WARNING: MAJOR SPOILAGE AHEAD
Oh hello, old friend. Less than two minutes in and we have our first dead body. Love the feel of these movies, it’s instantly cool. Mickey Rourke as “Marv”. Familiar growl. Loving the stark contrast of the snowfall in black and white. This narrative is reminding me very much of the first one. Like, a LOT. Like, am I accidentally watching the first one?
Nope. It’s the second one. Jessica Alba’s still sexy. How many babies does she have now? Damn.
Oh shit. Man on fire. “Burning meat.” This explains the first dead body – a weird sense of vengeance. Good citizenry on Marv’s part. Ooooh, lots of breaking glass as he flies through the windshield. I hope that means this movie was released in 3D. Aaaannnnd there’s our first explosion, 4 minute mark.
Oooh, getting arrowed half to death, the noosed the rest of the way. And first slit throat, 5:10. White blood gushes toward me and splashes me with the fact that Marv has just murdered a “brand name” – and he happens to be wearing his coat. Oh that Marv. Conveniently can never remember a damn thing.
Credits: lots of old crew back. Some new faces. Tragically no Clive Owen. Stupid. Jeremy Piven? Seriously? Oh fuck. What have I gotten myself into?
Oooh, cool effect on the shuffling deck of cards. Like that.
Joseph Gordon Levitt. I like him. No replacement for Clive Owen, mind you. Looking very young in black and white. Not nearly jaded enough for this movie. He does have the smug asshole look down though. Been practicing that one in the mirror, eh, Joey?
I was super relieved not to see Rory Gilmore in these credits. Now we’re in a bar where we see some colour on the purty, near-naked ladies. Painted lips. Redheads.
Room full of card sharps. Look like white collar criminals by day. Still wearing their bankers’ shirts. Some heavy shit gambling going on in here. And Joey’s already raking in the chips while Jessie’s in another room with sexy laces all up her thighs, spying on the poker as it plays. Oh, Joey’s playing “the senator”. For HIGH stakes. Bound to be trouble. Jessie’s got a gun. Joey’s got the goods and leaves with lots of coin. A cop player warns him to run – he can’t protect him.
Jessica Alba’s back to dancing. Using the gun as a weird prop. And here enters King Willis. Jessica Alba is nearly ready to shoot the senator as he leaves but doesn’t. Bruce mentally whispers for her not to avenge him. It’s very dramatic, the mental whispering.
JGL is showing his floosie a good time on the town but then his credit cards go mysteriously bad. They’re beign followed and it “smells all wrong.” He confronts the thugs, as big as bulls, and takes them both down. Now he looks clean cut but menacing, a few hairs out of place. He gets into a car with the senator to “go downtown.”
“You made a fool of me, boy.” The senator is displeased. He’s brought pliers, so others will know that they shouldn’t fuck with power. Oh, yup, those fingers are messed the fuck up! And now he’s shooting him, just for good measure. Now everyone else will knowthe senator’s a super sore loser. What the what? Turns out JGL is “one of his” – ie, the senator’s son. One of many bastards apparently. Shit. Son vows vengeance and knowing this movie, there’ll be plenty of it.
Josh Brolin (Dwight) now, creeping on Ray Liotta and some young blonde. He vows this is the last time because his wife is making threats. Doesn’t stop him from taking her dress off. Josh Brolin taking secret pictures. Didn’t need to see Liotta’s ass, and neither do you. After one last (short) fuck, he’s forced to kill the girl to keep the secret so out comes the gun and – more breaking glass! – Clive Owen’s shitty replacement flies through the skylight to smash Liotta’s face in and save the dame, who, it turns out, is not a blonde, but a REDHEAD.
Some coloured neon lights in “old town”. More throaty narration. Dwight brings the photos to Liotta’s wife, having left him beaten and handcuffed to the bed. He’s dramatically remembering some terrible thing that he did (but not sharing it with us) – must be pretty bad because he calls himself a monster and screams into the night while kneeling next to a cliff. SUPER GODDAMNED DRAMATIC.
Back at the office, Dwight gets a call from Ava. Goes to meet her at a saloon. Jessica Alba (Nancy) is dancing in a red wig. Ava appears, blue coat, worth the wait. As tall as he is. Has been thinking of him. He still cares. She gets whisked away for unpleasant business. Dwight tries to talk himself out of it but has to follow her. Spies on her naked. Glorious. Worth the price of admission. Dwight is so enthralled by her luscious buttocks slicing through the pool water he gets surprised by henchmen and falls off the roof. She allows him to be beaten. Badly.
Tossed out of a car, looking pretty rough. His mustang mysteriously returned to him. Ava naked (with a cigarette) in his bed. Shadows in all the right places. Offers herself to him. He threatens to bash her teeth in. This seems to turn her on. He does in fact smack her good before they kiss. Blowie implied, reverse cowgirl, and then more standing around naked, her beautifully on display, him mercifully shadowed. Tells Dwight that her sadistic rich husband allows her to run away only because he knows she’ll always be found, and then disciplined with her transgressions. And then Manute shows up, or has always been there, and though he’s recently enjoyed beating the crap out of Dwight, he does it again, for good measure. More breaking glass as Dwight goes out the window.
Nancy in chaps. Dwight and Marv at the bar. Drinks. Dwight tells Marv about Ava and his eyes “go killer red.” They charge her compound. Two beasts beat the living crap out of each other. More breaking glass. One literally plucks a pulsing eyeball out of the other. Luc can tell by the look on my face that I’m not liking this bit. Meanwhile, Dwight seeks out the evil, rich husband who’s sitting around in his sexy satin robe. Some red blood. Ava is not really covered in a diaphenous robe that’s pleasingly see through and nipplerrific. She accuses Dwight of murdering an innocent man. Apparently this was her plan all along, and he’s made her a rich woman. She shoots him, vowing never to make her living on her back again. Boy he sure fell for her tricks. Aaaaand breaking glass. Jeez. You know you’re having a bad day when you fly through a window for, what? the third time?
Oh hot damn! Bullet in the eye. Didn’t need to see that. Love how he’s still breathily narrating away though. Tough old bugger. Eye for an eye, eh?
Ava is crying to the cops, fingering Dwight for the whole thing, wearing a few more clothes and not as much smutty lipstick. Tells them a whole tall tale. Jeremy Piven is as annoying as I imagined. Maybe more.
Marv is getting Dwight to a guy he knows who’s good with bullets. The girls of Old Town come out with their guns drawn. Rosario Dawson (Gail) in a weird S&M luchador mask.
Ava is naked again, in the bath. Smutty lipstick in place. Detective calls her. He’s also naked. The better to masturbate by? He’s “thinking about her” (this is code for has wood). She “can’t bear to be alone” which is code for : I wish to manipulate you and he and his wood go running.
Gail and her weird mullet just knew he’d be back. And deadly little Miho! Um, dude, she doesn’t recognize you because a) you used to have 2 eyes and b) you used to be handsome Clive Owen. Miho doesn’t kill him because he saved her ass when she was 15. It is unclear why she was threatening to kill him in the first place. He’s hanging around for “more surgery.”
The detective is of course in love with Ava. Is so turned on by her describing a fictitious rape that he has to fuck her on the spot (um, sensitivity training, anyone?) Even Jeremy Piven is disapproving. Detective humps like a dog. Dwight calls and she answers mid-hump. He’ll be coming for her soon. Ava wants the detecting to kill Dwight, but only if a) he’s a man and b) if he wants to ever fuck her again. Jeremy Piven for some reason just doesn’t understand and so he must die: shot through the eye. 3 eyes in under an hour, folks! Show of hands – who’s doinga happy dance that Piven’s already dead?
Oops. Detective puts gun to his own head. Misses his eyes but this one’s gone too.
Ava’s already loving up on warty mcwarterton – Stacy Keach unrecognizable as Wallenquist – who counsels her to procure Dwight’s suicide, and a suicide note confessing to her crimes. Luckily (I assume), Rosario Dawson is undercover (or simply making a quick couple of bucks) as a waitress at this shindig so when a sketchy dude gets off the train and meets Manute, she’s there to meet him in a blonde wig. The wig budget on this movie must be incredible. Rivals the prosthetic eye budget I bet.
And it turns out sketchy train dude is in fact Dwight, post-op. He has floppy hair now. Like Clive Owen? Except you wish! Manute sees right through the ruse. Henchman does not see through Rosario’s southern accent (possibly the leather bustier is helping). Miho, hiding in the trunk, swords him right through the neck. Sounds wet.
Guess who’s naked again! “You can’t make a sale without showing the goods.” Ava comes on to him and he actually has to steel himself not to fall all over her. Huge explosion. Breaking glass. Oh no, pretty naked girl will have scars! Wait, was that an arrow through the eye? Oh! Multiple beheading!
Manute is cocky – takes 6 shots, but not a single head wound. Four more will kill him though (again, I assume). The only 2 left standing, Dwight and Ava celebrate with a kiss. Their tongues are still touching when he pulls the trigger.
Hey. Little JGL is back, knocking on Doc Brown’s door. Doc Kroenig in this movie, I guess. Same crazy hair though. Jesus. “Sterilizes” the scalpel with a nice dirty rag wipe. Extricates the bullet in young Johnny’s leg. Trades his shoes to have his fingers straightened. It’s pretty awful. Now he’s shoeless and it’s raining and he’s feeling pretty sorry for himself when he remembers – the girl!
He goes to her, but daddy’s already gotten to her. Severed hand on the table. Wait. Two severed hands. And there’s her head. Severed. Little Johnny dives through an (open) window to escape. And all he can think about is gambling. Yes, gambling will be his salvation.
Oh shit. Lady Gaga and Madonna’s 1984 eyebrows make an unwanted appearance. She should stick to flushing her music “career” down the toilet. She gives him the buck he needs to get back int eh game.
Tracks daddy down. Gets into the game. Is dealt some good cards, real good, but keeps folding. Pourquoi?
He goes all in. Daddy has 4Kings. Baby has 4 Aces. Oh damn. Little Johnny wins and gets a bullet in the head. But it was a moral victory, right?
Meanwhile, Nancy is visiting Bruce Willis’s grave. He whispers more advice to her as his ghostly self. The senator is fixing to do away with her next – blames her for his yellow son’s death (remember the yellow dude from the first movie?). She’s been hitting the bottle, and the target range.
Nancy wants to show ghost Bruce Willis how she can take down a senator by “going crazy” and like all crazy women, she cuts her own hair. The senator pays her a visit and brings a good old fashioned switchblade. Seems to have the same obsession with making ladies scream as his yellow son. But the apparition was just a dream? I guess that’s why no one lost an eye.
Next stop on the way to crazy town: smashing your face into a mirror. Using broken mirror shard to cut own face. She’s all stitched up like Frankenstein’s monster and recruits Marv for backup. He’s game. An unexplained motorcycle gang is no obstacle at all.
“There’s no reason to leave anybody alive. Nobody’s innocent.”
When did Nancy learn to shoot a crossbow? She must be watching The Walking Dead. Marv just pops someone’s head. Like, crushes it until it bursts open. And chalk another one up for the eye count. Mirrors continue to be Nancy’s nemesis – she gets confused and in her undoing, the senator shoots her, then sexually harrasses her while she’s down.
Bruce Willis’s ghost to the rescue! The senator sees dead people. Nancy regains upperhand and kills him. Dirty rotten town. Roll credits.
What did I think?
This movies does little to improve upon the first.
“Rehash” comes to mind.
Tries to use women as more than props but given the nudity of our femme fatale, I’m not sure they’ve won any points.
Decent, I suppose, but hollow. The first one felt almost ground breaking, and this one just rode on its laurels. If you have 7 years between films, the audience is going to expect something more. Up the ante. This was just cashing a cheque.