Tag Archives: Mark Hamill

Drinking Like A Skywalker

Blue milk first appeared in Star Wars: Episode IV A New Hope, the first installment in the original trilogy. Luke drinks it during a meal in his home on the moisture farm on Tatooine, no big deal. Not even a hint of blue mustache, unfortunately.

According to Star Wars Fandom, blue milk, also known as Bantha milk, is also used in ice cream, butter, yogurt, and of course in blue milk custard. It is widely avaialbe on Outer Rim planets such as Tatooine, Lothal, and Lah’mu.

Mark Hamill was not a fan of its taste: “Oily and sweet and euch! Triggered your gag reflex. But I said, ‘Look – if they gave me blue milk, you bet I’m going to drink it on camera, because what other chance am I going to get?’ So there’s an indication that I’m an underrated actor – I gulped it and acted like I liked it without vomiting.” Bravo!

Green milk made an appearance in a much later film, The Last Jedi (though it wasn’t the milk that killed him…or was it?). Green milk comes from thala-sirens, which we know because we literally see him milking one’s teat and drinking it down thirstily on the spot. The good news is it must have tasted slightly better this time around; according to Hamill, the green milk was coconut milk that was colour graded in post production.

You may have heard that Disney World (and Disney Land) have very recently opened up Star Wars wings in their theme parks called Galaxy’s Edge inside which there just happens to be a milk bar, serving both blue and green milk, and you know the first thought through my head was “I’m making Sean drink that!” If you’re reading this around the time it was posted, now would be a good time to head over to our Twitter feed (@AssholeMovies) to see this thing go down live.

Actually, there’s little to fear from Disney’s blue milk, other than the price. Neither comes from any earthly animal, but instead have somehow been extracted from the tiny tits of coconuts and rice. Blue milk tastes of dragonfruit, pineapple, watermelon, and lime while green milk tastes like orange, passionfruit, orange blossom, and grapefruit and they’re served frozen, sorta like a milkshake.

If milk doesn’t quite do it for you, you can bypass the milk bar and head straight for Oga’s Cantina, much like the spot where we first met Han Solo. As you might have guessed, Oga’s is run by Oga Garra, a Blutopian. The Cantina is found in Black Spire Outpost on planet Batuu near Smuggler’s Alley which is all recreated on Disney property for fans to enjoy. Pilot droid RX-24 is the cantina’s DJ and he’ll be spinning tunes for Disney guests as they order from a weird selection of drinks like the Fuzzy Tauntaun, the Jedi Mind Trick, and of course, the Blurrgfire for which the establishment is known.

Cheers!

Update: Watch Sean build a custom droid and drink along with us as we visit Oga’s Cantina:

 

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SXSW: The Director and The Jedi

the-director-and-the-jedi-sxswWhen I was a kid, I had a behind-the-scenes book detailing how they filmed the space combat in Star Wars, and I loved it. I could think of nothing better than to get to play with the spaceship models and the huge Death Star set used for the climactic scene. I found it fascinating to see how the movie was made.

And though my book did not inspire me sufficiently to pursue a career in film, my story is not much different than one that Rian Johnson tells in The Director and The Jedi, or for that matter one that Barry Jenkins told in his amazing keynote speech here at SXSW a couple of days ago about filming Moonlight in the same projects where Jenkins grew up.  Peeks behind the scenes can inspire the next generation of filmmakers, and give birth to a dream that a kid might not otherwise know to have, because it’s not immediately obvious that for every actor there are ten creative people behind the scenes, designing sets, making costumes, and on and on. But beyond that, even for someone like me who’s made a career choice that is not film, it’s just really cool to see how a huge film like Star Wars: The Last Jedi gets made.

The Director and The Jedi spans the course of The Last Jedi’s creation and documentarian Anthony Wonke was clearly given full access to the production. In granting unfettered access to Wonke and his crew, Johnson seems to have been trying to pay it forward, and in doing so he’s given a huge gift to all Star Wars fans.

There are some really amazing moments captured in The Director and The Jedi, with a particular favourite of mine being the destruction of the Jedi library, especially seeing the creature designers lose their shit over meeting Frank Oz.  And really, who can blame them? After all, he’s probably the reason they got into that career, and maybe even the reason their jobs even exist!

Maybe, just maybe, one young Star Wars fan will be inspired by this film to become the next Rian Johnson or Barry Jenkins. But even if not, there will be something of interest in The Director and The Jedi for every kid who ever wanted to fly his or her own model X-Wing through the trench run.

SXSW: The Remix

Sean and I loved SXSW so much last year that we’re headed back again this year, and this time we’re staying for the whole 10 days – because at the very least, the rain in Austin is warmer than the rain in Ottawa. Last year we saw lots of great movies, but it’s hard to beat the adrenaline thrill of seeing Baby Driver‘s world premiere with Edgar Wright in attendance. Of course, this year we’ve got Wes Anderson’s Isle of Dogs closing the festival down. Along with Taika Waititi, that’s my top three favourite directors right there, so I’m kind of in heaven.

SXSW is not just a movie festival – in fact, it’s not even primarily a movie festival. It’s actually the world’s coolest music festival that has just grown and grown and grown, to include movies, gaming, comedy, and a whole bunch of conferences and panels and networking events that are 100% not lame at all. This year’s not-to-miss speakers include Darren Aronofsky, Melinda Gates, Barry Jenkins, Ernest Cline (author of Ready Player One!) and Bernie Sanders. There’s a documentary called The Director and The Jedi being screened that’s about Rian Johnson’s process – both he and Mark Hamill will be in attendance. The cast of This Is Us is doing a panel discussion which will almost certainly melt my face off.

But what’s really REALLY cool about SXSW is the stuff you do in between all the talks and movie premieres. Last year there was Breaking Bad\Better Call Saul event where they recreated Los Pollos Hermanos. Not only could you go inside the restaurant, you could sit and order and eat real food. Saul’s car was parked out front, and both Bob Odenkirk and Giancarlo Esposito were there. This year there will be a Roseanne pop up that includes the Lanford Lunch Pail serving their infamous loose meat sandwiches, the iconic Roseanne couch and living room, and even Dan’s garage.

AMC is celebrating their new show The Terror by inviting us to  enter the Arctic as the real-life crew of this ill-fated expedition. The fully immersive, multi-sensory experience offers guests a first-hand look as a crew member aboard the ship’s disastrous trip through the desolate polar landscape. Guests will feel the bone-chilling air, smell the fear and despair and hear the horrific sounds of men fighting for their survival. So, fun times.

HBO is building the entire town of Sweetwater to celebrate Westworld where we’ll be given either a white hat or a black hat (depending on an interview selection process) before entering the 2 acre theme park and having a drink at the Mariposa Saloon. Evan Rachel Wood, Thandie Newton, Jeffrey Wright, and James Marsden will be on hand.

Showtime is toasting Shameless with a pop-up Alibi Bar where stars Shanola Hampton and Steve Howey will be serving drinks. Which reminds me – last year we were served by Jason Sudeikis – he played a bartender in Colossal, which screened at the festival.

Viceland is bringing a party bus and baby goats. C’mon!

And believe it or not we’re going to squeeze in some movies between all this! Director Mélanie Laurent is hosting the world premiere of Galveston, starring Ben Foster and Elle Fanning as a hitman and a prostitute, and who knows which is which.

Directors Tommy Pallotta and Femke Wolting made a documentary about AI called More Human Than Human and guys: THEY’RE BRINGING ROBOTS WITH THEM. So if you never hear from us again, know that we loved you all. Matt, take good care of the place. Marginally cooler\less cool, depending on your perspective: director Stephen Kijak is bring Lynyrd Skynyrd members Gary Rossington, Johnny Van Zant, and Rickey Medlocke to the premiere of his doc, If I Leave Here Tomorrow (sorry for the earworm).

Jim Gaffigan and Nick Offerman, two of my favourite funny people, have films at the festival and I’ll be trying not to fangirl myself into embarrassment.

As for shorts, you cannot miss Briar March’s Coffin Club which is a hoot to see and just a heartful of joy. And Bola Ogun’s Are We Good Parents? is a thoughtful, funny piece about sexuality and our assumptions.

And there’s also some movies we’ve already seen! We saw Lean on Pete at the Venice Film Festival in August, and Outside In at TIFF in September.

 

As always, we intend to keep our Twitter feed @assholemovies crammed full of SXSW goodies, so please do stay tuned!

Brigsby Bear

One day the cops show up at James’ house and take away from his parents and his home. He’s surprised he can breathe the air outside their bunker, but that’s the first of many surprises. Turns out he’d been kidnapped as a baby and raised by his captors (Mark Hamill and Jane Adams!) to believe that Brigsby Bear, a TV show that unbeknownst to him was being made by his “father” and seen only by himself, was the culmination of human existence. You haven’t heard obsessed fan theory until you’ve met a man who has never done or seen anything else, ever.

Now that he’s “free” it’s hard to let go of his favourite, most important show ever, and brigsby-bear-images-kate-lyn-sheil-kyle-mooneywhen he learns that it was Mark Hamill making the 700+ episodes all along, his main takeaway is: anyone can make a movie! So why not him? Unfortunately, the cop (Greg Kinnear) isn’t keen to turn over the confiscated equipment, and his therapist (Claire Danes) isn’t keen on the idea, period. But this is the only thing giving a grown man comfort now that he’s out in a world he never knew existed, let alone how to exist in it.

Kyle Mooney plays James, a man who still identifies more with his captors and their cult-like lifestyle than with his biological parents who have spent 25 years looking for him but only a couple of weeks knowing him. This is man’s search for meaning, but no one is comfortable when he finds it in an animatronic bear head. But teaching him history, or how to drive, or what slang to use, isn’t going to be enough. He just doesn’t belong to this world, or to his new family, and that’s a sort of sadness that’s translatable even as it’s played for laughs on screen. It’s kind of neat to be able to see the impact of pop culture on someone who hasn’t been part of it. Brigsby Bear is a true indie film, not just marching to a different beat but spasmodically interpretive-dancing to the synthesized stylings of a keytar. It’s on a slightly different frequency than most movies, but if you feel like joining it there, you’ll find yourself having a surprisingly earnest, often charming, feel good time.

On Second Thought – Star Wars: The Last Jedi

I am not a Star Wars fan. I knew about it peripherally, the way it’s infused into pop culture and stuff, but I’d never seen the movies and never cared to. But Sean has always carried a special spot in his heart for Star Wars, or for the original trilogy anyway. He was just born when the first one came out but as a little boy he was enamoured with the series, with the very concept of space cowboys, and swords made out of laser beams, and cool flying cars. And while I think he respected my stance on keeping Star Wars out of my life for the most part, he kinda sorta took advantage of me when I had massive back surgery two years ago. High on back pills, he screened all 6 movies for me, and I was ambivalent at best. I’m totally okay with these movies existing in the world and I’m  happy for anyone who takes joy from them, but they aren’t for me and never will be. But I still experienced vicarious excitement for Sean when The Force Awakens was announced. It felt like we waited forever to get our hands on that one, and it felt a little out of this world to sit in a theatre and watch that famous crawl go up the screen. Ultimately, though, Sean was disappointed by TFA. He felt it was a little too similar to a previous Star Wars film and couldn’t quite work up the same enthusiasm for this retread. But don’t think that didn’t mean our butts weren’t in the seats opening night for Rogue One. And again for The Last Jedi, of course, and this time, Sean was a little more enthusiastic.

Warning: spoilers ahead. If you haven’t seen the movie yet, steer away. Maybe check out Sean’s spoiler-free review instead, or my own of the original trilogy.

I was not. Enthusiastic, I mean. I don’t mean to be a wet blanket on his boyhood nostalgia, and it wasn’t as if the film was without merits. I didn’t think it was bad, I just didn’t care all that much. And at two and a half hours, it was long and felt it, and I couldn’t help but sneer at the scenes that I thought of as bloated – that extended Finn/Rose casino adventure that never went anywhere in particular.

But later, thinking about this one scene between Luke and Rey, I reconsidered. “I failed him” he says of his nephew Kylo Ren’s defection to the Dark Side. No, she says, “He failed you.” And that’s when the movie really opened up to me and I started thinking of the film in terms of theme – that theme being failure. Triumphs are easy. Heroes are tested when things don’t go their way. Rose and Finn are not going to accomplish their mission but they never stop trying, they never stop believing, and that doggedness inspires hope in others. That mission was never as crucial as they believed. Vice Admiral Holdo had another plan in mind the whole time, and she orders the evacuation of her ship. But this plan fails too. The escape pods are picked off one by one and Holdo ends up sacrificing herself to save them. When she reveals to Leia that she’ll stay behind in what will amount to a suicide mission Leia says “I can’t take any more loss” to which Holdo responds “Yes you can.” Never mind that it feels like Laura Dern is speaking for us, the audience, who have so recently lost Carrie Fisher. It’s also a tiny admission by a formidable General that her job is hard, and weighing on her heavily.

Leia looks weary in this movie. The toll of each loss is written in the slope of her tumblr_oxl4isuDq51ruu897o5_540shoulders. But her unwavering belief in the cause encourages her to soldier on, as a Rebel and as a Leader – a figurehead who inspires others but also a teacher who is grooming the next generation. Poe seems to be a favourite of hers, though all agree he’s a bit of a hot head who prefers the shoot-em-up approach. Poe’s whole raison d’etre this film is to learn some hard lessons. He too must fail, and learn to put the Light first and foremost, ahead of even his own ego.

And perhaps it is Luke himself who needs most to learn how to continue on in the face of failure. Having failed his nephew Ben, who then serves under Snoke as the formidable Kylo Ren, Luke is so devastated and full of self-doubt he retreats. Not just physically, though he does completely disappear at a time when, arguably, the Rebellion needs him most. But he also retreats from the Force. He cuts himself off completely. And maybe it’s his fear that he’ll fail again that prevents him from giving Rey the help she needs.

In the film’s last epic battle, between the two men who seem to have failed each other, we must contemplate what, if anything, is Kylo Ren’s failure. Though The Last Jedi is a direct continuation from where we left off in The Force Awakens, Kylo Ren seems to have grown quite a bit. He’s more self-assured and he’s more powerful. But he’s still prey to his own temper, which betrays him. He should have been able to pick up on Luke’s misdirection if he hadn’t been letting his rage dictate their interaction. The truth is, temperamental as he may be, Kylo Ren is a contender now. We’ve been underestimating him, and we’re not the only ones. But does he have a fatal flaw? Certainly, Kylo Ren has failed the Light. He’s failed his parents, and his heritage. But is he also failing himself? And if the answer is yes – does he have the means to soldier on?

Now we wait for Episode IX.