means he made sure the actors held their guitars the right way and stuff. (Non-Canadian Beck wrote the music for Pilgrim’s band, Sex Bob-Omb).
Scott Pilgrim vs The World is ultra-stylized and brilliant to watch. It’s incredibly fast-paced and feels hyper real. It’s almost unbearably quotable, fresh, and inventive. The script can’t always keep up with the film’s flash and charm but darn if it doesn’t try. I’ve been in love with this movie for 7 years or so, and a recent re-watch confirmed that I’m still crushing hard.
What movies do you love to re-watch?