This may be the most difficult movie review I’ve ever written, and it’s not me, Serenity, it’s YOU. Serenity is a movie that defies reviewing, because the only thing worth talking about is the thing I’m pretty sure I shouldn’t talk about.
It came and went in theatres without a blip, which is strange for a movie with two bankable Oscar winners. Matthew McConaughey and Anne Hathaway play exes. Baker (McConaughey) lives on a remote island where he fishes for a tuna. Not tuna. A tuna. This tuna is his Moby Dick. He’s obsessed. He pays the bills by taking tourists out on fishing expeditions, though as his first mate Duke (Djimon Hounsou) is quick to remind him that actually he’s technically not paying his bills lately. Baker’s pursuit of Moby Tuna is pretty single-minded and increasingly urgent. The only other hobby he has is missing his son.
But then his ex wife Karen (Anne Hathaway) appears out of nowhere, and she has a small favour to ask. She’s married to this Cuban mob boss (maybe. I didn’t catch this myself – Sean supplied this detail) who hits her. And Baker’s poor son witnesses this. So could Baker, please, pretty please, kill him? Just a small favour. For old time’s sake. All he’d really have to do is get him drunk and push him overboard. Let the sharks do the dirty work.
Do you think Baker says yes?
Just because a murder is easy doesn’t make it right. And just because someone is violent doesn’t give you a free pass for doing the same, and worse. Right? Or is it sort of justified? And does it surprise you that in fact, it doesn’t matter. Whether or not Baker kills Karen’s abusive husband (played by Jason Clarke, who always plays the terrible husband) doesn’t matter. There are bigger things at play here.
But I’m being a good girl so I won’t even hint at what it is. The movie hints enough for the both of us, and to be honest, the twist wasn’t exactly hairpin. For an observant sleuth such as myself, it was pretty near a straightaway. Which is why I haven’t rated this movie very highly. It sort of negates itself as a murder-thriller, but it fails to surprise at this second level as well. I think if they had tried to make the movie less commercially appealing, and not marketed it as a straight up thriller, it would have been more appealing. The premise is interesting. So this movie really represents a lost opportunity, and that’s something I will always mourn.