Best Original Score

Three of the five nominees can be easily ruled out. Jay and I have both commented on Hans Zimmer’s score for Interstellar, which I found so over-bearing that it even drowned out some of the dialogue. Trent Reznor has already been sufficiently honoured for his collaborations with Gone Girl director David Fincher, which worked even better in the Social Network. Alexandre Desplat is nominated for his forgettable score for The Imitation Game when he should have been nominated for his work on The Grand Budapest Hotel, which set the mood perfectly for Wes Anderson’s unique vision. That leaves Birdman and The Theory of Everything. Antonio Sanchez’s out of control percussion-heavy score was one of many elements of Birdman that kept me off balance. Sanchez deserves high praise for thinking outside the box and contributing to the uneasiness I felt watching the film. Jóhann Jóhannsson’s much more conventional music in The Theory of Everything moved me so much that it gets my vote though, inspiring me to ponder the endless possibilities in an infinite universe.

Best Original Song

I try and judge these songs on how well they fit with the movie that they’re written for and how well they add to the experience of watching it. So I won’t comment on the song if I haven’t seen the movie. Sounds fair, right? Unfortunately, that rules out three of this year’s nominated songs. I haven’t yet seen Annie, Noah, or Mockinjay, having prioritized seeing movies with more than one or two nominations. Lucky for me, narrowing it down to my remaining two choices makes it easy. Lana del Rey’s mysterious sound is wasted in the otherwise ordinary Big Eyes. Selma, on the other hand, ends on a high note that is so empowering, they could have played Gettin’ Jiggy Wit It through the closing credits and I still would have been choked up as I left the theater but, luckily, they played an original song from John Legend and Common instead. The movie isn’t over until the song has finished playing, with lyrics that bring us back to present struggles, challenging us to look to the future. I can’t imagine anything else winning.

Why are the Globes so early? I hit the Bytowne, Elgin Video, Redbox, and Google Play pretty hard over the last few weeks but still haven’t been able to see all the nominated films, with some still impossible to see in Ottawa without resorting to piracy. But here’s the best that I could do.

Best Animated Feature Film

I revisited a lot of what I’ve already said on this category in my reviews for the individual movies but we lost power in the office and I lost everything. So I’ll just say that I thought The Book of Life was loud, tedious, and had an amateurish sense of comic timing. And I still haven’t seen the Boxtrolls which, for all I know, could be the best of the bunch. But the other three nominees (How to Train Your Dragon 2, Big Hero 6, The Lego Movie) are all worthy. The Lego Movie is a clear stand-out though as one of the most inventive and funniest movies of 2014. The Assholes are pretty unanimous on this and I think the Hollywood Foreign Press- not to mention Oscar- will agree.

Best Foreign Language Film

These are always the hardest to track down. I sheepishly have very little to contribute here except that I loved Force Majeure. I relished debating and discussing it and couldn’t help but try to imagine myself in each of the character’s shoes. So far, it’s my favourite movie of 2014 and, although I hear great things about Leviathan and Ida in particular, I can’t help but hope Force Majeure wins.