Tag Archives: Sucks ass

These movies are to be avoided at all costs. The only good thing about them is probably our review.

Bad Moms

Maybe it’s because I’m tired of hearing Moms complain. Motherhood is a choice and, apparently, a blessing, but an alien life form perusing Facebook and Mommy blogs would never guess it. Every single day my news feeds are clogged with “open letters” from Moms who cry and complain about never having enough time to “do it all” – and yet, they’ve always got the time to let us know about it. Here’s a secret: nobody gets to do it all. Every single person struggles with work-life balance. Everyone! imagesJ7LLG4KCBut the craziest thing is not that mothers believe themselves to be uniquely challenged (you and every other breeder on the planet anyway) but that the #1 thing they complain about is judgement from other Moms. Which is crazy. Motherhood IS tough. And there’s no one right way to do it. But if you have time to be peeping into someone else’s minivan, then I guess maybe it’s not as all-consuming as you thought. Here’s another secret: nobody gives a fuck. Everyone’s pretty busy living their own lives. Just live yours. If you have guilt, deal with it. Don’t project it into someone else’s judgement.

I’m super glad to say that most of the Moms I know don’t need a self-congratulatory shit-shows like Bad Moms to make themselves feel better. This movie feels like the opposite of feminism. It implies that women aren’t very good at multi-tasking and are susceptible to nervous break downs if they have more than one thing on the go at once. How many mothers do I know who have literally eaten spaghetti while driving? None. It’s dangerous and stupid. The mothers I know all have tiny portions of dry cereal handy to keep kids entertained and fed in the car, and backseats that smell like sour milk, but they don’t twirl pasta and drive.

Most if not all of the mothers I know work full-time or go to school, or both.  The reality is that mothers need to be caregivers and providers both. Sometimes even exclusively. Yes, it’s hard to leave the kids. Almost 2016-05-04T12-34-47-833Z--1280x720_today-inline-vid-featured-desktopeveryone can think of something they’d rather be doing than going to work. But if you’re lucky enough in this economy to only work part-time, or from home, or not at all, have the good grace not to complain about it. And if the hours you have with your kids are few, make the most of them. Kids remember quality time, not quantity. Maybe don’t spend that time writing passive-aggressive tweets about how tough your life is.

I think the worst thing Bad Moms does is that it infantalizes women. Motherhood is reduced to a competition, and all the Moms start acting like middle school girls. They openly bully each other. They form cliques. They ostracize and criticize the ones who aren’t like them. Bad Moms feels like middle-aged Mean Girls, only not as funny, not as mordant. When the screenwriter, who is a man by the way, decides to indulge the mothers in “letting loose”, what they do is throw a tantrum and make a mess in a grocery store. Like their toddlers. He doesn’t seem to think much of mothers, and I find that insulting.

It’s 2016. Women can handle their shit. But if they don’t like the kind of lifestyle that comes with having kids, here’s another secret: you don’t have to have them. Ladies have options! Living childfree is one of them. But if you do have kids, embrace it. You don’t have to love it all the time and good god, you don’t have to be with them all the time. I think mothers need to gift themselves with time apart way more often. Happy mothers are better mothers. Stop with the guilt. And stop with movies like this, that only exacerbate guilt and perpetuate the very concept of “good moms” and “bad moms” that it nominally pokes fun at. Children’s Aid can assess the bad moms. The rest are just moms doing their best, and that’s good enough.

Meet The Blacks

Carl Black moves his family to California when he meets with a bit of success. His timing’s terrible though – the city is about to have its annual purge, where all crime becomes legal for 12 hours. Sound familiar? Yeah, there’s already a whole franchise called The Purge. But this purge is – you maxresdefaultguessed it – black! Or more specifically, it involves the only black family in a gated community.

I cannot review this movie. I turned it off halfway through. Not even when I’m stuck at work trying to kill time can I sit through a movie this magnificently bad. Is this supposed to be a parody? I can’t even tell. The title is useless. It’s colossally bad. Not in the history of this site have I walked away from an unfinished movie. Isn’t that remarkable? I sat through The DUFF, the Do-Over, Get A Job, and Accidental Love. I didn’t even flinch. There isn’t even a category for how awful this is, or for how much George Lopez embarrasses himself in it.

It’s a black hole of comedy, where a couple of bucks bought a very cheap production, one that is severely unwatchable. They hope to cover up the lack of laughter by lobbing constant racist shit at you. Um, I know the difference. And no amount of Snoop in white face is going to convince me otherwise.

Meet the Blacks is unbearable, and the only thing it’s good for is as a movement to purge all spoof “comedy” henceforth.

Suicide Squad [spoilers included]

A hot mess. That’s what it is.

Margot Robbie as Harley Quinn is just about the only reason to watch this thing, and honestly, I’d like to break up with the rest of the movie and do the post-break-up thing where I cut the rest of the cast out of all the pictures and just make a glorious 18 minute movie out of just the Robbie footage. I’d be happier with that. Not super happy. I still thought the Quinn character was too loosely drawn and scantly introduced. Like, I totally buy that a patient could brainwash her into being evil. But there is no amount of SUICIDE SQUADbrainwashing on the planet that could induce me to speak with a Jersey accent randomly. Or to replace my PhD-level vocabulary with baby talk. That shit is bananas.

I don’t know much about this Suicide Squad outside of what the movie told me, and what the movie told me was downright confusing. Supposedly they’re super-villains, mostly sprung from tremendous prison sentences. Yet assembled they’re pretty…meek. And reserved. And obedient. I thought we’d get to see them just going apeshit in Gotham, unleashing all kinds of gleeful hell, but instead they thoughtfully fight a super bland villain that I felt mislead about in the marketing campaign.

The only thing I really connected to in the movie was the music. I assume that the money they saved on Tom Hardy backing out was funneled directly to the music budget. We don’t know for sure why Hardy left – some say for reshoots for The Revenant, some say he just didn’t like the script (although I expect most of the big stars signed on without seeing a script). I think he was supposed to be the most vanilla cracker out there, Rick Flag, and I can’t imagine him being happy with that crummy role. While I appreciated the music (great big pop anthems that helped perk me back up – my patience and attention floundered considerably, and often), I can also see how it was a cop out. First off: you aren’t Guardians of the Galaxy. Music had a purpose and is part of the universe. In Suicide Squad it just felt they were using music to distract us from the fact that they didn’t know how else to finish a scene. Or begin the next one.

Being part of the Suicide Squad must be a lot like being part of Taylor Swift’s squad. I mean, can you name anyone in it besides Taylor Swift? Harley Quinn is obviously the Taylor Swift here, and Will Smith is The Duff (designated ugly fat friend) – he’s nice to b936730e4fcc67ae733b48c1a797dc91fff102d1have around mostly just to prop her up. Smith didn’t annoy me as much as I feared (this movie has so many bigger problems), but Robbie is the true star. She plays Quinn not with a truly villainous heart, but with a completely troubled one – with loads of vulnerability. When the witch tempts her with a vision, her true heart’s desire is revealed to be…a banal suburban existence, completely with a husband and an infant. Clearly the good Doctor is still buried within her, and is peaking through. Or maybe it’s the baby in her belly poking mama in utero. Because she must be pregnant, right? Why else would the Joker so doggedly rescue her? He’s not exactly the kind of guy who’s all about love, honour, and commitment. But what if she’s his baby mama? Why else would he be seen lying in a womb made out of knives, skirted with baby clothes? It must have been some bad-guy baby shower!

Speaking of the Joker…what the fuck? I’m not in love with Jared Leto’s portrayal, and I’m not certain about David Ayer’s intention. Who is this Joker? Chris Nolan’s Joker was so demented there’s no way he could be in a relationship. You cannot picture Heath Ledger’s Joker having a Netflix and chill night with his girlfriend. So this Joker’s…I’m not sure. Down to earth just seems wrong. But he’s not as twisted. He’s more human, in a hipster’s SUICIDE SQUADironic conception of a Latino gangster-cum-circus clown hybrid kind of way. We didn’t see much of him so it’s hard to tell, but he also didn’t seem as evilly inventive as I’ve come to expect in a Joker. So he’s possessive and he’s got some hacker friends. Big deal. I’m sorry that so many of Leto’s scenes ended up on the cutting room floor because I found him to be the second most compelling character in the bunch, and he’s not even on the squad! He’s the Calvin Harris of the bunch. Or the Tom Hiddleston, I suppose, just trying to steal Taylor Swift away all for himself. Fuck the squad.

And let’s be honest: this movie couldn’t handle the squad. It didn’t know what to do with them. The introductions were wildly variable, and, spoiler alert: the character who noticeably didn’t get one DIES. Yeah, that’s right, Ayer. Your shit is weak. You clearly couldn’t cook up a fun and deliciously depraved story for these fuckers so you gave us this watered down jumble instead. You should have saved it for someone who had the cojones. I think a satisfactory Joker-Quinn story could have been told here instead. DC jumped the gun with Suicide Squad – too many unknown characters, too little for them to do, too little story to make us care. But watching ‘Mister J’ change diapers for little Joker Junior in Arkham? Now that I’d be down for.

 

 

Check out more Suicide Squad discussion on our podcast:

Mothers and Daughters

Mothers and daughters: a relationship so often mined by Hollywood that maybe all the diamonds are gone and all that’s left are duds.

This movie is a dud, but not for lack of trying. Susan Sarandon, plus real-life daughter Eva Amurri Martino, and Sharon Stone, and Courteney Cox, and Selma Blair, and Christina Ricci, and probably more besides that I’m forgetting. That’s an awful lot of leading ladies covering pretty much every angle of motherhood that you can imagine. In fact, one of the maxresdefaultreasons this movie fails is that it tries too hard. The script is just so stupidly earnest. It makes wonderful actresses say such flighty, cliched things. And everyone cries all the time, at the drop of a hat. It made me really wonder why the script writer has so many fucking hats, and why she’s always dropping them. Secure your hat to your head, lady.

Mira Sorvino. That’s who I was forgetting.

Anyway, are your tear ducts all clogged up? Do you have some salt water that needs purging? Were you hoping to remove one tiny strip of makeup all the way down your face? Then have I got a movie for you! Mothers and Daughters doesn’t just ask you to cry, it begs. The director probably owns stock in Kleenex. But it’s the kind of shame-crying that only makes you mad at your stupid emotions and the things that make you feel them. I watched this on Netflix at 2am, when it is perfectly acceptable to cry watching a movie you loathe as long as you have Doritos to keep you company.

The writing is ambitious, but ambitious in the way that a 19 year old writes a memoir. People will be so impressed when I use all my big words! I have a thesaurus and Irs_1024x759-160502103124-1024-courteney-cox-mothers-daughters.ls.5216 want you to watch me abuse it! I’m going to write a trite little movie that wishes it was a pretentious little novel! Script writing 101 says I should put in a conflict here! [Insert conflict]. I wonder if Sharon Stone can do polysyllabics? Either way she’ll be impressed when I whip out this tired metaphor! And I’ll make it super relatable by including a variety of white women with down-to-earth jobs like bra designer, fashion icon, and celebrity photographer. And I wonder if I can work in cancer? Watch out, heart strings!

In conclusion, Mothers and Daughters is a movie I found randomly on Netflix, having never heard of it before despite starring at least 3 Oscar-nominated actresses. It will be palatable to neither mothers nor daughters but it’s definitely a movie that exists. The end.

 

 

 

Night Owls

We’ve all been there: it’s late, she’s hot, you take her home even though she’s maybe a little crazy. The sex is good because that’s all there is. Dirty, nasty sex. Classic one night stand. Which is what Kevin thinks he’s doing with Madeline until their hook up turns into her suicide attempt, and he realizes he’s not at her house, he’s at his boss’s house, the one he shares with his wife and kids. Sooo….what the fuck?

smoke.pngBecause the plot necessitates it, he can’t call an ambulance in the name of “discretion.” I hate this movie less than 10 minutes in. I have 0% sympathy for 100% of the characters.

A highly qualified foot doctor shows up and slaps her back into consciousness, only to abandon his patient (and his Hippocratic oath), obligating Kevin to “keep her alive” through various contrived soul-baring, post-suicidal flirting sessions. I burst a blood vessel from rolling my eyes so goddamned much.

156 words to say: Not good. Not worth it. Bad bad bad. I could have used its 90 minute run time to drive to the dive bar down the street, make eyes at some loner on a barstool and had my own ill-fated one night stand, and even factoring in some disappointing sex and a persistent case of The Herp, I still might have come out ahead.

Familyhood

Go Ju-yeon (extremely well-played by Kim Hye-soo) is pushing 40 and running out of ways to feel young. Despite plastic surgery, affairs with younger men, and a faithful and well-meaning entourage that protect her from unflattering headlines, Ju-yeon has finally reached the point where she has to admit that the public just doesn’t adore her anymore.

It’s a tough pill for any actress to swallow but it’s even worse for someone so needy and self-absorbed. Not ready to be forgotten just yet, Ji-yeon makes one last desperate attempt at being loved. She’s going to have a baby. Or, more accurately, buy a random middle-schooler’s baby and try and pass it off as her own.

It’s actually quite terrible and, as her stylist reminds her more than once, illegal. Dan-ji (Kim Hyeon-soo) has nowhere to go except live with her neglectful big sister and sure could use some money for art school, a fact that Ju-yeon is quick to take advantage of. Dar-ji is quickly hidden away in a stranger’s house during the most confusing nine months of her life.

This movie really didn’t work for me. The comedy comes, as you’d expect, mostly from Ju-yeon’s lack of self-awareness and the outrageous misunderstandings that her charade inevitably brings. It just isn’t very funny. I found it very broad and, worse, obvious. Director Kim Tae-gon excuses the implausiibilities and all the selfish behavior as “satire” of celebrity, “the cult of youth and beauty”, and the hypocrisy and double standards surround teen pregnancy. When it comes to Familyhood’s satire of celebrity and youth, its target is too easy and its tone not nearly subtle enough for it to be effective as satire. Tae-gon does, however, have some interesting and worthwhile things to say about the shaming of pregnant teen girls. It was a nice surprise but seems to show up out of nowhere towards the end of a film that seems to have realized that it wasn’t really about anything and just blurted out “teen pregnancy” in a panic.

I just didn’t like it. I’m not sure why. The crowd at the International Premiere at this year’s Fantasia Festival responded with delight to every tired joke. So maybe I was just having an off day and you’d enjoy it as much as they did. But I can’t help thinking that Familyhood seriously missed its mark.

The Legend of Tarzan

Say what?

I’ve seen dozens of Tarzan iterations over the years, but I was still confused trying to follow this one. What I think happens is that we start out meeting Tarzan as a gentleman in England, living as Lord Greystoke, the jungle far behind him. But then his government asks him to go back to the Congo to act as some sort of diplomat, and his beloved wife Jane follows him. Then we start with the flashbacks – to his infancy when his parents are lost and he becomes an adopted beast of the jungle, and also to his first wild meetings with Jane.

Things go badly for Lord Greystoke during his comeback tour. Evil Christoph Waltz is embroiled in slavery and blood diamonds, determined to make his 01-tarzan_w529_h352monarch extremely wealthy. To get to Tarzan, he of course kidnaps Jane. Christoph Waltz has played versions of the same character over and over since he won the Oscar for it in Inglorious Basterds. It doesn’t work here and hasn’t worked in a while, but he’ll keep getting typecast, and we’ll keep suffering. But there’s a trade-off: Samuel L. Jackson is our comic relief, and he’s almost too good at it, stealing scenes from Tarzan himself.

It seems like this Tarzan movie wants to modernize somewhat, with a social conscience, which is good, or at least would have been had Tarzan not been inevitably cast as the great white saviour, swinging from the trees.

It also wants to be a superhero movie with proper villains and ultimate fight sequences – but with Tarzan’s superpower and only weapon being his amazing 8-pack abs. People love to talk about those abs. Poor Alexander Skarsgard worked out 6-7 days a week for months while consuming 7000 calories a day, and then UPPED the workouts to  fourteen times a week while drastically cutting his caloric intake. Sounds brutal. I would be having veritable taco tarzan_1.jpghallucinations. But that’s 6 months or more perfecting his physique (and what was wrong with it to begin with, I wonder? He wasn’t exactly known for being a slouch), and maybe 10 days of memorizing his lines, and that’s “acting.” To be fair, Skarsgard isn’t really the problem here, but he’s also not much of a help. He’s surrounded by 2 Oscar winners and 2 more nominees. If Tarzan is the weak link in your Tarzan movie, your Tarzan movie’s got a problem. And as pretty as he looks, I did wonder how it was that Lord Greystoke, so long removed from the jungle, still had that amazing King of the Jungle body. Jane’s cooking must really suck. Were there even gyms in 1880s England?

I never stopped being frustrated by the hazy flashbacks – why does this feel like a sequel to a movie that was never made? And Skarsgard never found his footing. And Robbie remains a damsel, even though script writers covered their asses by pretending she was a little more feminist, the reality is that she spends most of the movie tied up. It’s too bad it’s not a better movie, but there’s never been a really good Tarzan movie, so why start now?

 

The Vegas Chronicles: Think Like A Man Too

This is not The Black Hangover.

The boys are back from the first and they’ve brought their ladies to Vegas where one of the couples is getting married and the rest are there to debauch themselves at the bachelor\bachelorette parties. Steve Harvey’s self-help book played a pivotal role in the first movie but now the couples are stronger although not immune to misadventure.

First of all, can I just ask: who the hell has their bachelor party the night before the wedding anymore? Haven’t we universally acknowledged that to be a terrible idea?

And have you noticed that all the movies are filmed at Caesar’s Palace? Ceasar’s Palace is a super slutty film location. It puts out for EVERYONE. But I 1200290 - THINK LIKE A MAN TOOlove that they filmed in real locations. Locations that I’ve partied at myself and may be luxuriating at as we speak (you may have noticed the Assholes are in Vegas). In fact, I know one young man by the name of Sean who is hoping that Think Like A Man Too is factually correct in at least one thing: that beautiful, topless women ask random, possibly attached men for help with sunscreen at the pool. Fingers crossed!

This movie made no sense and clearly had a lot of filler (there’s an extra long scene of Kevin Hart dancing around in his under pants – not that I’m complaining) and at one point the movie actually devolves into a music video 1200290 - THINK LIKE A MAN TOOfor Bell Biv Devoe’s Poison. Weird.

The script has funny bits and achingly bad bits, just like the first one. It isn’t as smart either, but the highjinks are appropriately amped up. The truth is, I wouldn’t have watched this without the Vegas angle and it’s not really worth it without some kind of outside motivation. I wanted badly to turn it off half way through, but I was 2 legit. 2 legit 2 quit.

 

 

Only slightly related tangent: The last time we were in Vegas, Sean and I renewed our vows at the Graceland wedding chapel, where Jon Bon Jovi got married. Elvis walked me down the aisle and everything. This time we’re doing it in his pink caddy at the Little White Wedding Chapel (the one Jordan put on the map). No word yet on whether Matt is planning an epic bachelor(ette)  party for us the night before, but be prepared to throw rice when we get back and we’ll tell you all about or check out Twitter @AssholeMovies for photos and our podcast if you missed us just a little too much.

 

 

Pride And Prejudice And Zombies

I know exactly what is wrong with this movie: it deviates too much from Seth Grahame-Smith’s book – and for that matter, from Jane Austen’s.

Grahame-Smith’s novel was a clever and funny mash-up that clearly honoured its source material (credit to Quirk Books editor Jason Rekulak, who came up with the idea). Fans of Austen will follow along delightedly, finding all of their favourite bits suddenly transformed by the presence of the undead and the ninja Bennett sisters’ unparalleled fighting skills. It almost feels like untitledAusten left her novel wide open for a zombie attack, having an independent heroine spoiling for a fight and lots of solitary carriage rides through unpopulated areas.

Unfortunately, writer-director Burr Steers thought he knew better than both Grahame-Smith AND Austen, and departs from their material quite substantially. This from the esteemed writer of How To Lose A Guy in 10 Days.

The movie has glimpses of period drama and some real horror gore but has no idea how to unite the two. Instead, it drives toward an action flick, concocting very weird scenarios in which the zombies are not just a plague but a formidable, willful enemy. Lily James acquits herself well as the delightful maxresdefaultMiss Bennett, and seems to remember that she’s supposed to be having fun. The movie, however, takes itself too seriously and winds up being ludicrous. All the juicy bits of Austen’s writing are MIA and the zombies lack bite (it’s rated PG-13) so it rather fails on both counts. The zombies keep looking for brains, but they won’t find any here.

13 Hours: The Secret Soldiers of Benghazi

I was a little torn about this one: it stars my beloved John Krasinski, but it’s directed by my arch enemy, Michael Bay. When I saw the trailers in theatres, it wasn’t possible to sit through the two minutes of footage without smirking – yet another opportunity for Bay to wave his proud American flag. Except it’s impossible to feel sympathy for anyone in this movie, since the Americans weren’t supposed to be there in the first place. They’re secret soldiers for a reason – as in, shhh, don’t tell the UN. I passed on the movie while it was in theatres but when I attempted to track it down now that it’s available to rent, images.jpgthe best I could describe it was “that stupid war movie with Chris Pratt.” Because in my mind I’d confused two of my most adored chubby funny guys on TV-turned ripped movie stars. Also: Chris Pratt starred in Zero Dark Thirty. Different war, same shit. And Michael Bay is not Kathryn Bigelow.

The first thing I noticed about this movie is that everybody has a beard. Everybody has a beard! Michael Bay has literally done his casting by watching whatever television shows were available on this in-flight menu (lazily casting a couple from The Office – both of Pam’s beaus!): 24, Orange is the New Black, Nurse Jackie. Then he told all his handsome-but-not-too-handsome TV stars to grow beards. Must be bearded.

John Krasinski plays a contractor – he’s not actually a soldier because of course the Americans aren’t really supposed to be there, it isn’t really an embassy, so they don’t rate real military. They’re hired guns, and they’re resented by the officials they’ve been hired to babysit.

It’s a Michael Bay movie, so you know it’s bloated. It’s bloated with glossy, whispery flashback scenes. It’s bloated with homoerotic, soft porn shots of sweaty muscles getting worked out. It’s exactly the kind of movie where a dude will fight a holy war in shorts and think nothing of it. Where all the characters in Krasinski’s periphery are cardboard cut-outs until Michael Bay brilliantly inserts one piddly little scene in which every single one of them krasinski2-xlargesimultaneously Skype their families so that we know they have loved ones at home and are not as expendable as they feel. They’re the same loved ones these guys abandoned to fight a war that isn’t theirs, that they don’t even understand, in a country they don’t care about, unable to distinguish bad guys from good, and won’t be rewarded for either way. It’s real uplifting!

It’s actually fairly mature and restrained for a Michael Bay movie. You would only get medium-belligerent drunk making a drinking game out of spotting crisp American flags waving around in a light breeze. Don’t worry, his patriotism is alive and erect as ever; he’s an apologist for this shitstorm if nothing else. And of course there’s no character development; its excessive 144 minutes are devoted to packing in as many explosions as possible – they still give Mikey a chubby after all this time. He never misses an opportunity to show us a dead body or a dangling limb. He lives for this stuff. Krasinski is woefully out of place, too good for his surroundings. Sticks out like a sore trigger finger. Hopefully he’s learned a lesson, and bought a ridiculously nice car with the pay cheque.

13 Hours is better than all the Transformers movies combined, which isn’t saying nearly enough. There’s still more merit in the first 5 minutes, or any 5 minutes of The Hurt Locker, than in the entire 2.5 hours of this piece of glorious war-porn Americana. God bless Michael Bay.