For the life of me I cannot get the title of this movie right. I’m so used to Wreck-It Ralph wrecking stuff, not breaking it. So I’m trying to adjust to this relatively small change, but it’s been tough, and that must mean I’m getting old.
In related news, my knee started hurting this week for no reason at all. Granted, it worked out just fine because I used my knee pain as a convenient excuse to sto
p cleaning the kitchen and start playing Red Dead Redemption 2, but still. Making me feel even older is that I just learned it has been six full years since Wreck-It Ralph was released and I never would have guessed it had been so long.
Just like in the real world, six years have passed for Ralph (John C. Reilly), Princess Vanellope von Schweetz (Sarah Silverman) and the rest of the gaming gang, who have all settled into comfortable routines inside Litwak’s Family Fun Center & Arcade. Sure, the routine may be a little boring, but Ralph is happy with his predictable days and nights, wrecking (sorry, breaking) Fix-It Felix’s building by day, and hanging out with Vanellope at night. Vanellope, on the other hand, feels trapped by her routine, having mastered the three available race tracks in her game. When Ralph tries to alleviate Vanellope’s boredom by building a new track, things get both wrecked and broken, and Ralph and Vanellope are forced to explore the arcade’s newly-installed internet in search of a new steering wheel for Vanellope’s game.
Of all the things in the world besides my knee (which is feeling much better, thanks for asking, though if Jay asks tell her I need a few more days off to fully recover), there is probably nothing that makes me feel older than not knowing any of the memes that have come out in the last decade, except for the select few that Jay has taught me about after realizing I had no idea that (insert hilarious meme) was a thing. And, as you may have guessed, there are a lot of memes referenced in Ralph Breaks the Internet. The nice thing is, I felt like Ralph (with some minor help from the creative team) went out of his way to ensure I didn’t feel old for not knowing that (bee puns) were a thing. Ralph simply made me laugh at his bee pun, and at all of his a
ttempts to help Vanellope get her new steering wheel.
Ralph’s antics would have made for a decent sequel just on their own, but Ralph wasn’t alone. Every one of the supporting players in Ralph Breaks the Internet make their own contribution to the comedy. I was particularly impressed at how the Disney princesses were incorporated, not (just) as a shameless product placement but as a way to teach Vanellope about her hidden princess talents.
The only criticism I might make is that the movie probably included a few too many characters and references, and ends up a bit long as a result. But don’t ask me what I would have cut out, because everything that’s here is consistently good and often great. Ralph Breaks the Internet is a very clever and accessible comedy that will provide plenty of laughs for everyone, regardless of age and regardless of whether you’ve ever heard of a screaming goat. What a wonderfully comforting thing that is (the accessible comedy, not the goat’s screams). It made me feel young again, a feeling that should last until my next random ache. Meaning I may need to see this one again very soon.

Spencer, and the always hilarious Tig Notaro, playing her straight(ish) woman) let their students know that they’re in for some VERY hard work. Ellie and Pete end up fostering (with the hope to adopt) not one but three siblings, the oldest of whom is a dreaded teenager. And it turns out that ‘hard work’ is putting it almost hysterically mildly. Parenting is hard. Foster parenting is the stuff movies are made of.
Rather than cash, she gets paid in designer hand bags and trips to Paris. Wait. Is this sounding a little too much like sex with Sean? Not that Sean has ever bought me a sex moped. A “ho”ped if you will. But bags and trips for sure. So there’s a gifty element to almost any relationship. And Blake wonders why we’re so squeamish about gold diggers anyway. History is filled with patrons.
conversation with an elderly gentleman who may or may not have some soapstone to sell exposes some cracks in the foundation of her marriage. Are they even on the same page?
believe from the outside all the difficulties they face. But Mo and Lui are good at communicating a marriage strained by years of putting someone else’s needs above their own, of never having the time to honour their coupledom. We know that this is not Mr. Wong’s first dalliance, and we see the toll it’s taken on their marriage.
The cast is endearing, and I love how director Eric Khoo blends together race as if it’s fusion cooking. The Japanese and Chinese people have had an uneasy past and you can see that Masato has a hard time reconciling the two parts of himself. However, grief is a powerful motivator, and when he understands how his father honoured his mother’s memory by incorporating her culture into his cooking, Masato is inspired to do the same.
emotionally, her physical transformation is NOT normal teenage stuff. She’s suddenly compelled to eat the family’s pet goldfish. She grows webbing between her toes. In her mind, these are linked to the onset of her period but her doctor disagrees. Moodier than ever, Mia is also learning to be more secretive.
prism of his disability, they’re not exactly dimmed, but the context is clearly costly. Too costly, some, in fact most, would say. But as Ronnie pulls up to the supplement store, he parks in the handicap accessibility parking – and even then he barely makes it in. But what is he even doing there? Well, despite the fact that he’s popping the max dosage in pain pills, Ronnie is still drinking his protein shakes because Ronnie is still training. It’s killing him, but he can’t stop.