Three middle-aged best friends are on vacation, more or less. They have left behind children, lovers, and burdens to spend some quality time together, although they may not all agree to which degree they are technically vacationing. Elise’s (Axelle Laffont) daughter is spending time with her father, Sonia (Marie-Josée Croze) is planning to meet her married lover in Spain, and Cécile (Virginie Ledoyen) is hosting them at her former family home. She hasn’t been there in 3 years but finally intends to clean it up and put it up for sale. She has mourned her husband and will now mourn the house. Elise and Sonia, however, are a little more open to fun.
In between packing and dusting, Elise and Sonia lure Cécile to the beach where they catch the eyes of some handsome young men who are leading a junior sailing expedition. Desperate to be noticed, Paul (Waël Sersoub) deliberately capsizes a child in his care so he can showily strip off his shirt and engage in some heroics. Most seasoned ladies would be wary if not downright insulted by such an obvious pick-up scenario, but Elise and Sonia are at least down for some harmless flirting. When they are spotted by the same guys at a club later that night, it seems like the vacation god Tequila is determined to make a match. Elise pairs off with Paul, while Sonia, still waiting to hear from her married boyfriend, spends time with shy and sensitive Julien (Matthias Dandois), who is easily smitten. The next day the boys bring a third friend for the ladies’ third friend, though Cécile, who is already scandalized by the age difference, is horrified to recognize Markus (Victor Meutelet) as her children’s not-so-long-ago babysitter.
The world has long since come to expect May-December romances and is usually fairly tolerant of them, so long as the December is male. In this case, the ladies are the more mature (and for their sake I feel compelled to point out that the boys are April-ish at best, and the ladies are perhaps late August to mid September). Is such an age difference the end of the world? Surely not. Has it the makings for an exciting summer fling? God yes: boys in their 20s are in their sexual prime – athletic, energetic, full of lust and dripping with stamina. Nearly a perfect match for a woman in her mid to late 40s who is just now hitting her own sexual peak; unburdened by the fertility aspect, she’s learned what she wants and how to get it. There may be fireworks in bed, but considering how women already mature faster than men, can this dynamic really work outside of the bedroom? MILF doesn’t really have an answer. It lacks purpose, and frankly, even passion. When Stella got her groove back, both Angela Bassett and Taye Diggs brought the heat. Their Jamaican romance may be partially responsible for global warming. MILF doesn’t come close, except as a cautionary tale for young men to get the fuck off of YouPorn before it ruins you for good.
The movie thinks MILF is a compliment (as opposed to cougar, which suggests that the older woman is purposely hunting), but for most of us, it leaves a bad taste in the mouth, and even isn’t accurate since one of the women isn’t even a mother.
Axelle Laffont’s direction isn’t particularly inspired, a fine pairing for a decidedly lacklustre script, though it must be said that she’s certainly not afraid to objectify her own body through a camera lens. There was no need to convince us: these 3 ladies are hot and could believably land any man they wanted. What of it? Well, no one’s really thought much beyond the sex, and if nothing else, these experienced ladies should have known better.