Author Archives: Jay

Leslie Caron: The Reluctant Star

Ms. Caron is the warm kind of story-teller that makes you fall under her spell. She on her sofa, you on yours, a pot of tea (and by tea I mean wine) between you, and you’ve got a lovely way to spend an hour catching up with an old friend.

Leslie Caron was a 17 year old ballerina in Paris where she’d just gotten her first solo, dancing in Oedipus and The Sphinx. Gene Kelly happened to be in the audience that night, and happened to think she was great. Hollywood was not on Ms. Caron’s radar and she had no ambitions to be a star, but agreed to a screen test “to be polite.” Two weeks later she was whisked away to L.A., signed to a 7-year contract with a major movie studio, and was starring opposite Kelly in An American In Paris.

In this documentary by venerable Canadian film maker Larry Weinstein, Ms. Caron is chatty, humble, engaging, and candid. As a young starlet, she rebelled against the Hollywood machine and bucked against the male-dominated industry. All these years later, you can still see the dancer in Ms. Caron, and the rebellious streak in her as well. Her posture is straight and proud, and her eyes positively dance recounting stories of all the men with whom she’s shared the screen: Fred Astaire, Cary Grant, Warren Beatty, and even Johnny Depp. Her career has had longevity and reach well beyond a dancer’s, having proven Gene Kelly’s hunch by earning Oscar nominations and Emmy awards as an actor in her own right.

Ms. Caron notes “I have a great deal of trouble imagining myself as an old lady” and watching her, so will you. She is alive, sparkling with insight, still an artist wanting nothing more than to practice her craft. Documentarian Weinstein has kept the story lean with a running time well under an hour, but every moment is filled with vigour. You will fall in love with Ms. Caron, and her little dog too, and if you’re anything like me, you’ll suffer intense cravings for the immediate screening of some 1950s cinematic history.

 

Raiders!The Story Of The Greatest Fan Film Ever Made

In the summer of 1981, Raiders of the Lost Ark hit theatres, impressing untold numbers of children, but three little boys in particular.

Chris, Jayson, and Eric collaborated in making a scene-for-scene recreation of the movie. Just 12 years old when they started, they spent every spring break, summer vacation, and Christmas holiday shooting scenes for the next 7 years. The next 7 years, guys! How many kids do you know with that kind of attention span? Or for that matter, how unusual to keep the same interests (and friends) all throughout puberty!

Filmed over 7 years, the kids get progressively bigger. The scenes, however, were shot out of order. It’s a real document of their childhood if not totally accurate to Spielberg’s vision. The stunts and effects were all kid-conceived and kid-supervised. They lit each other on fire, they leapt from moving vehicles. They kept their parents on the down-lo.

All these years later, they reunite (as adults, some of them with kids the age they were when they first started) to do the one scene that they never pulled off in their childhood: the airplane scene. Unwilling to compromise, they raise money to build an actual plane, and plan to actually blow it up. They’ve got 9 days to pull off 124 shots, and they’re already crazy over budget. Plus, their wives and bosses aren’t too happy with them. Is this the fulfillment of a childhood dream, or a case of you can’t go home again?

Either way, this is a cool movie. It puts you in touch with that joyful passion that maybe only kids can possess. This movie has champions in Eli Roth and Ernest Cline, author of Spielberg’s upcoming Ready Player One. It ignites the geeky fire in all of us, and angers the responsible adult in me. It might also make you a little weepy for the dreams you left behind.

 

 

 

Tell me: what weird thing did you spend a lot of time doing as a kid? I wrote plays, then directed them. I also devoted a lot of time to highly-produced lip-sync concerts where my friends and I covered Jem tunes.

 

 

13 Hours: The Secret Soldiers of Benghazi

I was a little torn about this one: it stars my beloved John Krasinski, but it’s directed by my arch enemy, Michael Bay. When I saw the trailers in theatres, it wasn’t possible to sit through the two minutes of footage without smirking – yet another opportunity for Bay to wave his proud American flag. Except it’s impossible to feel sympathy for anyone in this movie, since the Americans weren’t supposed to be there in the first place. They’re secret soldiers for a reason – as in, shhh, don’t tell the UN. I passed on the movie while it was in theatres but when I attempted to track it down now that it’s available to rent, images.jpgthe best I could describe it was “that stupid war movie with Chris Pratt.” Because in my mind I’d confused two of my most adored chubby funny guys on TV-turned ripped movie stars. Also: Chris Pratt starred in Zero Dark Thirty. Different war, same shit. And Michael Bay is not Kathryn Bigelow.

The first thing I noticed about this movie is that everybody has a beard. Everybody has a beard! Michael Bay has literally done his casting by watching whatever television shows were available on this in-flight menu (lazily casting a couple from The Office – both of Pam’s beaus!): 24, Orange is the New Black, Nurse Jackie. Then he told all his handsome-but-not-too-handsome TV stars to grow beards. Must be bearded.

John Krasinski plays a contractor – he’s not actually a soldier because of course the Americans aren’t really supposed to be there, it isn’t really an embassy, so they don’t rate real military. They’re hired guns, and they’re resented by the officials they’ve been hired to babysit.

It’s a Michael Bay movie, so you know it’s bloated. It’s bloated with glossy, whispery flashback scenes. It’s bloated with homoerotic, soft porn shots of sweaty muscles getting worked out. It’s exactly the kind of movie where a dude will fight a holy war in shorts and think nothing of it. Where all the characters in Krasinski’s periphery are cardboard cut-outs until Michael Bay brilliantly inserts one piddly little scene in which every single one of them krasinski2-xlargesimultaneously Skype their families so that we know they have loved ones at home and are not as expendable as they feel. They’re the same loved ones these guys abandoned to fight a war that isn’t theirs, that they don’t even understand, in a country they don’t care about, unable to distinguish bad guys from good, and won’t be rewarded for either way. It’s real uplifting!

It’s actually fairly mature and restrained for a Michael Bay movie. You would only get medium-belligerent drunk making a drinking game out of spotting crisp American flags waving around in a light breeze. Don’t worry, his patriotism is alive and erect as ever; he’s an apologist for this shitstorm if nothing else. And of course there’s no character development; its excessive 144 minutes are devoted to packing in as many explosions as possible – they still give Mikey a chubby after all this time. He never misses an opportunity to show us a dead body or a dangling limb. He lives for this stuff. Krasinski is woefully out of place, too good for his surroundings. Sticks out like a sore trigger finger. Hopefully he’s learned a lesson, and bought a ridiculously nice car with the pay cheque.

13 Hours is better than all the Transformers movies combined, which isn’t saying nearly enough. There’s still more merit in the first 5 minutes, or any 5 minutes of The Hurt Locker, than in the entire 2.5 hours of this piece of glorious war-porn Americana. God bless Michael Bay.

Whiskey Tango Foxtrot

Based on a memoir, Whiskey Tango Foxtrot is the “true story” of Kim Baker, an American journalist sent to Afghanistan to be a war reporter despite having absolutely no experience (being unmarried and childless was short straw enough). In Afghanistan she is immediately confronted with the concept ftf-11806r_2_wide-54dfd259b4cfc0e148859666f964e90321c3fd1b-s900-c85of “Kabul cute” – women who were a 4 back home in New York are suddenly 10s. Tina Fey plays the 4. Margot Robbie plays a 15.

Afghanistan is windy and gritty, basically a forgotten war now that Iraq is a better news story, but the more she sticks with it, the more Kim elicits candid remarks from her subjects. Billy Bob Thornton plays the guy who finds her nothing but a nuisance, admonishing her not to sleep with his marines.

It’s actually not a bad movie, considering it bombed at the box office. What went wrong? Possibly people didn’t like to see one of their favourite comediennes amid such a serious backdrop – it’s hard to laugh at limbs being blown off. And the very same war fatigue mentioned in the movie may contribute not wanting to hear about it in theatres, either. Bill Murray’s Rock the Kasbah suffered the same fate. And maybe Tina Fey’s just not ready to cross over genres, or to headline her own movie alone. Martin Freeman was great support in the movie but didn’t get any screen time in the trailers. And Whiskey_Tango_Foxtrot_reviewthe trailer, for that matter, played up the movie’s comic aspect even though the movie’s a dramedy at best, lobbing one-liners like hand grenades into a pretty grim war zone.

But Fey actually does well, if you give her the chance. I thought she and Freeman were great together. The movie just doesn’t have a lot to say. It’s not a commentary on the war so much as one woman’s less glamorous version of Eat, Pray, Love. The real Kim Barker never broke any major news stories so there’s not a lot of insight and not much authenticity. I think the script had some great pieces but suffered from abrupt lurches in tone. Overall though, I’m glad I gave it my time, even if I didn’t Lima Mike Foxtrot Alpha Oscar.

 

The Congressman

The congressman (Treat Williams) is having a bit of a slump: his marriage has failed and the media is persecuting him for not standing for the pledge the-congressman-posterof allegiance. His job’s in jeopardy but he’s still out hitting the pavement, trying to do right by his constituents and he finds out that a remote fishing community is the perfect place to hide from a scandal.

Robert J. Mrazek, who spent 10 years representing Long Island, drew on his experience to write and co-direct with Jared Martin.

The congressman is rejuvenated by his time on the island, possibly because nature is always restorative to us humans, but also because the islanders, some of them at odds with each other, some of them direct competitors, still find a way to work together to keep their way of life alive. They overcome their differences to take care of each other – a lesson the house of representatives in Washington could stand to learn.

It’s not a flattering picture of American politics, but it’s quite sincere in its delivery.

 

Never Work With Children

Never work with animals or children.” – W.C. Fields.

Both kids and animals can be scene-stealing and unpredictable. They’re threats on set – not just because a tantrum might hold up filming, but because the ability of a child to do good work is pretty damaging to ego-driven actors. I know for a fact that a child could not do my job. Could a kid do yours?  It was a little controversial when 9 year old cutie pie Jacob Tremblay failed to receive Jacob-Tremblay-Spirit-Awards-2016an Oscar nomination for his work in Room, but the truth is, the members of the Academy will always be reluctant to admit than a 9 year old may have out-acted Leonardo DiCaprio. Patty Duke was 16 when she won for The Miracle Worker. Keisha Castle-Hughes was just 13 when she was nominated for Whale Rider; same for Saoirse Ronan for Atonement. Quvenzhané Wallis was 9 when she was nominated for Beasts of the Southern Wild but the title of youngest nominee goes to Justin Henry who was 7 when he filmed Kramer Vs Kramer, and 8 when he attended the ceremony.

Shirley Temple: Shirley started acting when she was just 3 and broke out in the movie Bright Eyes, a film written as a vehicle for her talents. She received a special Juvenile Academy Award in 1935, at the age of 7 and remained the top shirley-temple-2box-office draw for four years running in the late 1930s, with hits like Curly Top and Heidi defining her career. Her wholesome image led to merchandising opportunities and soon she had a line of clothing, dolls and dishes, which doubled what she made in movies. She was tabloid fodder too: in American people gossiped about whether her curls were real, often tugging on her hair in person. Abroad it was thought that she was not a child at all, but a 30 year old dwarf, and even the Vatican set about confirming it. At the top of her fame she even got to meet the Roosevelts at the White House, but her popularity decreased sharply when she hit puberty, a fate all too many child stars know, but her agent didn’t see it coming and actually turned down the part of Dorothy in The Wizard of Oz (Judy Garland would snap it up). Several films made while she was a teenager flopped and she was retired completely at the ripe old age of 22.

Macauley Culkin:Little Mac started acting at the age of 4. John Hughes discovered him for the John Candy film Uncle Buck but it was his next film, Home Alone, that would make Culkin a star. He hosted SNL at the age of 11, starred in Michael Jackson’s music video for Black or White (and also in maxresdefaultMichael Jackson’s trial for sexual molestation), and followed up with a successful sequel, and memorable roles in My Girl, Richie Rich, and The Good Son. But guess what? Puberty! Macauley Culkin retired from acting at age 14 and nobody heard much from him except for the occasional arrest for drugs. He’s since popped back up doing very sporadic work and performing in a comedic rock band called Pizza Underground (he has previously stormed off a stage during a kazoo solo, which is not weird at all), and looking so haggard at times that fans worry he’s dying. So far, still alive.

Jodie Foster: Jodie started her career as a child model at the age of 3 (she was the Coppertone girl) and made the leap into acting a couple of years later. Her breakthrough was of course in Martin Scorsese’s Taxi Driver, in which she Jodie Foster Winner Of Palme D Or At The Cannes Festival For The Role In The Movie Taxi Driverportrayed a child prostitute. The role earned her her first Oscar nomination. She followed that up with successful turns in Freaky Friday and Bugsy Malone, making her a bona fide teen idol and the first on this list to continue working into her teens, and of course beyond. She interrupted her successful career to attend (and graduate) Yale, and though she loved her time as a student, she knew she wanted to pursue acting as a career. [Sidebar: during that time she was stalked by John Hinckley, who later attempted to assassinate Ronald Reagon in a bid to impress her.] Roles as an adult were sparse at first but she broke through for a second time playing a rape survivor in The Accused, and this time she won her Academy Award. She followed that up with The Silence of the Lambs, a wise choice that cemented her as a star, and then turned director with Little Man Tate. Her career has had some ups and downs but she’s worked consistently and just got her star on the walk of fame earlier this year, having directed George Clooney and Julia Roberts in Money Monster.

Haley Joel Osment: He got his acting start in a commerciGTY_haley_joel_osment_1_kab_140916_16x9_992al for Pizza Hut and achieved fame by the age of 11 , thanks to a starring role in M. Night Shyamalan’s The Sixth Sense that garnered him an Oscar nomination (though he’d also appeared in Forrest Gump). He capitalized on his fame with follow-up roles in Pay It Forward and AI: Artificial haley-joel-osmentt-forrest-gump-today-150809_882bcb0edac984d7a624db306093e62b_today-inline-largeIntelligence, earning him praise and Roger Ebert’s assessment that he was one of the finest working actors of the time. But you know what happens next: puberty, and its accompanying acting slump. He went dormant for a while, except for the obligatory child actor DUI, but is now back at it, acting in films that nobody sees.

River Phoenix: Like many, River got his start in commercials but you all know his claim to fame: Stand By Me.  He’d grown up in a weird family and never attended school, but he was gifted when it came to acting. Stand By Me made him a household name and got him on the cover of Teen Beat and its ilk, but his next few roles were duds. Sidney Lumet’s Running on Empty would earn him an Oscar nomination though and put him back on the map. His role river24opposite Keanu Reeves in My Own Private Idaho established him as an edgy heartthrob with leading man potential, but immersing himself in intense roles was taking its toll, as were his struggles with addictions. River had turned to acting in a bid to support his family but music was his first love, and he started playing in a band. He even got to play with his friend Flea (of the Red Hot Chili Peppers), which is what his siblings were there to see that night at the Viper Room. Flea was onstage playing with Johnny Depp when River was outside dying on the sidewalk. His brother Joaquin dialed 911 while his sister Rain gave him mouth to mouth. He was rushed to the hospital but died, of a drug overdose, at the age of 23. Fans were shocked – he’d had a squeaky-clean image until then (“the vegan James Dean” they called him) and the press loved the story, so much so that they broadcast Joaquin’s 911 call and snuck into the funeral home to snap pics of him in his casket. He was slated to start filming Interview With the Vampire just 2 weeks after his death – Christian Slater replaced him, and donated his salary to two of Phoenix’s favourite causes, Earth Save and Earth Trust.

2b9e3a72f7f47cedcfbd61d1ba1ca0ddAbigail Breslin: A familiar refrain: she began appearing in commercials at the age of 3. Her first film role was with Joaquin Phoenix in Signs, but of course what you really know her from is putting the sunshine into Little Miss Sunshine, for which she received an Academy Award nomination. She later teamed up with another onAbigail-breslin-attends-the-fox-fx-summer-2015-tca-party-in-west-hollywood_1 this list, Jodie Foster, for Nim’s Island, and had a fun and memorable role in Zombieland. She also took on Broadway, playing that role that Patty Duke made famous in The Miracle Worker, and acted opposite powerhouses Julia Roberts and Meryl Streep in August: Osage County.

Tatum O’Neal: She is the youngest person to have ever won an Academy Award, for starring opposite her father Ryan in Paper Moon. Did it fuck her up? Of course it did. She had a tempestuous, abusive relationship with her 1393376798_1512567_tatum-o-neal-zoomfather, which culminated in her getting molested by his drug dealer. She went on to star in The Bad News Bears and Little Darlings, and even became Michael Jackson’s first girlfriend, but she couldn’t hold on. Drugs derailed her. She made her one-time husband, volatile tennis star John McEnroe, look like the stable one in the relationship. She’s a millionaire smoking crack in her Manhattan apartment, unable to stop even when her behaviour was destroying her relationship with her own kids. Let’s hope the cycle does not repeat.

Anna Paquin: Anna is the second-youngest Oscar winner, for her role in The AnnaPaquinPiano, with her only previous credit playing a skunk in a school play. Did it fuck her up? Looks like no. She continued with moderate success as a child actress while also attending school, including one year at Columbia before roles in Almost Famous and the X-Men franchise helped her to transition into acting as a young adult. Then she hit it out of the park with her first role in television, starring in True Blood where she not only earned professional acclaim, she also met her husband, co-star Stephen Moyer. She has children who love her, step-children who tolerate her, and is managing to live scandal-free.

Judith Barsi: Perhaps not a household name, her biggest on-screen credit was Jaws 4: The Revenge, but she also provided voicework for some of my favourite 80s animated films, The Land Before Time and All Dogs Go To Heaven. By the time she was in grade 4 she was pulling in six figures, Screen-Shot-2014-08-30-at-15_32_31supporting her parents and paying their mortgage. This made her father increasingly volatile, and his abuse made Judith act out, pulling out her own eyelashes as well as her cat’s whiskers. Judith’s mother planned on leaving him but never got around to it – he shot his wife and 10 year old daughter in the head as they slept, then soaked them in gasoline and burned them before later killing himself.

Drew Barrymore: Her first job was at 11 months old – she auditioned for a dog food commercial and landed the part when the dog bit her and she didn’t cry. Drew made her debut on film at the age of 5 but was 7 when she achieved stardom, starring in Spielberg’s E.T., and becoming the youngest SNL host that year. Crazy fame and permissive parenting meant she was smoking 5e49df114616b1b0fcfc816b66c83c63.jpgcigarettes at Studio 54 at the age of 9, drinking at age 11, and baby’s first snort of coke by 13. It’s not a joke – the poor dear was in rehab at 14 and spent 18 months in a facility for the mentally ill. She attempted suicide and went back to rehab, and it wasn’t until she lived with David Crosby and his wife that she was able to turn things around, suing for emancipation at the age of 15. The rockiness continued though. She posed nude with her fiancé at the age of 17, and then again for Playboy (her godfather, Steven Spielberg, gifted her with a quilt to “cover herself up” and her Playboy photos doctored by his art department so she appeared fully clothed). Eventually she straightened herself out and went on to act, produce, and start a loving and stable family of her own.

Jake Lloyd: Jake had appeared in Jingle All The Way and Apollo 11 before star-wars-actor-jake-lloyd-s-tragic-hollywood-story-just-got-even-worse-jake-lloyd-as-you-474872appearing in the 1999 Star Wars prequel, but you can bet it was being hand-picked by George Lucas to be the young Anakin Skywalker that was his claim to fame. Citing bullying and exhaustion, he retired from acting in 2001 and we didn’t hear much from him, other than appearances at comic book festivals, until he was arrested in 2015 for reckless driving and resisting arrest. He’d been off his meds for schizophrenia and had also recently attacked his mother so Lloyd is currently in a mental health institution seeking treatment.

Danny Lloyd: On a happier note, another Lloyd is living a different kind of life.what-ever-happened-to-little-danny-from-the-shining-one-of-the-scariest-horror-films-of-546885 You may remember young Danny as Jack Nicholson’s co-star in The Shining. He was chosen for his excellent attention span and managed to film the whole thing without ever realizing he was doing a horror film. Having hit this height so early on, he retired from acting at the age of 9 and today is a biology professor in Kentucky.

Me Before You(thanasia)

We saw this movie against our wills. It was part of a double bill we had no interest in seeing but it was at the drive-in on the warmest, most starry, most perfect drive-in night of the year, and it couldn’t be helped.

The premise: a young woman named Lou (Emilia Clarke) goes to work at a castle, caring for a recently quadriplegic man, Will (Sam Claflin). Cut down in the prime of his life and 635906306787211507-XXX-ME-BEFORE-YOUunable to accept his new limitations and circumstances, Will is surly and depressed. It makes for an unpleasant work environment for Lou but her financial desperation keep her hanging on, just barely, and that’s BEFORE she finds out he’s wickedly suicidal. Will’s in favour of going to Switzerland for end of life treatment now that life’s rather small and joyless, but he’s promised his parents six months, so he’s gritting his teeth as he suffers through them. Lou’s going to save him of course, with her quirk and her chattiness and her colourful penchant for terrible shoes, even if she has to make him fall in love with her to do it.

First of all, this felt very much like a poor man’s rip off of The Intouchables, in which another unlikely friendship blossoms between quadriplegic and caregiver, also marked by a disparity between social class. But I’d heard that Bryan Cranston and Kevin Hart were set for that particular  (unnecessary) remake (read: lazy Americans hate subtitles!). I guess this one justifies itself by having a predictable and pedestrian romantic twist that even the dude’s mother (Janet McTeer!) sees coming from a mile away, even without help from her turret. Because again: they live in a freaking castle. It’s a good thing that disabled people Emilia-Clarke-and-Sam-Claflin-in-Me-Before-Youare always so ridiculously wealthy. Life might actually look a little bleak without the tricked out vans, front row orchestra seats, fully accommodated living spaces, round the clock care, and even accessible tropical travel destinations. It kind of makes you wonder whether these poverty-stricken caregivers are falling in love with their patient, or with their patient’s lifestyle. And in this movie at least, Will truly does not have anything to give but his money. He’s just an angry guy in a chair.

And his tissue-thin character isn’t even the worst. Lou is played over-exuberantly by Emilia Clarke in such a way that I just wanted to hold her down, knee on neck, and wax those damn eyebrows off. I usually love a big juicy eyebrow but watching hers jump all over her face like not one but two hungry caterpillars were performing a pixi-stix-fuelled ballet made me want to lob a bug bomb at the screen and call it a night. Her tone was completely wrong for the film and as much as Will was a grump unworthy of love, I think she’d be even less of an attractive mate, particularly to someone who can’t get away. Luckily, if you begin to feel queasy about the whole Cinderella\sugar daddy in a wheel chair “plot”, you can distract yourself with the many swelling ballads obnoxiously shoved into the movie willy-nilly. Worst movie music ever? You decide, but I will say this: this is a two-Ed-Sheeran-songs kind of movie. That’s probably enough said.

So now we can get to the meat: the disabled community HATES this movie. Will wants to die because life as he knew it is over, and they feel like that’s a pretty horrible attitude to me_before_you_lowresproject onto the world, and they’re not wrong. Is this a disability snuff film? Disabled lives are worth living, and many are living well. However, living with a disability and living with pain are not the same. I live with both, and am extremely glad that I live in a place where I have the “right” to die. It’s not in my immediate plans, but some days just knowing I have that option is all that gets me out of bed. When the pain is bad, I know that I can end my suffering when I choose, and that gives me strength. If you think love conquers all, then you’ve never walked a mile in my shoes. Pain conquers all. Pain is bigger than the whole world.

Disabled people are people: they should be respected and portrayed fairly in TV and film as part of our diverse world. And it’s a really sad commentary when the only time they’re included in the conversation is when they’re being presented like this, the object of an impossible romance and too big a burden to live. But the right to die is about dignity. Whether Will (or anyone) decides euthanasia is the right thing for them or not, it’s a deeply personal decision, and maybe it’s time the rest of us stop judging.

Finding Dory

As soon as you hear the voices of Ellen DeGeneres (as Dory) and Albert Brooks (as Nemo’s neurotic dad, Marlin), you realize how much you’ve missed these two. It’s been 13 long years since the original was in theatres but only a single year has elapsed in the ocean where they make their home.
all-trailers-lead-to-finding-dory-check-out-brand-new-footage-in-this-japanese-internat-941918Writer\co-director Andrew Stanton had no desire to revisit Nemo’s world until he rewatched it in 3D and realized how many unanswered questions peppered Dory’s storyline. So good news, folks: those burning questions that have been keeping you awake the last dozen years finally get their time in sea – Why does Dory speak whale? How did she learn to read? And does her disability make for a lonely life?

Dory convinces Nemo and Marlin to embark on yet another oceanwide journey, this time to find her absent family. Eugene Levy and Diane Keaton voice her parents in various flashbacks (Dory was a SUPER cute young guppie!), but with a spotty memory and so much time gone by, is it even possible to find them? How to put this delicately…just what is the life expectancy of even a vegetarian, non-smoking, yoga-adhering blue tang?

The magic of Finding Nemo is safely recaptured in Finding Dory; the story makes room for both old friends and new. Hank, the cranky octopus (or technically a septapus, if you bother to count) is a definite break-out star, voiced by Ed O’Neill. He helps Dory navigate hank-octopus-finding-dorythe exhibits of an aquarium where she believes her parents live. Ty Burrell, who plays Ed’s son-in-law on Modern Family, voices a beluga whale with dubious echolocation abilities but a willingness to play “guide whale” for his visually impaired friend. In fact, the nice thing about this new world presented in Finding Dory is that the marine rescue centre in question rehabs sick fish – everyone’s got some sort of disability but they’ve got plenty of ability too, even Dory. Or especially Dory. My favourite new character is a bird named Becky, who, okay, maybe has some mental health issues, maybe is a little intellectually challenged, maybe isn’t as finely feathered as some, but MY GOD. The minute she was introduced I had a mini meltdown, wracked with laughter.

Finding Dory can’t surprise you in quite the same way the first one did, but it makes up for 107c86e0-155e-0134-fd5e-0e31b36aeb7f.pngit in laughs and heart. Last week on our podcast, Matt hoped that the sequel would make him cry as the first one did. The verdict’s not in on his tear ducts, but mine were a leaky mess.

A memory-challenged fish sets out to find her blue family and along the way remembers that she already has an orange one.  I’ve seen a lot of sequels lately that stink like 13 year old fish, but Finding Dory is a sweet and satisfying cuddle party with old friends, serving up something fresh that everyone will enjoy.

Never Work With Animals

Jon Favreau made a “live-action” Jungle Book movie without using one single live animal. Other directors, however, have been braver-slash-stupider, so let’s take a look.

Babe: a movie about a pig raised by sheep herding dogs involved a lot of animal wrangling by necessity. George Miller’s decade-long labour of love meant that 60101ec7bdac16815ba15ab7f0ccd87156 animal trainers had to be on set to corral the 1000 animals it took to bring the production together. The talking pig herself was actually a series of 48 real Yorkshire piglets because the babies grows so fast, plus an animatronic double (all the pigs were female – pig penises are too noticeable). A makeup artist would add a toupee and eyelashes to each, and the snout would be digitally manipulated so it appeared to be talking. The film was such an ordeal that James Cromwell, a vegetarian at the time, decided to become a strict vegan afterwards. In fact, the movie made trouble for the whole pork industry.

Turner & Hooch: a buddy cop movie in which a detective must adopt the dog of a dead man to help him find the murderer. Hooch wturner-and-hooch-o.gifas played by Beasley, a Dogue de Bordeaux, one of the most ancient French breeds. He was so strong that during scenes where Tom Hanks walked him, he would often escape, besting Hanks who would drop the leash. Bad Hooch!

 

101 Dalmatians: a woman with fascinating hair kidnaps puppies to kill them for their fur, but various animals then gang up against her and get their hqdefaultrevenge. Glenn Close starred in the live-action remake, and was so convincing in her wig and makeup that one of the pups, a little guy named Perdy, would always run away. There are 101 Dalmatians in the movie but it took 230 puppies and 20 adults to complete the filming, and an untold number of raw hot dogs to rub over Jeff Daniels’ face in order to induce puppy licking. The dogs were highly-trained actors, but when the handler yelled “Sit”, it was invariably Daniels who did the sitting.

The Bear: an adult grizzly adopts an orphaned cub and evade hunters together. Bart the Bear played the fully grown bear and had to be prepared to act alongside a cub since in the wild a male bear would normally eat him. Trainers gave Bart teddy bears to practice being gentle and when the real cub was finally introduced, all went well. Jim Henson’s Creature Shop made 5 Bartthebearanimatronic bears to use as stand-ins but when they were flown out to the Dolomites it was clear they just weren’t convincing enough and were hardly used. Bart was an Alaskan Kodiak bear, standing 9 and a half feet tall and weighing 1500lbs, although do remember that the camera always adds 10. Director  Jean-Jacques Annaud called Bart “the John Wayne of bears.” His trainer insists that frequent collaborator Anthony Hopkins (he and Bart starred together in Legends of the Fall and The Edge) “respected him like a fellow actor” and indeed one movie critic credited Bart with “a milestone in ursine acting.” Bart made an appearance at the 70th Academy Awards in a tribute to animal actors, presenting an envelope to un unflappable Mike Myers.

Andre: a “true story” about a marine sea lion who befriends a little girl and her family. Embarrassingly, the real Andre was a harbour seal but the Hollywood enhanced-6470-1414787538-22Andre was played by a sea lion named Tory because seals are “notoriously hard to train” and “easily distracted.” Tory, like most sea lions, could not be house broken, making scenes shot indoors extra tricky. And little Tina Majorino’s tears were real in the final parting scene in part because Tory smelled so goddamned bad. But Tory went on to have a son named Andre who lives in Memphis Zoo where he pursues his dreams of being an artist – his paintings are available by auction.

War Horse: a young man goes off to war, following his beloved horse recently sold to the infantry. Real horses performed nearly all of the stunts in the movie – charging into battle, trudging canons up a hill – and trainer Bobby Lovgren had his work cut out for him. He trained 14 horses to do the work intumblr_m4bp4mGOjc1qafz1k.gif this film, choosing horses familiar with parades or rodeo work for their crowd exposure, and then worked on their not spooking around gunfire. The trainer’s own Andelusian, Finder’s Key (star of Seabiscuit), did a lot of the heavy lifting and even did horse “drag” for the birth scene, where he played the mother since using a foal’s real mother would be too distracting. Finder is also the horse who was trained to jump clear over a tank – a feat accomplished using many carrots for bribes, as you can imagine.

Free Willy: the movie’s about a depressed whale set free by a sympathetic little boy but sadly, the orca who played him, named Keiko, was himself held in free-willy-killing-keikocaptivity. The film’s popularity brought attention to his living conditions in a too-small tank with too-warm chlorinated water which made him sick. A custom tank was built for him in Oregon so he was flown from Mexico to his new home where he recovered enough to be moved to a sea pen in 1998. He was finally released from captivity in 2002 after 22 long years “behind bars” but he died just a year later at the age of 27 after the sudden onset of pneumonia.

As you can see, there are lots of deserving animals on set, and The PATSY awards were given out to just such outstanding animal actors ( Picture Animal Top Star of the Year); the very first was given to Francis the Talking Mule in 1951. Other recipients include Spike the dog for Old Yeller, Orangey the cat foruntitled Breakfast at Tiffany’s, and Sophie the sea lion for Dr. Dolittle. Nowadays it’s all about the Pawscars, hosted by the American Humane Society, where Crystal  the Capuchin monkey, aka “The Angelina Jolie of animal stars”, star of Night at the Museum and The Hangover: Part II, received the Lifetime Diva Achievement award recently. And this year the horses who trotted up the mountain in The Hateful Eight were awarded as well as Buttercup, the cat from the Hunger Games series.

Who is your favourite movie animal?

 

Central Intelligence

Kevin Hart and Dwayne Johnson meet up at their 20th high school reunion. Hart, voted most likely to succeed, once the prom king and a popular athlete, is now a mild-mannered accountant living in a nice comfortable rut. Dwayne Johnson is ecstatic to reconnect. A high school loser, he’s gone through life without many friends despite the fact that he’s central1reformed himself and leads a life of intrigue. Unfortunately for Hart, that intrigue’s about to hit a little close to home.

The movie opens with a fat joke. A 7 minute, visual fat joke. I didn’t laugh. I’m uncomfortable laughing at any joke where the punch line is somebody’s body. Dwayne Johnson IS the fat joke, seen dancing in a CGI fat suit, butt-naked, in a high school locker room. You’ve seen the previews, haven’t you? It’s brutal. That pivotal high school prank has haunted him his whole life, even now that he’s big and buff and rippling with impressive muscle (we’re supposed to feel like getting fit has made him a more worthy person, even though to lose the weight he’s quite clear that he had to be obsessive and unhealthy about it…not exactly a cause for celebration). So Central Intelligence and I got off on the wrong foot. But you know what? I’m glad I stuck with it.

This movie is essentially a piece of fluff. It won’t be remembered in the annals of history, or even among the annals of comedy, or possibly even the annals of The Rock’s filmography. But for an evening at the cinema, it’s definitely worth the price of admission.

Dwayne Johnson and Kevin Hart are a comedic duo that had to happen (their 13-inch height difference is often played for laughs – a bit of a barb in my side, reminding me how ridiculous I look standing beside Sean, who is 15 inches taller than myself). Their Screen-Shot-2016-03-17-at-1.30.47-AM-750x375-c.pngcharacters are one-note but a pleasure to spend an hour and a half with. The movie is action-comedy, which means there is never quite enough comedy, and the action itself becomes part of the farce and thus has no real consequence. But if you can put that aside, Kevin Hart is as good as we’ve seen him at the movies to date, even if he’s basically relegated to being The Rock’s straight man. Say what??? Yes – you read that correctly. The Rock is bringing the giggles. Together have crackling chemistry and they bro down in some pretty unexpected ways.

Sean said he could have used “a little less story” and it’s true it gets a little bogged down with the constant action, but man this movie does move along like Sean’s Mustang through a yellow light. Like Jay on an out of control, brakeless bike down a tree-lined hill. Like The Rock’s chest muscles after he’s been tazed.

There are even some well-chosen cameos; one was such a little nugget of happiness that it garnered spontaneous applause in the theatre. Don’t look it up. Just go and be surprised. Life is hard. The winter was tough. The news is sad. You deserve a little treat, a few hearty chuckles, and maybe even an ice cream sundae afterward. Yeah, I said it. Go ahead. You deserve it.