Tag Archives: Daniel Radcliffe

Child Actors

You probably heard the controversy surrounding Angelina Jolie’s new movie about Cambodia. In a recent article in Vanity Fair, she admitted that in order to find a Cambodian child who could play a large role, the casting directors set up a game. They put money on the table and asked the kids to think of something they needed money for, and then to snatch it away. Then the director would pretend to catch the child, and the kid would have to come up with a lie. The little girl who ultimately won the part, Srey Moch, distinguished herself by being the only kid to stare at the money for an extraordinary length of time. Jolie said: “When she was forced to give it back, she became overwhelmed with emotion. All these different things came flooding back. When she was asked later what the money was for, she said her grandfather had died, and they didn’t have enough money for a nice funeral.” You might think that’s a clever way to see a child’s range of emotions, or you might think it cruel to go into a third world country and taunt children with money. The internet seems to favour the latter.

It got me thinking though – what DO auditions look like when you’re casting a kid? Typically, not like that. Even for small children, casting directors will typically work off a script.

Something in the neighbourhood of 40 000 kids auditioned for the part of Harry Potter. Steven Spielberg had wanted Haley Joel Osment for the part and backed out of directing the project when he clashed over this with JK Rowling. Daniel Radcliffe landed the part: “My mum sent in a Polaroid of me to the BBC, because I’ve always wanted to act since I was five. My mum and dad never thought it was a very good idea. I went for about five auditions and then I got the part. The best thing about filming is going to all the different locations and staying in hotels. They have Sky and I haven’t got that at home.”

922af5a6afe0a38af48e22b17347eb8c--drew-barrymore-young-celebrity-kidsSpielberg lost that battle but he normally has a pretty keen eye for casting the right kid in his movies. Drew Barrymore recalls auditioning for him for Poltergeist: “lied my face off. I told him I was in a rock ‘n roll band. I was a drummer, of course, because drummers are the coolest, and that I was a cook.” He didn’t think she was right for Poltergeist but kept her in mind for something else…and that’s how she landed E.T.

Haley Joel Osment also went on to star in a Spielberg film – A.I. Artificial Intelligence. Osment’s acting career started by accident at the age of 4 when he and his Mom randomly ran into a talent scout at IKEA. When he got called in for his first audition, he was asked to describe the biggest thing he’d ever seen. Osment talked about seeing a movie in IMAX, and that’s how he got cast in a Pizza Hut commercial for their “Big Foot” pizza. The rest is history.

 

 

“What’s interesting about casting children is, some children understand instinctually how to be still in front of a camera,” casting director Fiona Weir explains. “That isn’t something you can teach kids; it’s something they understand or not. Acting on-camera is b0d3c2e59c77845d83baab01078af08fabout being, not about performing, the way that children often do in school plays, making something bigger. It’s not always the noisy kids that we’re looking for; it’s the quiet kids at the back.” That was very important when Weir  was casting for Room, in which a 5 year old boy and his mother escape their rapist-captor. One of those quiet kids was 7-year-old Jacob Tremblay, who caught her attention fairly early in the casting process. He had the interiority Weir and director Lenny Abrahamson wanted to see. “It was very evident how gifted Jacob was,” Weir says. “He’s a really bright and inventive child.”

Kirsty McGregor had a grueling search of her own when it came to casting the part of the young Saroo Brierly, the child from Lion. She scoured schools in Mumbai, New Delhi, and Calcutta, and spent months watching 2,000 taped auditions, conducting 200 in-person workshops, and coordinating callback after callback to get the right young Saroo for the movie. She culled the prospects from 2000 to 200 and flew to India to see them in person, with director Garth Davis. “We’d start in larger groups of 10, and we’d do workshops and rs_634x1024-170226153353-634.Sunny-Pawar-Oscrs.ms.022617play games, and we took our acting coach Miranda Harcourt, who’s amazing with kids, with us. We had an interpreter, obviously, and from those groups of 10, we narrowed it down to the final list and called them back again. It was a very thorough process. It was about four months from the time they started putting people on tape in India to when they started doing callbacks, and it was long and very intense every day, with another 100 or 200 tapes coming in. You can’t miss anybody.” Eventually they paired their top two youngsters with the top two adolescents would would play the older brother, and found the right chemistry. Anyone who’s seen Lion will know that little Sunny Pawar was a particularly bright spot in the film and he really livened up the red carpets during awards season, just as Jacob Tremblay had done the year before.

 

Have you heard any juicy stories about kids auditioning for parts? Ever auditioned for anything yourself?

 

 

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Top 10 Movie Scars

Scars are a movie shorthand. Bad guys often have visible scars, gruesomely healed. Austin Powers’ Dr. Evil has a huge scar, from the corner of his right eye down to his jaw. Freddy Krueger from Nightmare on Elm Street is extensively scarred. Staff Sergeant Bob Barnes in Platoon has a face meant to tell you how crazy he is, right from the start. Most but not all of the scars on this list are found on villains, but in real life scars can criss-cross the bodies of all kinds of people, even, occasionally, good ones. Scars are portraits of courage and bravery, reminders of stupid decisions, the markers of time and change. My left arm was left completely scarred after a car accident; oddly, it is NOT the arm covered in ink (okay, it’s partially covered in ink). They make me a little sad, but also a lot grateful: scars mean you’re still alive.

tumblr_inline_nt3aoaZFge1tpfg2f_500.gifThe Joker: I suppose there are probably dozens of back stories as to how The Joker got his scars, but I love how Chris Nolan approaches them in The Dark Knight. The Joker himself tells several vastly different tales involving their provenance, which reveals nothing about their true nature, but tonnes about his sanity. The way he accents the scars with makeup makes us think he’s proud of them. He wants them to be noticed. Perhaps he wants us to believe they’re self-inflicted. Perhaps they are.

Tony Montana: It’s inevitable that a character nicknamed  ‘Scarface’ will make this list. tonyTony is blase about his scar, laughing it off, attributing it to his youth but never getting specific. It’s obviously a reminder of the past he left behind, and it’s a focal point to his enemies, something that makes him look scary and intimidating, perhaps warning them that he’s capable of violence. But in true Tony spirit, he addresses his scar only thusly: “You should see the other kid; you can’t recognize him.” I bet that’s true.

20110713_scars-1-harrypotter.nocrop.w375.h670Harry Potter: Harry got his distinctive lightning-bolt scar in a failed murder attempt, when Lord Voldemort put a killing curse on him (his mother’s sacrifice saved him from death, but he would bear the mark of the attack). The scar is legendary among the magic set, and it tingles whenever the Dark Lord is near. It wasn’t just a warning system, but a link to what Voldemort was thinking and feeling – actually a small piece of his soul, yearning to escape. Which is pretty crazy.

Edward Scissorhands: Edward’s face (and not just his face) is covered with fine scars, 350191the obvious result of learning the hard way how to live with scissors for hands. They aren’t terrible to look at, and actually give him a sympathetic look, reminding us of his hardships. Since the movie skewers conformity, Edward’s scars are just another thing that set him apart.

Randy ‘The Ram’ Robinson: Randy shows stripper Cassidy some of the many scars he’s accumulated over his years in the ring as ‘The Ram’ in The Wrestler. His broken body is a good indication of his mental state as well, beat down and tired. “He was pierced for our transgressions, he was crushed for our iniquities; the punishment that brought us peace was upon him, and by his wounds we are healed” Marissa Tomei quotes from the Old Testament. But his worst scar is yet to come: he undergoes bypass surgery on his heart, leaving the tell-tale scar down his chest, a constant reminder that his heart can no longer take the stress of his career. He’s forced into retirement, but can’t quite commit to it.

90f7a43a2555ef092a3825e3a5574878Marv: Sin City’s Marv puts Mickey Rourke on this list twice, ironic considering his own not-insignificant scars. In the 1990s he took up boxing, and had to have lots of reconstructive surgery as a result – two broken noses, a smashed cheekbone – but admittedly went to the wrong doctor to put things right. Finally, after massive amounts of plastic surgery, he’s starting to look good again. Regardless, in Sin City, Rourke’s face in prosthetic scars. Marv is supposed to be too “ugly” to attract the opposite sex, which is why his relationship with Nancy is so pure and good, and highly cherished by him.

Scar: In Lion King, Mustafa’s brother is marked for evil by eye-skimming scar that leaves him disfigured. The movie doesn’t tell us how he got it, but we do kn1000px-Gill-FindingNemo3Dow he’s defined by it, bearing its nickname.

Gill: Gill has terrible scarring to his face and fins after an escape attempt left him badly
wounded by dental tools. Voiced by Willem Dafoe, Finding Nemo’s Gill seems dark and brooding because of his scars, but we come to understand that they’re a symbol of his fight for freedom, and what the fish are willing to risk in order to be free.

tumblr_mlg4d5SRte1s3oe2qo1_250.gifInigo Montoya: “Hello. My name is Inigo Montoya. You killed my father. Prepare to die.” A mysterious man with 6 fingers attacked Inigo’s father, and presumably Inigo’s scar is from that same fight. His greatest wish is to avenge his father’s death, and he spends much of The Princess Bride pursuing the man who left so many scars in his wake.

Darth Vader: Vader’s scars represent his turn from annoying emo brat to pure evil. As main-qimg-b22185b5f56500fa08f9e8b3a426e005-c.jpgthe ghost of Obi-Wan tells Luke: “When your father clawed his way out of that fiery pool, the change had been burned into him forever – he was Darth Vader, without a trace of Anakin Skywalker. Irredeemably dark. Scarred.” Those scars are kept underneath a menacing helmet for much of the series, but when that helmet comes off, oof: impact.

 

 

 

 

Hollywood Doppelgängers

Hollywood has absolutely no faith in audiences. If they think you liked something, they’re so overanxious to play it safe that they’ll sell it to you twice. We’ve had twin movies as far back as memory serves: movies that have near-identical plots and are essentially the same right down to their release dates. Wyatt Earp & Tombstone. Dante’s Peak & Volcano. Armageddon & Deep Impact. Antz & A Bug’s Life. Infamous & Capote. And on and on. The interesting thing though is that we don’t just have twin movies, we have twin stars too. Hollywood thinks we like familiar things. Familiar faces. And of course, plastic surgeons can only make so many noses. Everyone wants the Liv Tyler lips and the Salma Hayek tits. We can’t be surprised when they come off the assembly line looking a little too similar.

javier-bardem-jeffrey-dean-morganJavier Bardem and Jeffrey Dean Morgan: are they actually the same person?

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Amy Adams and Isla Fisher: they don’t just look alike, they sound alike too!

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Will Arnett and Patrick Wilson: even losing hair at the same rate!

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Jessica Chastain and Bryce Dallas Howard: sharing the same bottle of Miss Clairol since 2001.

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Jesse Plemmons and Matt Damon: even their accents are the same!

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Henry Cavill and Matt Bomer: yup, that’s two different people. Same damn jaw.

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Paz Vega and Penelope Cruz: they usually say that a woman this stunning “broke the mold” but that’s clearly not the case.

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Elijah Wood and Daniel Radcliffe: these two look so alike it’s creepy. Watch this face meld of the two of them and you won’t be able to distinguish one face from the other.

Who are your favourite Hollywood twins?

 

Victor Frankenstein

James McAvoy and Daniel Radcliffe both turn in top-notch performances, but they aren’t enough to make this film worth watching. McAvoy’s outsized talents are downright wasted with this clunky material, and that’s enough to make me mad. To hold a grudge, even. I’m an epic grudge-holder. But first, let me say this: I find myself once again calling out Daniel Radcliffe for an outstanding performance.

victor-frankenstein-gallery-01-gallery-imageI never watched Harry Potter, but out of the goodness of my heart, I don’t hold it against him. He did a very difficult thing: he grew up in front of us, and he did it in the most type-castiest of roles. And yet he’s managed to turn himself into a notable and note-worthy grown-up actor who consistently makes interesting choices. In Victor Frankenstein, he takes on the role of Igor, usually a one-note sidekick, and gives him a fresh and humane spin. Igor becomes the voice of reason, and of humanity as Frankenstein slowly loses his in the pursuit of creating life where it didn’t belong.

You all know the story of Frankenstein and his monster. It’s grosser than ever in this movie, but it’s not exactly new. It’s trying to be steampunky and superheroic with its cool quirk and over the top action sequences, plus some horror notes just to thicken the sauce. You can get a whiff of all these ingredients, which is what makes it all the more frustrating when the recipe fails to victor-frankenstein-gallery-02-gallery-imagecook up anything palatable.

With every jolt of electricity they send through the monster’s dead body parts, you kind of wish some of the sparks would light up the movie. It’s got a beating heart but not much of a brain. McAvoy’s mad scientist and Radcliffe’s sympathetic servant deserve a better medium than this, but you get the sense that the writer and director were ambitious beyond their means. It never quite pulls together. This is one story that was better off not being reanimated.

Swiss Army Man

People walked out of the theatre when this film debuted at Sundance, and they walked out of the screening I was at recently as well. And while I would never dream of insulting a film maker this way at a film festival, I can kind of understand why it happened. Swiss Army Man is profoundly uncomfortable. It’s disturbing. It’s gross. It’s also one of the most affecting and unique film-going experiences I’ve had this year, or ever.

swiss-army-manIn this cross between Castaway and Weekend at Bernie’s, Paul Dano is Hank, a man despairing of hope after living too long on a deserted island. Just as he’s about to give up completely, a ray of sunshine arrives in the form of a farting corpse (Daniel Radcliffe). Eventually named Manny, the corpse helps Hank to not feel so alone or lonely, and becomes even handier as he proves himself a veritable multi-use tool in Hank’s plot to escape the island.

I can’t praise or caution this movie enough. If the desecration of corpses is not for you, I’m sure The BFG is playing somewhere. I wouldn’t have guessed that the desecration of corpses was particularly for me, but I was completely won over by this movie. Written and directed by ‘Daniels’ (as Daniel Scheinert and Daniel Kwan are collectively known), these men are clearly innovative thinkers who are pushing the boundaries not just of movie making but of human decency – and it works. They have used a compelling if shocking situation and made it feel completely relatable. They boil it down to themes of depression, social isolation, family dysfunction, eccentricity and resilience.

Paul Dano is as good as he’s ever been, but Daniel Radcliffe is the true surprise here. I would Swiss-Army-Man-Featuredhave loved to be a fly on the wall when these two were in negotiations to join the movie; Daniels were known for little else than a bizarre music video (Turn Down For What) yet somehow convinced two smart, bankable stars to take on the most provocative film of the year (and you thought The Lobster safely had the title!). Radcliffe stretches the part of dead body into something that’s both absurd and touching. He’s clearly set on eradicating Harry Potter from our memories by making bold and interesting choices, and this is a definitive step toward a bracing career as a versatile actor.

I also have to say I love what they did with the music. Not just the score, though that was good too. You have to see the movie to know what I’m talking about, but the way this movie uses music really made my heart soar. It really elevated for me what was already a good movie – a smart script paired with excellent acting, topped with some truly beautiful photography.

Sean and Matt will tell you that I’m probably the last person on earth to enjoy scatological humour but I did find myself laughing at this movie, more than I thought I would (although I think I might need to invoke Vanta-black once again, with feeling). But mostly it made me think, which I didn’t expect at all. It made me really think, and sometimes feel sad. It made me think on the possibilities and limitations of imagination, on the nature of self-reflection, and on the merits of choosing a best friend who is dead.

A movie like this doesn’t come along very often. I’m still buzzing with the joy I feel when I know I’ve witnessed something special. I won’t sleep tonight. This is why I go to the movies.

The F Word

If you are browsing Canadian shelves, you’ll find this movie under ‘The F Word’ but if your Netflix is an American account, you might try ‘What If’ instead because even not saying Fuck will still earn you an R rating in the good old USofA.The_F_Word_theatrical_poster

Daniel Radcliffe is Wallace, a med school drop out, burned in love, who meets Chantry (Zoe Kazan) at a party in Toronto one night. They click over magnetic poetry, exchange witty banter and phone numbers, until she casually mentions — a boyfriend. So the two become friends, the kind of close, opposite-sex friends who hang out all the time, tell each other their secrets, lean on each other for support, flirt outrageously, see each other naked, but are JUST FRIENDS. You know.

The chemistry and dialogue between them is fun and fresh. You may not be used to seeing Daniel Radcliffe in a role where he can wear jeans and acknowledge that he’s had sex, but he leaps into the character quite convincingly. He’s a very good, and very handsome actor.

Unfortunately, it’s a formulaic rom-com in a trendy package. The plotting is precisely predictable and the whole thing starts to feel like an exercise in the obvious. Their exchanges are fairly entertaining but eventually you just want them to do what they’re going to do. And they do. The end.