Category Archives: Sucks ass

These movies are to be avoided at all costs. The only good thing about them is probably our review.

Toni Erdmann

Ines Conradi is a successful businesswoman currently stationed in Bucharest but poised for promotion and transfer to Singapore when this next deal goes well. Winfried Conradi is her father, a lonely man, socially handicapped and prone to the dumbest, most trying “pranks” on the planet. There is no such person as Toni Erdmann. Toni Erdmann is just what Winfriend calls himself when he’s wearing ludicrous false teeth and an even worse wig, which is his go-to costume for “pranking.” His pranks, by the way, consist mainly of toni-erdmann-5-rcm0x1920ujust showing up and being this weird alternate personality. He more or less stalks his daughter and endangers her career by showing up at her office and various work functions. If he was your father, you’d either die of embarrassment, or you’d kill him. No two people should survive a relationship like this.

Nothing happens in Toni Erdmann. It’s dull as shit. It’s 2h40min of fumbling through “comedy” that didn’t even induce me to crack a half-smile. What am I missing? This film has been a hit at festivals, including Cannes and TIFF, and was just nominated for a Golden Globe (best foreign film). But I didn’t get it. Sure Ines needed some unbuttoning, poor corporate stick i the mud that she’d become, but I don’t see the humour in a father constantly humiliating his daughter. I didn’t get the public nudity, or the unironic belting out of a Whitney Houston song. The whole thing missed me completely. What the father accomplishes, to my eyes, is not the unburdening of his daughter but rather her undoing – some of her choices seem unhinged and nervous-breakdownish, especially since they’re so often done at work or in front of colleagues. And it feels anti-feminist to say that because this woman is business-minded she’s also cold and in need of saving.

Toni Erdmann was agony for me, maybe more so because I’d actually been looking forward to it. But it was a chore, one that felt interminable for a time, a long time, a period of time that felt even longer than the nearly-three hour runtime.

 

My Christmas Love

Uh oh: two minutes in and this Christmas movie is already a Christmas breakup movie. She calls her “employee” (a guy who serves as a hunk on the Hallmark channel, I take it), who ditches his guy friends to console his heartbroken boss in her house on her bed on Christmas Eve.

So there’s also the following classic Christmas issues, compounded with some romantic movie cliches to keep them company: 1. her sister is getting married, and she needs to find mv5bota4ntnlzgmtogfkmy00mzhlltg5m2itzwe4mjk0ntgzngqzl2ltywdll2ltywdlxkeyxkfqcgdeqxvyodm4mjyxma-_v1_sy1000_cr006661000_al_a +1 before the new year 2. her employee is going to be alone for the holidays so he gets invited along to her dad’s farm 3. her mother is recently deceased and it’s the first Christmas without her.

So now we’re 5 minutes into the movie, and I ask: is there a single person among us who CAN’T predict the agonizing ways in which this is about to unfold?

The rest of her family isn’t quite feeling the spirit, but she’s going to plod along, talking quickly and pooping Christmas as she goes. Her hometown is crawling with cheek-dimpled ex-boyfriends that make her “strictly platonic employee” not jealous at all. Oh, and every day a lady in an old-timey bonnet shows up to sing a verse of 12 Days of Christmas, and gifts her with the turtle doves or the partridge or whatever. So fun, right? And totally original. But she reframes it as a “romantic mystery” so basically she doesn’t get out much.

This movie aside, I’ve had a lovely little holiday, and now I’m passing time at work watching whatever crummy Christmas movie I can find on Youtube while wearing Christmassy dino socks and dreaming about leftover pie at home. Hope your day has been good too.

The Christmas Card

A well-meaning church lady sends a card overseas to “the troops” – and “Sarge” is touched by its generic rah-rah words of encouragement when he receives it in “Afghanistan.” The church lady, who is blonde and pretty in a buttoned-up, conservative way, sends a sexy picture along with it. Okay, no, she sends a picture of the church (just what every soldier is hoping to get!) but it really gets him through a tough time, when his buddy gets blown to bits on a Red Cross mission (it sounds like someone didn’t really do their war research, but that’s the least of the troubles: the effects budget is so non-existent that you could get a better display out of the fireworks that are leftover in your local corner store on July 5th)(no need to fear anything graphic – by “blown to bits” I mean he received a fatal bloody lip).

Anyway, when Sarge goes back stateside to deliver dog tags and hugs to the grieving widow (who is not an actual widow), he can’t help but stop by this magical town with all the friendly, letter-writing people.

Meet cute: they both order a chicken salad sandwich on rye with extra crispy curly fries and hot chocolate with marshmallows. Dear baby Jesus. That’s not a meet-cute, that’s a meet-butt fugly.

Anyway: “good news” – everyone in town’s a church goer and he has no trouble getting escorted to the pictured church , has pew-mates lined up and everything. He’s welcomed by an old man played by Ed Asner, which, let’s face it, is the only reason I’m watching this thing. The old guy wastes no time (was it even 10 seconds?) before introducing his “somewhat attractive daughter, Faith” – who just happens to be the curly fry lady from the day before, who just happens to be the card-sender who inspired his trip in the first place!

Anyway, if you ever feel the need to combine a badly-acted, terribly-written cheeseball holiday movie with a flag-waving, hero-worshipping war and god movie that’s super light on war and pretty heavy-handed with god, well, I can’t imagine a more obnoxious combination than The Christmas Card.

 

Waffle Street

Waffle Street is a slice of life with too much syrup and not enough sustenance.

A Wall Street-type loses his job at a financial firm – doesn’t just lose it actually, gets fired and scapegoated for the firm’s shady dealings, of which he is also guilty. Wanting to redeem himself by doing “honest work” for a while, his fancy suit and attache case get his 160316114714-waffle-street-still-01-780x439resume thrown out of places from carpet fitters to mechanics. Only a chicken and waffle restaurant will take him, where he’ll fall under the tutelage and benevolence of grill man Danny Glover, who insists on being called Waffle Daddy.

This career downgrade means he and his wife have to sell their nice cars and sprawling home just as they are expecting a baby. But driving a Honda and owning a bungalow don’t elicit a whole lot of sympathy. The financial crisis that this dude helped create had far more dire consequences for millions of people.

This “riches to rags” tale is apparently based on a true story, but the movie feels the furthest thing from authentic. Low budget, bad acting, and sub-par script are all at play. This just doesn’t ring true. The voice overs, however, are unforgivable, and inspire almost as much nausea as the disgusting clogged toilet scene that for some reason was necessary to show in gory detail.

Since this is a rich white dude’s story, he of course isn’t satisfied with being a lowly server for long. Instead, he’s punching his time card with the ambition to soon open up his own franchise. And don’t worry – if the path isn’t as straight-forward as he thinks, he’s got a rich white father and a rich white grandfather both prepared to step in with wads of cash at a moment’s notice – but only if he’ll agree to take some time off soon. Because it turns out that working as if you’re poor and your life and family depend on it is really hard. It’s just too bad the film doesn’t know enough to be self-conscious about this.

Chronicles of the Ghostly Tribe

Mongolian border, 1979: soldiers are exhausting themselves digging a mine, but damn do they believe in the cause. They believe it so hard they break into song when they’re not collapsing of altitude sickness. Is this a propaganda movie? Wait: a rumble. Our hero, Hu Bayi, turns toward the tunnel in time to get hit by the force of an explosion, an explosion seemingly caused by the recent unearthing of gigantic fossils.

Many are dead, but the explosion has opened up enormous caves that lead down into previously unknown parts of the mountain. What are the fossils? What secrets does the mountain possess? A brave few volunteer: Hu Bayi (Mark Chao) of course, the venerable Professor Yang (Wang Qingxiang), and the professor’s beautiful daughter, Ping (Yao Chen).

The expedition encounters a footprint of enormous proportions. They haven’t seen yet what we’ve seen: a dragon or dinosaur or big reptilian animal of some sort. Yikes. They march on, tracking the prints, when a flock of pink bats suddenly attack. The bats can change colour, and dodge bullets, and also dive into humans and incinerate them from the inside out.

With fewer and fewer survivors, the stakes get higher, the surroundings more treacherous and the CGI more ludicrous. Slo-mo avalanche deaths? You betcha. Super slo-mo avalanche deaths? Why the hell not.

And that’s when things start to get super messed up. When they stumble upon a temple, they chronicles-of-the-ghostly-tribe-5open up a portal the releases…well, I’ll call them hell bats for the sake of argument. We can debate the semantics later. Net result: Hu is the only one left standing. Years later, present day: Hu lives in NYC and spends his time studying demonology. And this is when shit gets EVEN MORE MESSED UP.

Directed by Chuan Lu, Chronicles of the Ghostly Tribe (Jiu ceng yao taIt) feels like the genetically modified bastard child of Indiana Jones and X-Men Apocalypse, only without the budget. Asia doesn’t really do sci-fi the way we understand it, but they do love the supernatural and they love love love a monster movie. Put them together, subtract reason and logic, multiply by two hours of subtitles and what do you get? A movie I regret watching.

A Million Ways to Die in the West

So my mother gave me a film recommendation last weekend. She couldn’t remember the title, naturally, but she said it was an 1800’s western where they “say modern jokes.” Had my brother-in-law not come to the rescue I may never have guessed Seth McFarlane’s A Million Ways to Die in the West. A critical and commercial flop, I would never thought that its only thought was my mother of all people: the woman who taught us that “shut up” and “vagina” were bad words, and who to this day can barely utter “Frig” when the absolute worst has happened.

a-million-ways-to-die-in-the-westYet just ten seconds in, someone’s shouting “Pussy!” – a term I’m sure was used very sparingly in the western novels by Louis L’amour her father always read. Then there’s the death by flatulence, and Oscar winner Charlize Theron’s fat ass, and Sarah Silverman’s sore asshole. And MY MOTHER WATCHED THIS.

The premise of the movie is “the west fucking sucks and I bet I can get a lot of mileage out of that.” In truth, you can get a little mileage out of it.  Seth McFarlane, managing to only half sound like Peter Griffin, somehow attracts not just Theron but Amanda Seyfried as well, even though he’s a terrible sheep herder and looks stupid in a bolo tie. There are a few laughs along the way but the plot is useless-to-nonexistent, yet it still takes entirely too long for nothing to ever happen.

So, Mom, what was your favourite part? The daisy up the butt? The 15 year old spinsters?maxresdefault The sheep penis? No, wait. It was the pooping in hats, wasn’t it? I bet it was the diarrhea-filled cowboy hats that really got you giggling. A Million Ways to Die in the West will cost you 116 minutes of your life, but finding out your mother has a dirty, disgusting sense of humour? That’s priceless.

 

A Witches’ Ball

Little Beatrix, age 12, goes to witching school. It’s like whatever the Harry Potter school is called, only without proper special effects, so the magic is mostly just stuff they can get away with rolling backward. It would be embarrassing if anyone in the film had a sense of shame.

Beatrix is in fact about to “become full witch” which does not involve a witch period as I first suspected. It means she passed her final exam (she made a dead rose come back to life) and will join her fellow new witches at a graduation ceremony just for MV5BZWI0OTczMTItNzFlNy00MjIwLThjYzMtNTIxODQ2ZDQ0N2Q3XkEyXkFqcGdeQXVyNjI4Mzg5OTg@._V1_SY1000_CR0,0,1497,1000_AL_them – the 642nd annual Witches’ Ball, on Halloween night. She’ll graduate alongside her mother, who, being a non-witch, has just converted, and the bitchy witch who’s been bullying her at school for not being “pure blooded” enough or some such bullshit.  Anyway, as class valedictorian, Beatrix receives her crystal ball ahead of the ceremony, for inspiration. And she immediately breaks it. Well, bitchy, witchy Jasmine does, but it amounts to Beatrix being in big trouble – possibly barred from witchery forever. So she enlists the help of a talking pumpkin (voiced by Weird Al) and her enchanted pet rat (voiced by NSYNC’s Joey Fatone) to solve an excessively lame set of riddles that will somehow mend her broken ball.

Even for a knock-off, made for TV (I’m assuming) kids’ witch movie, A Witches’ Ball is excessively mediocre. There are no production values to speak of, so instead I’ll just list some incontrovertible facts. The quest feels like an episode of Dora The Explorer. There’s a talent show whose sole existence is to provide an excuse for a wand-themed rap. The magic comes and goes at someone else’s convenience (definitely not mine). There’s a pop song that sounds dangerously like copyright infringement (Girls Just Wanna Rip Off Other Girls?). There’s an inexplicable adult-wide blind-spot where no grownup can identify bullying when it happens right in front of them. And perhaps most egregiously, there’s a lisp. I don’t know when we decided as a culture that no cute kid was complete without an inability to pronounce the letter R. I find it particularly offensive when a kid is forced to pretend to have a lisp. This kid is 12 years old – that’s not a cute lisp, that’s a speech impediment. Fake lisps are unforgivable.

Anyway, I frankly cannot fathom how you’re managing to celebrate Halloween without this movie in your life. Obviously.

48 Christmas Wishes

Just when it seemed that Jay had reviewed all available made-for-TV Christmas dreck, 48 Christmas Wishes was suggested to us by Netflix. Netflix obviously has not been reading Jay’s reviews of similar fare. After a quick check to make sure we really hadn’t seen this one we pressed play, because we couldn’t leave our job unfinished.

48 christmas wishes48 Christmas Wishes deviates a bit from the standard formula because there is a dead dad who has not come back as a ghost, and a grieving widow who does not feel the need to latch onto the first available big city wreath salesman.  Instead, it has a family of three who lost their husband and father six years ago on Christmas, who are helped by three misguided elves-in-training to rediscover the Christmas spirit.

One might give credit to the writers for mixing up the standard formula for these films, but I suspect to the intended audience these changes came across as missed opportunities. Awkward romances, it turns out, are preferable to children’s shenanigans that felt ad-libbed due to their terribleness but the more we saw the more it felt they were part of the script. It’s just that the script was thrown together with no thought or care whatsoever.

As you’d expect, Christmas is saved by the end, thanks to three child-sized elves who literally ruin everything they touch. All part of Santa’s plan, as it turns out. Santa doesn’t take the time to explain why the fate of Christmas rested on fulfilling 48 Christmas Wishes from a small fictional town unfortunately named Minnedoza, but I’m sure there is a perfectly logical reason for that too.

I’m still waiting for one of these films to go dark and have the creepy ex-boyfriend turn out to be the serial killer he comes across as. 48 Christmas Wishes is not that film, though I think the adult elf (supervisor of the child-sized elves) came close to torching Santa’s workshop a few times. But maybe that was just me making my own Christmas wish, for the sake of decent movie-lovers everywhere, that this movie would disappear.

Christmas Matchmakers

Jon (Andrew Rogers) and Jen (Anna Marie Dobbins) are two harried assistants who bump into each other in their building’s cafeteria fetching coffee for their respective bosses. Although the coffee is expected imminently, they stop to bitch about how overworked they are, how demanding their bosses are. The next time they exchange coffee (not a euphemism), they hatch a plot to set their bosses up without them knowing…because if they’re in love they’ll somehow work less. Which may have some merit but is seriously creepy and crosses great-wall-shaped boundaries. But the scary thing is: it works. Kate (Vivica A. Fox) and Owen (Dorian Gregory) are two type-A workaholics who just get each other.

If this is sounding a bit familiar, well, it should. It is the EXACT same story as the Netflix original Set It Up. Exact same, except this one is set around Christmas. And of course the fact that everyone involved in Set It Up is galaxies more charming and competent than the people here. I’m normally quite skeptical of celebrity offspring, and I was wary of Zoey Deutch (daughter of Lea Thompson), but she keeps surprising me. She was luminescent in Set It Up but has shown a lot of range since then. The movie also stars Glen Powell as the other assistant, and Lucy Liu and Taye Diggs as the two bosses. If you’re in the mood for a rom-com, watch Set It Up instead. If you want to make it feel Christmassy, stick a candy cane in a mug of cocoa and put on a second pair of socks. Ta-da: Christmas!

I don’t think the actors in Christmas Matchmakers are the problem. When you compare the two films side by side, the script is definitely the culprit. It’s like Christmas Matchmakers was done by feeding the Set It Up script into Google translate – converting it to Japanese, and then back again to English, and then editing out anything that sounded suspiciously authentic in favour of cliches and stilted dialogue. Honestly, I didn’t even realize I liked Set It Up until I watched this movie, and suddenly I had a whole new level of appreciation for it. This is my Christmas gift to you.

A Royal Winter

Maggie (Merritt Patterson) is that special combination of both white and privileged in that even as she’s unemployed and looking for her first job as a lawyer, she gets to go on an impromptu European vacation, to Calpurnia, a veritable winter wonderland.

Maggie is so enthralled with the snow-capped architecture of the tiny kingdom that she nearly gets run over by a dude on a motorcycle. Luckily Adrian (Jack Donnelly) not only runs over her hat but rescues it as well. And with that, a romance is born. But what Maggie doesn’t know is that Adrian is actually crown prince Adrian, future king of Calpurnia. He lies because it’s “refreshing” that she isn’t in to his “celebrity” and stuff like that.

Adrian’s mother is very disapproving of her son’s playboy persona. He wants to do revolutionary things like invite the lowly public to his coronation, and date American tourists, but his mother is having absolutely none of it. But it’s not just the aristocracy that will have to learn to follow their own path instead of the one their parents forge for them. Adrian’s default is to run away, but with his resources, it’s Paris he proposes – except in a stroke of terrible timing, the job Maggie interviewed for is now calling her home, urgently. How will love prevail?

Trust in Hallmark, folks. They will find a way. Obviously this whole marrying a prince at Christmas thing is a really big business and they’re following a time-tested formula to squeeze every last drop from the trope and more.