Tag Archives: Jacob Tremblay

Child Actors

You probably heard the controversy surrounding Angelina Jolie’s new movie about Cambodia. In a recent article in Vanity Fair, she admitted that in order to find a Cambodian child who could play a large role, the casting directors set up a game. They put money on the table and asked the kids to think of something they needed money for, and then to snatch it away. Then the director would pretend to catch the child, and the kid would have to come up with a lie. The little girl who ultimately won the part, Srey Moch, distinguished herself by being the only kid to stare at the money for an extraordinary length of time. Jolie said: “When she was forced to give it back, she became overwhelmed with emotion. All these different things came flooding back. When she was asked later what the money was for, she said her grandfather had died, and they didn’t have enough money for a nice funeral.” You might think that’s a clever way to see a child’s range of emotions, or you might think it cruel to go into a third world country and taunt children with money. The internet seems to favour the latter.

It got me thinking though – what DO auditions look like when you’re casting a kid? Typically, not like that. Even for small children, casting directors will typically work off a script.

Something in the neighbourhood of 40 000 kids auditioned for the part of Harry Potter. Steven Spielberg had wanted Haley Joel Osment for the part and backed out of directing the project when he clashed over this with JK Rowling. Daniel Radcliffe landed the part: “My mum sent in a Polaroid of me to the BBC, because I’ve always wanted to act since I was five. My mum and dad never thought it was a very good idea. I went for about five auditions and then I got the part. The best thing about filming is going to all the different locations and staying in hotels. They have Sky and I haven’t got that at home.”

922af5a6afe0a38af48e22b17347eb8c--drew-barrymore-young-celebrity-kidsSpielberg lost that battle but he normally has a pretty keen eye for casting the right kid in his movies. Drew Barrymore recalls auditioning for him for Poltergeist: “lied my face off. I told him I was in a rock ‘n roll band. I was a drummer, of course, because drummers are the coolest, and that I was a cook.” He didn’t think she was right for Poltergeist but kept her in mind for something else…and that’s how she landed E.T.

Haley Joel Osment also went on to star in a Spielberg film – A.I. Artificial Intelligence. Osment’s acting career started by accident at the age of 4 when he and his Mom randomly ran into a talent scout at IKEA. When he got called in for his first audition, he was asked to describe the biggest thing he’d ever seen. Osment talked about seeing a movie in IMAX, and that’s how he got cast in a Pizza Hut commercial for their “Big Foot” pizza. The rest is history.

 

 

“What’s interesting about casting children is, some children understand instinctually how to be still in front of a camera,” casting director Fiona Weir explains. “That isn’t something you can teach kids; it’s something they understand or not. Acting on-camera is b0d3c2e59c77845d83baab01078af08fabout being, not about performing, the way that children often do in school plays, making something bigger. It’s not always the noisy kids that we’re looking for; it’s the quiet kids at the back.” That was very important when Weir  was casting for Room, in which a 5 year old boy and his mother escape their rapist-captor. One of those quiet kids was 7-year-old Jacob Tremblay, who caught her attention fairly early in the casting process. He had the interiority Weir and director Lenny Abrahamson wanted to see. “It was very evident how gifted Jacob was,” Weir says. “He’s a really bright and inventive child.”

Kirsty McGregor had a grueling search of her own when it came to casting the part of the young Saroo Brierly, the child from Lion. She scoured schools in Mumbai, New Delhi, and Calcutta, and spent months watching 2,000 taped auditions, conducting 200 in-person workshops, and coordinating callback after callback to get the right young Saroo for the movie. She culled the prospects from 2000 to 200 and flew to India to see them in person, with director Garth Davis. “We’d start in larger groups of 10, and we’d do workshops and rs_634x1024-170226153353-634.Sunny-Pawar-Oscrs.ms.022617play games, and we took our acting coach Miranda Harcourt, who’s amazing with kids, with us. We had an interpreter, obviously, and from those groups of 10, we narrowed it down to the final list and called them back again. It was a very thorough process. It was about four months from the time they started putting people on tape in India to when they started doing callbacks, and it was long and very intense every day, with another 100 or 200 tapes coming in. You can’t miss anybody.” Eventually they paired their top two youngsters with the top two adolescents would would play the older brother, and found the right chemistry. Anyone who’s seen Lion will know that little Sunny Pawar was a particularly bright spot in the film and he really livened up the red carpets during awards season, just as Jacob Tremblay had done the year before.

 

Have you heard any juicy stories about kids auditioning for parts? Ever auditioned for anything yourself?

 

 

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Mary (Naomi Watts) is a single mother caring for her severely disabled stepson, Stephen (Charlie Heaton), alone in their home ever since her husband passed. Her work as a child psychologist supports them but she’s finding it hard to keep up since Stephen is her whole life but is really only an empty shell.

Meanwhile, Mary is preoccupied with a young patient, Tom (Jacob Tremblay). He’s deaf and her work with him has gone slowly but just as she believes progress is being made, shut1his case worker is yanking him away to yet another group home. Tom has bounced around in the foster care system and Mary’s compassion is inflamed. Tom runs away one wintry night, and the fact that he seems to have run to her home briefly for refuge preys on her imagination. As the days go by and a powerful winter storm pummels them, townspeople give Tom up for dead but Mary becomes haunted by his ghost.

Virtually alone in an old house save for her vegetative stepson, Mary’s nightmares become our nightmares. Is this movie heart-pounding? It was for me. I don’t watch scary movies very often but was drawn to this for the cast, and Naomi Watts does not disappoint. But even a relative novice to the genre such as myself can feel what a retread this script is; there’s nothing new or original here, and the fear factor dips because of its obviousness.

Some beautiful cinematography helps establish a sense of isolation here, but it’s largely useless when the script goes for weak jump-scares and ignores what should have been lush with psychological horror instead. I kept thinking of this movie as “the one with Vera Farmiga” which it is not – but it is an awful lot like the one that is, and many others besides. If you have a hankering for white-lady-haunted-by-child-ghost, well, here it is. Again. But I bet you could do better.