Tag Archives: Brie Larson

Between Two Ferns: The Movie

Zach Galifianakis is our tour guide as we enjoy a behind the scenes look at the set of his wildly successful talk show, Between Two Ferns. It’s completely fake of course. And wonderful.

Zach’s “show” is a series of web videos you can find literally anywhere on the internet but most of all on Funny or Die. It looks like a bit of amateur public access television that somehow manages to book very high profile celebrities and seat them betwixt the eponymous two potted ferns. He has interviewed the biggest names: Brad Pitt, Justin Bieber, even Obama, but the thing that makes people seek out his videos is that he uses it as an excuse to insult celebrities to their face. He uses his own name but the interviewer character is extremely antagonistic and recklessly inappropriate. As Will Ferrell states, we’re laughing at him, not with him.

The movie’s premise, which is as thin as they come, is just Zach hitting the road in order to film 10 rapid-succession shows in order to achieve his ultimate goal of a network late night show. The plot, if you want to call it that, is flimsy because it’s just a vehicle for random acts of bizarre humour. You either like it or you don’t. It’s on Netflix so it’s low risk, but this is not going to win over any new fans and isn’t trying to. It’s just a 10 course dinner rather than its usual light snack. Can you take that much fern? Can anyone?

“People find you unpleasant,” this according to David Letterman, and he’s putting it lightly. This version of Zach Galifianakis is an asshole, but that’s the fun of his little show: it subverts the usual softball style of celebrity interviews. It looks Jon Hamm straight in the eye and asks whether Bradley Cooper’s success “will open doors for other hot idiots?” If you think it must be hard to get those insults out while remaining deadpan, stay tuned through the credits for proof.

The Avengers Have Day Jobs

When The Avengers aren’t fighting crime on screen, they’re often teaming up to do other movies. Here, a totally non-exhaustive list, so feel free to contribute your own in the comments.

Zodiac: Bruce Banner (Mark Ruffalo) and Tony Stark (RDJ) hunt a serial killer, with future Spider-man villain Mysterio (Jake Gyllenhaal). Tsk tsk.

Wind River: Hawkeye (Jeremy Renner) and Scarlet Witch (Elizabeth Oslen) risk frostbite in this thriller.

I Saw The Light: Loki (Tom Hiddleston) and Scarlet Witch (Elizabeth Olsen) get their
cowboy boots on in this country-western send-up to Hank Williams.

Infinitely Polar Bear: I totally recommend this film about how a bipolar diagnosis affects a family, starring The Hulk (Mark Ruffalo) and Gamora (Zoe Saldana).giphy

Men In Black 4: This one is not technically out yet, but could we be more excited to see a movie starring Thor (Chris Hemsworth) and Valkyrie (Tessa Thompson)???

Her: This is a super cerebral movie about a man falling in love with the voice of an operating system (Scarlett Johansson) – look carefully and you’ll also see Star-Lord himself (Chris Pratt).

Sunshine: Danny Boyle assembles a team of astronauts to save the dying sun, among them Captain America (Chris Evans), Guardians Vol. 2’s Aleta Ogord (Michelle Yeoh), Endgame’s Akihiko (Hiroyuki Sanada), and Doctor’s Strange’s right hand man, Wong (Benedict Wong).

American Hustle: David O. Russell recruits the voice of Rocket Raccoon (Bradley Cooper), Hawkeye (Jeremy Renner), and Ant-Man’s best pal Luis (Michael Pena).

Traffic: This is a really interesting and complicated movie about the war on drugs, by Steven Soderbergh, and just wait til you hear how it criss-crosses the MCU: Hank Pym (Michael Douglas) and The Collector (Benicio Del Toro) star, with War Machine
(Don Cheadle) making an appearance also. Bonus level: Miguel Ferrer, Iron Man 3’s Vice President Rodriguez.

Chef: Beloved Happy Hogan (Jon Favreau) plays the eponymous Chef, and is joined onscreen by pals Ironman (Downey Jr.), Black Widow (Scarlett Johansson), and Antman’s daughter’s stepdad, Paxton (Bobby Cannavale).

Creed: Killmonger (Michael B. Jordan) met his fate in Black Panther, but Valkyrie (Tessa Thompson) gets to snuggle up in Creed.

sourceSherlock Holmes (TV): Although they never teamed up in the MCU, Doctor Strange (Benedict Cumberbatch) teams up with Everett Ross (Martin Freeman) is this addictive detective series.

Sherlock Holmes (movie): On film, Sherlock is played by none other than Ironman (Robert Downey Jr.), and his faithful Watson by evil Kree Yon-Rogg (Jude Law). What an odd pairing!

Unicorn Store: Captain Marvel (Brie Larson) and Nick Fury (Samuel L. Jackson) are reunited and it feels so good. And this time they’re getting a unicorn! Yes, a real one. Jackson’s wardrobe is cotton candy for the soul, complete with tinsel-weaved wigs. Must see, currently streaming on Netflix.

Marshall: Black Panther himself (Chadwick Boseman) plays Thurgood Marshall alongside N’jobu, Killmonger’s slain father from the same film (Sterling K. Brown).

Scott Pilgrim Vs. The World: Captain Marvel (Brie Larson) and Captain America tumblr_nb04u6MGrq1te1cwfo2_500(Chris Evans) use their powers for evil instead of good – Larson playing rock star Envy Adams, Scott’s ex-girlfriend, and Evans playing action star Lucas Lee, one of Ramona’s seven evil exes. This is a fun one to re-visit, as it is written and directed by Edgar Wright, who also wrote the screenplay to Ant-Man.

Wonder Boys: Hank Pym (Michael Douglas) and Ironman (Downey Jr.) make an uneasy alliance in this Michael Chabon adaptation.

13 Going On 30: The Hulk (Mark Ruffalo) was surprised to learn that Captain Marvel (Larson) makes an appearance in this film as a mean girl in high school!

In the Heart of the Sea: Thor (Chris Hemsworth) takes Spidey (Tom Holland) under his wing in this Moby Dick retelling.

Isle of Dogs: Black Widow (Scarlett Johansson) gets her voice on in this Wes Anderson animated film, alongside GrandMaster Flash (Jeff Goldblum) and The Ancient One (Tilda Swinton).

The MCU is super incestuous. I bet you can think of many more!

Avengers: Endgame

Avengers: Endgame is three hours of payoff for anyone who liked the MCU’s 21 other films to date. If you loved them, all the better – Endgame will fill your geeky little heart with joy. And if you couldn’t stand them? Then stay far, far away from this one as it is everything you hated about the other films times 3,000.

Without getting into details, and in the interest of avoiding spoilers, I think it’s safe to say that after Thanos turned half the universe into dust at the end of Avengers: Infinity War, the survivors are set on undoing Thanos’ finger snap. Other than that, I’m going to let you go in blind like I did, because it’s always best that way, isn’t it?

Despite being somewhat disappointed by Infinity War’s ending because it felt inevitable that it would be undone, I was still excited going into Endgame and I was not let down. For superhero fans, Endgame is three hours of greatness. So many story arcs are wrapped up in this film and each feels like a fitting conclusion to everything we’ve seen so far. Directors Anthony and Joe Russo have been here before (also directing Infinity War, Captain America: The Winter Soldier, and Captain America: Civil War) and it shows, as they expertly manage the on-screen action. I’d say this is their best work.

We can debate that, and we can also debate whether or not Endgame is the best of the MCU movies (it’s definitely in the running). But I am confident in saying that Endgame is hands-down the most remarkable entry in the MCU and the most stunning superhero achievement so far. Endgame is a three hour film that is over in a snap, it’s a perfect capper to the last ten years of Marvel films, and it contains some of the greatest moments in the entire series, especially for the MCU’s big three, Captain America (Chris Evans), Iron Man (Robert Downey Jr.), and Thor (Chris Hemsworth).

I loved Endgame. It is far better than it needed to be, far better than I expected it to be, and an absolute must-see for every superhero fan.

Captain Marvel

Mar-Vell! Shazam! Mar-Vell! Shazam! There is a long and interesting legal saga surrounding the Captain Marvel name (though if you are not a law geek it’s probably much more long than interesting). Basically, the red and white Captain Marvel (a.k.a. Shazam) came first as a blatant Superman rip-off. DC sued, put the creators out of business, bought Shazam for cheap and quickly forgot they owned him. Meanwhile, Marvel captain-marvel-mar-vell-shazam-differences-header-1108262-1280x0Comics decided that if any comic publisher should have a Captain Marvel, it should be them, so Marvel threw together a half-baked story about an alien named Mar-Vell to secure a trademark for the Captain Marvel name, won a lawsuit against DC and others, then gave Mar-Vell cancer and made him the only comic character in history to stay dead.

Given that history, I don’t think it is a coincidence that DC’s Shazam will follow within a month of Captain Marvel’s debut in the Marvel Cinematic Universe.  If there’s a lesson here, and there may not be, it’s that “legal reasons” give birth to a lot of strange things (and don’t even get me started on the 90s Captain America and Fantastic Four films).

Incidentally. Marvel’s Captain Marvel is not a resurrection of the alien who died from cancer. Marvel revamped the character through a whole other convoluted saga, and she’s primed to be the first female hero to get her own MCU movie.

Captain Marvel (Brie Larson) is a space-faring Kree soldier with memory problems, a self-described noble warrior hero fighting a war against the shape-shifting Skrulls. After captain-marvel-international-poster-top-1200x675a Skrull ambush, she crash-lands on mid-90s Earth (smashing through the roof of a Blockbuster Video, as probability would dictate) and realizes that she’s been on this planet before. Teaming up with Nick Fury (Samuel L. Jackson), Marvel chases after the Skrulls who came to Earth along with her (led by Ben Mendelsohn) while also trying to uncover her forgotten past.

In many ways, Captain Marvel is a standard solo origin story, which at this point they can crank out with no effort at all. But this film still feels like a necessary addition to the MCU. Captain Marvel is a worthy star and the galactic stakes are high enough here to make this film stand on its own. A great deal of those positive feelings are due to Larsen, who does a great job of keeping us invested in the character even before we (and she) know who she really is: the cosmic-powered superstar who is going to undo all the bad stuff that Thanos got away with last time (as you probably can guess, I’m still mad that he turned Spidey into dust). And the icing on the cake is the 90s nostalgia reminding us that no matter how bad your internet is during a snowstorm, things used to be much worse.

Aside from Shazam (which is almost certain to be terrible), Captain Marvel is bound to be compared to Wonder Woman, and for the only time ever, DC’s entry is the better one. Captain Marvel does not have the same crossover appeal as Wonder Woman does, but Captain Marvel is a really fun superhero movie on its own merits, as well as a great lead-in for the new Avengers film next month.

TIFF: Unicorn Store

Full disclosure: I own a unicorn named Mindy. She’s magical. She’s a goddamned magical creature. She’s also inflatable but don’t you DARE call her a pool toy. You can, however, call her the centre of attention, which is exactly what she was when I threw a goddamned magical unicorn party earlier this summer. I sent unicorn invitations. I had unicorn party hats, a unicorn pinata, and unicorn names for all the guests. I even made a unicorn cake. No, that’s not true. I actually made TWO unicorn cakes because Sean smashed the first one about 30 seconds after I finished it. And when you throw a unicorn party, people bring you unicorn presents, which is why I own unicorn slippers and a unicorn tape dispenser named Stuart and briefly had unicorn-coloured hair. This either makes me uniquely qualified to review this film, or I should recuse myself for the glaring conflict of interest.

I’m not actually obsessed with unicorns, but you know who is? Kit. Kit (Brie Larson) has literally been obsessed with unicorns her whole entire life. And after painting yet another unicorn-as-self-portrait, she’s unceremoniously flunked out of art school and returns home to mope in her parents’ basement (Joan Cusack, Bradley Whitford). In an effort to Not Be A Disappointment to them, she takes an uninspired job with a temp agency and just when it seems the world might be ready to beat the whimsy right out of her, the universe sends her a pop-up store that only sells unicorns, and only to her, run by a tinsel-afroed Samuel L. Jackson, of naturally. Turns out that owning a unicorn is something you have to earn, so Kit sets about getting her life unicorn-ready, and that’s going to take some major changes. But is unicorn ownership really the cure to what ails a directionless, fully grown woman who seems stuck in a perpetual unicorn phase? Isn’t there more to life than glitter and rainbows?

Samantha McIntyre’s script is winkingly funny. For some odd reason neither Sean nor I had gone into this expecting it to be funny, and yet the audience was in stitches. McIntyre has a very quirky style that endeared itself to me immediately. She creates sparks in the smallest little details. I also have to send a shout-out to costumer Mirren Gordon-Crozier who must have combed the known universe to find THE most fanciful pieces of clothing ever produced. Kit wears her personality on her body. Her shirt collection is all blue skies and rainbows. It reminded me of Kimmy Schmidt in that way, who is always seen in sunshine yellows and bright fuchsias. Their clothing is a reflection of who they are. That said, it might be Samuel L. Jackson’s suits that make the biggest and brightest wardrobe impression in this movie.

But the real rock star here is Brie Larson, who makes her directorial debut. She’s just finding her voice as a director so her style isn’t quite as quirky as the tone of the movie, but considering how much it shifts around, I think she handles it well, and I already can’t wait to see what other stories she’ll tell. She assembles a really great cast who are a lot of fun to watch. Cusack and Whitford are everyone’s embarrassing parents, and Mamoudou Athie as The Guy Who Will Build a Unicorn Stable Even Though He’s Not A Carpenter is a particular stand-out.

I really enjoyed Unicorn Store; it’s a sweet reminder that growing up doesn’t necessarily mean giving up on childhood dreams. Underneath the glitter there’s a message about conformity and how women are told to pull away from “girlish” things in order to fall into one of two male-approved categories: the drab, grim businesswoman, or the oversexualized dreamgirl. Anything seen as overtly feminine is assumed to be less serious, and even women themselves can internalize this notion. Not Kit. Brie Larson flexes her comedic chops by playing her as earnest but not naive. In a world where every man’s inner child is constantly catered to with movies about super heroes, robots, pirates, and zombies, this one, finally, is just for us.

The Glass Castle

Jeannette Walls lived a turbulent childhood: her parents bustled her and her 3 siblings from town to town, evading bill collectors, never quite having enough money for both food and her father’s insatiable thirst. Poverty and addictions pock her youth, but for all their struggles, her mother would never leave her father, and the kids soon realized they’d need to fend for themselves, each disappearing to the big city as soon as it was feasible (a real challenge when someone is constantly drinking up all the money).

Walls went on to write a memoir detailing the hardships she lived through, and that tgc_d02_00156_00157_comp_r2.jpgbook became this movie, though something was lost getting from A to B. The book pulls no punches. Her parents are complex characters, and their children have conflicted feelings toward them. The movie’s a little more pat, the trajectory a little more Hollywood. Someone decided to apply some spit shine to this story, a story that’s naturally very dark and brooding now has themes of hope and redemption that maybe don’t belong.

I can’t say what exactly is wrong with the film except it’s just too easy. The grit is gone. Sure Jeannette’s father Rex is charming but he’s also kind of a monster. He’s a negligent parent who abuses his wife and kids and helps keep family molestation on the down low. And of course he wants deathbed forgiveness. Meanwhile his wife is a “free spirit” who chooses homelessness over independence from the man threatening her family’s well being. Neither parent is capable of putting their children’s needs first, or of meeting those needs even if they ever did. Which they don’t.

But The Glass Castle is worth a watch for the performances alone. As Jeannette, Brie Larson lives up to her previous Oscar win, but it’s Woody Harrelson as Rex who you’ll remember. He’s tortured and endearing and inspiring and hateful. Is this the film he’ll win his Oscar for? I wouldn’t be disappointed if he did. But shame on Hollywood for trying to put gloss and a positive spin on childhood poverty. These kids were failed not just by their parents but by the system. And now their brave story is being watered down to make it more palatable for film audiences. Shame.

The Gambler

Have you ever found yourself wondering: can Mark Wahlberg play a professor? Wonder no more: of course he can’t. Even if he’s got a blazer and a slightly overgrown haircut? Not even then, I’m afraid. The part where he’s a total degenerate gambler, that I believed. He has said that this was the hardest role of his career, and you’d better believe it. The fact that it’s a terrible stretch for him is evident all over this thing.

As a cereal-loving, self-loathing professor of literature and a crazed gambler who has the-gambler-4.pngliterally gambled his whole life away, Jim is in a tough spot. He has enormous debts and borrows from one low-life money lender to pay another – although he then pays neither, and loses that money at the casino too. His bottoming out is made even more embarrassing because his most promising student (Brie Larson) happens to witness it.

But the truth is, it’s exceedingly hard to care about this guy. Even if you cut him some slack in light of his compulsive disease, we also see that he’s not terribly good at his job, or at being a son, or at being a person. He’s a self-destructive guy who just stopped caring a long time ago and there are no redeeming qualities to be discovered, even if a young blonde somehow finds him alluring.

[Sidebar: young women always think they can save the bad guys they’re attracted to. They can’t. Give her 6 years and she’ll be throwing houseplants at his head while she furiously packs her bags, accusing him of stealing her youth.]

This film is watchable but it’s derivative and never justifies its own existence. The original is still king. This one flubbed the minute Wahlberg came on board and just flopped about like a balloon with a slow leak.