Monthly Archives: October 2015

NHFF:

The New Hampshire Film Festival is screening all kinds of really great movies we’re looking forward to seeing and talking about.

Manglehorn: starring Al Pacino as the titular character, an eccentric manglehorn_ver2small-town locksmith heartbroken by the woman he loved and lost many years ago. Now he’s only got his cat for companionship but a kind-hearted bank teller (Holly Hunter) might just thaw his crusty little heart. This one’s brought to us by director David Gordon Green, a man with a resume so varied it features Our Brand is Crisis and Pineapple Express – for real. Pacino’s career has taken some interesting turns of late (yes, that’s a euphemism) but I was kind of into Danny Collins, and I like him embracing these older, washed-up, gritty kinds of characters, so who knows – maybe there’s hope.

The Wolfpack: this documentary’s about 6 brothers who were Wolfpack_film_posterraised in total isolation in the middle of Manhattan. Their parents are eccentric, let’s say. So these boys have seen very little of the world outside their home, and have compensated by falling in love with the movies. They recreate entire scripts with realistic costumes and a lot of heart. The film doesn’t offer a lot of commentary but is fascinating all the same.

Anomalisa: Sean and I were lucky enough to see this one at TIFF last month but we’d completely be up for seeing it again because it’s a db4e513121bfa9988da95cbd27409b69_largebeautiful film, and one of Charlie Kaufman’s best – and I believe that’s saying a lot. He and co-director Duke Johnson use stop-motion animation to breathe life into a quirky, smart script full of dark humour. I can’t wait for this to hit wide-release so we can all chat about it, but I’m telling you, if you have love for movies that think outside the box, you need to keep your eyes peeled for this gem.

The Stanford Prison Experiment: we were just discussing this one a couple of weeks ago (in fact, I’m still sporting the same cold that MV5BMTUyNDIyMTA4NV5BMl5BanBnXkFtZTgwODM2MDMxNjE@__V1_SX214_AL_caused me to dump an entire bottle of Nyquil into my purse during this movie, and my phone has still not completely recovered), so let me refresh your memory. Billy Crudup plays the real-life Stanford professor who recklessly recruited students to re-create a prison. He pitted the young men against each other – prisoners vs. guards and the situation got mental in less than 24 hours. It’s still a black mark on psychology research and an important lesson in personality vs environment. This one’s really well-acted and faithfully recreated.

The New Hampshire Film Festival

Live from the lovely town of Portsmouth, New Hampshire is the 15th annual New Hampshire Film Festival. What sets this one apart from others is its genius focus on independent film. Yes, it showcases some great international films such as Anomalisa (so good!), The Witch (can’t wait!), and Chicken, but it gives the opportunity to lots of local talent to highlight their own independent films as well, and I hope to catch plenty of those while I’m here.

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Over the past few years alone, it’s screened some of my favourite foreign movies, like The Broken Circle Breakdown, and Force Majeure, and also some major award contenders, like Boyhood, Blackfish, Life Itself, and Last Days in Vietnam.

There’s a lot to look forward to this time around, but is it crazy that one of the things I might be most anticipating is a comedy panel featuring John Michael Higgins.

17493977-standardIf you don’t know his name, you’ll certainly know his face. He’s Elizabeth Banks salty-tongued co-host in Pitch Perfect, appeared in almost every great TV series – including his turn as “professional” lawyer Wayne Jarvis on Arrested Development, and of course if you know anything about me at all, I’m extra partial to everything he’s done with Chris Guest, including Best in Show and A Mighty Wind. This guy is a real scene stealer, and funny as heck, so seeing him will be a real treat.

Danger on Set

Not to get all morbid on you, but movie sets aren’t always made of pillowy mounds of cotton candy and chocolatey rivers. And even when they are, things can still go wrong.

The most famous death on a movie set is arguably that of Brandon Lee, while working on The Crow. In 1993, at the North Carolina Film tumblr_lglbb13t1q1qg1dnpo1_500Studios, with just 8 days left of filming, the scene where Lee walks in on his fiancée being raped by thugs was being shot. Michael Massee, playing the villain, fired his prop gun as directed. Unfortunately, a real bullet unseated from a dummy round was lodged in the barrel of the handgun unbeknownst to anyone. A blank was loaded without anyone noticing the real bullet, and when the gun was fired, the real bullet hit Lee in the abdomen. He underwent 6 hours of surgery but succumbed to his wounds.

Things were more difficult in the early days of film, when capturing scenes we wouldn’t think twice about today amounted to a lot more peril. In 1914, while shooting a horseback river crossing for the movie Across the Border, cast member Grace McHugh and camera operator Owen Carter both drowned in the Arkansas River. A decade later, an actress named Martha Mansfield would die when a match, tossed by a fellow cast member, ignited her Civil War costume of hoopskirts and ruffles while filming The Warrens of Virginia. Leading man Wilfred Lytell saved her face by throwing his ben-hurheavy overcoat on her, and her chauffeur badly burned his hands trying to beat out the flames and remove her clothing. Her burns were too substantial and she died of her wounds. The next year, a stuntman died in Rome filming Ben-Hur when the wheel of a chariot broke during the race scene. And three people died in 1928, among a slew of other injuries and dismemberment, when several hundred extras were caught in the Noah’s Ark great flood scene. This led to a lot of safety regulations in the industry. But since this list continues, clearly not enough.

During aerial filming for the film Such Men Are Dangerous off the coast of Southern California, two camera-planes collided over the ocean. All ten men on board the two planes were killed, including director Kenneth Hawks, assistant-directors Max Gold and Ben Frankel, cinematographer Conrad Wells, and cameraman George Eastman.

Producer and co-director Varick wanted more footage of the Labrador ice floes for his film The Viking. He and a small film crew joined a seal-hunting voyage which became trapped in ice near Horse Isles and dynamite stored on board (intended for breaking up ice floes) accidentally detonated, destroying the vessel and killing 27 men, including Frissell and cameraman Alexander Penrod.

While filming the charge sequence of The Charge of the Light Figure4Brigade, a stuntman was killed when he fell off his horse and landed on a broken sword that was lying on the field, unfortunately wedged with its blade was sticking straight up. Also, due to the use of trip wires, three dozen horses had their legs broken and had to be shot during filming, resulting in laws to protect animals used in motion pictures.

During the filming of Shark!, a 1969 actioShark-Reynolds-620x400n flick starring Burt Reynolds, a stuntman was mauled and killed by a shark who was supposed to have been sedated. The production company used his death to hype the film. Not learning the valuable lesson that wild animals are dangerous, sound technician James Chapman was mauled to death by a lion during production on the South African film The Last Lion. And in 1979’s Comes A Horseman, during the scene where Jason Robards’ character is dragged to (presumably) his death, stunt man Jim Sheppard was killed when the horse that was dragging him veered off-course and caused him to hit his head on a fence post. The scene made it into the movie, cut right before the horse passes through the gate which killed Sheppard. So it’s respectful, guys!

A.J. Bakunas performed a fall flawless while doubling for George Kennedy in the movie Steel – a tumble from the ninth floor of a construction site. But when he learned that Dar Robinson had just broken his record high fall, hubris got to him. He once again performed his fall from the top of a 300-ft construction site expertly, but this time the air bag split open and he was killed.

On the set of For Your Eyes Only, while filming a memorable high-speed chase in the BobsledRunChasebobsleigh run, the four-man bobsled came out of the run at the wrong turn and hit a tree. A young stuntman named Paolo Rigon, was killed.

Another unlucky stuntman, a profession that clearly doesn’t get paid enougThe Right Stuff 1h, met his death while filming a scene for The Right Stuff. In it, he recreates Chuck Yeager’s escape from a stalling NF-104. In real life, Yeager’s helmet caught fire from the ejection seat’s heated exhaust in mid-air. The stunt guy carried a smoke canister during his free fall to simulate such fire. However, this seems to have intoxicated the stuntman, causing him to lose consciousness. He failed to open his parachute and fell to his death.

In a segment of Twilight Zone: The Movie (1983) directed by John Landis, a helicopter was flying too low on set and failed to avoid the MSDTWZO EC001explosions and pyrotechnics being used. A blast severed the tail rotor, sending the helicopter into a tailspin toward the actors. Vic Morrow and Myca Dinh Le (age 7) were decapitated by the blades while Renee Shin-Yi (age 6) was crushed to death when it landed on her. Legal action raged for a decade, and Hollywood shied away from helicopter stunts until the CGI revolution of the 90s. The incident also severed the friendship between Landis and Steven Spielberg, who’d already been angered by Landis’ many code violations.

Art Scholl was a renowned aerobatic pilot and no stranger to airplane stunts, so when the script for Top Gun called for a flat spin1435437010_top-gun_2 he was the go-to guy for such camerawork. Unfortunately, Scholl entered the spin as usual but was unable to recover from it and crashed his Pitts S-2 into the Pacific Ocean off the Southern California coast. No one knows what caused the crash.

Veteran stuntman Victor Magnotta drowned while performing a car stunt for The Squeeze  in which he drove the vehicle off a Hoboken pier and plunged into the Hudson river. The stunt left him pinned in the car and he could not escape before drowning.

waterworldA worker died when he was crushed between two lighting equipment cranes during filming for The Bodyguard. One of the extras was lost at sea during the filming of the jet ski scene in Waterworld . Lost. At. Sea! Over Waterworld.

A stuntman for Vin Diesel in xXx was killed in 2002 while filming a stunt that had already been completed without incident. During the second take, however, Harry L. O’Connor was supposed to rappel down a parasailing line and land on a submarine but when O’Connor failed to rappel down the line fast enough, he a pillar of the Palacky Bridge (in Prague) at high-speed and was killed instantly. His death was caught on camera, and apparently director Rob Cohen decided to include the footage of the scene – with the final moments edited out – out of respect for the stuntman’s final act. Obviously.

Cameraman Conway Wickliffe was killed in 2007 on the set of The Dark Knight, as he rode in a pickup truck driving parallel to a stunt car; the pickup missed a 90-degree turn and crashed into a tree, killing him.

Not all jobs on a set are created equal. Some are inherently more exciting, others more dangerous, and some decidedly less glamorous. A set dresser is the person working under a set decorator and production designer, who physicallyjumper-movie-stills-06 places furniture, hangs pictures, and puts out the knickknacks. Jumper, a 2008 sci-fi thriller starring Samuel L. Jackson, used a mixture of frozen sand, earth, and ice for special effects in exterior set pieces. Set dresser David Ritchie was pronounced dead on the scene after a large piece of frozen sand and gravel fell on top of him while dismantling the set in frigid winter temperatures.

You might have gotten the picture from this non-exhaustive list that half of all injuries on set are to a stunt person, and for roughly every 2000 injuries there are 5 deaths, helicopters still leading the way in cause of death – between 1980 and 1990 there were 37 deaths relating to accidents during stunts; 24 of these deaths involved the use of helicopters. So think about that the next time you see a beautiful aerial shot. Someone risked their life for it.

 

 

 

Beetlejuice

A young couple, spiky-haBeetlejuice-beetlejuice-the-movie-32800707-500-700ired Alec Baldwin and plump-lipped Geena Davis, get into a car accident and come home depressed and sodden, their vacation off to a bad start. And they don’t know the half of it!

A handbook for the recently deceased mysteriously appears in their home and they get to wondering if maybe they didn’t survive the crash after all.

First rule of death? You can’t leave your house. First rule of real estate? When the previous owners die, a new family will move in (cue: pale and deliciously high-strung Catherine O’Hara, creepy as ever Jeffrey Jones, and strange and unusual Winona Ryder). The ghosts of the old owners plus the thoughtfull new owners makes for a very crowded house. We all know that if you want to rid a house of ghosts, you call an exorcist – but what if the ghosts want to rid a house of the living?

beetlejuiceBefore he was Birdman, even before he was Batman, Michael Keaton was Beetlejuice, the afterlife’s leading bio-exorcist. Free demon possession with every exorcism! Keaton goes all out in this film, and he’s the absolute stand-out, despite the fact that he’s in all of 17 minutes on-screen. He’s ghoulish and manic and clearly having a lot of fun leaping into improvisations.

Makeup artists Ve Neill, Steve LaPorte, and Robert Short won the 1989 Academy Award for Best Makeup for their work on this film. Watching it now, it feels a little dated, but that’s nothing in comparison to the weird, stop-motion stuff that Burton dreamed up for the afterlife.

beetlejuice-2-michael-keaton-winona-ryderI was a kid the first and last time I saw this, and I had to work hard to convince my mom to rent it for my little posse of pony-tailed friends. Beetlejuice was perfect sleepover fare: creepy, with the illusion of the illicit, but overall harmless fun with an inspired Calypso soundtrack perfect for sleeping bag shenanigans all night long. Rewatching it now, I have a new appreciation for how dark and funny it is, and for the formidable Catherine O’Hara, whom I always love, but who rarely looks as stylish as she does in this movie.

The movie ended up being successful enough to spawn a cartoon series and whispers of a sequel that remained in the works for years but seemed to die off until they were recently dusted off for us in 2015. It’s been terribly hush-hush, Burton unwilling to confirm except that he’d only consider it if Keaton is on board – and he is, and so is Winona. Seth Grahame-Smith (Dark Shadows, Abraham Lincoln: Vampire Hunter, Pride & Prejuidice & Zombies) has been working on the script since 2012. Chloe Grace Moretz (rumoured to play Winona’s daughter) and Samuel L. Jackson have reportedly already begun filming.

As for Delia Deetz, style icon, I present you:

She wears mostly Japanese designs by Mitsuhiro Matsuda, Issey Miyake, and Comme des Garçons. James Acheson took home the Oscar that year for Dangerous Liaisons, and I can’t argue that, but I do think it’s a crime Aggie Guerard Rodgers didn’t even get a nomination for her work here.

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Jeffrey_Jones_plays_Edward_R._Rooney_in_Ferris_Bueller's_Day_OffAnd while I’m engaging in some movie history revisionism, can we please start a campaign to digitally erase Jeffrey Jones from our favourite movies?  You want to know why he was so convincing as Feris Bueller’s  creepy principle? Because he’s a real-life pedophile. In 2003 he pled no contest to the felony charge of taking sexually explicit pictures of a minor, and possessing child pornography. He’s a registered sex offender. Can we maybe take him out family movies like this one?

 

Frankenweenie

frank3There once was a dog named Sparky. He was smart, athletic, and a talented film star, at least in his best pal Victor’s homemade creations. Victor is a little boy with no friends other than his beloved dog Sparky, so when Sparky meets his untimely demise, the waterworks commence. And Victor’s not too happy about it either.

We already know that I should never watch movies the feature dead dogs, but did you know that policy should even apply to movies where the dead dog is reanimated?

Yup, still pulls on the old heartstrings. Sparky, meanwhile, has all kinds of strings holding him together, but no amount of stitches prevent his ears and tail from occasionally falling off, which seems rather macabre for a children’s movie.

Frankenweenie leaps from the mind of mad genius Tim Burton – and it’s based on a short film

FRANKENWEENIE - (Pictured) Tim Burton holding Sparky. ©2012 Disney Enterprises, Inc. All Rights Reserved. Photo by: Leah Gallo

FRANKENWEENIE – (Pictured) Tim Burton holding Sparky. ©2012 Disney Enterprises, Inc. All Rights Reserved. Photo by: Leah Gallo

he made back in the 80s. Victor, like everyone else in his world, is a sort of monster, but in his heart he’s just a boy inspired by his science teacher to put the screws to the laws of nature. As soon as he successfully jolts the carcass of his deceased friend to mostly-positive, mostly-alive results, his classmates are blackmailing to do them same for theirs. And not all pets are created equal. If the story sounds a little familiar, it should. It’s a tongue-in cheek homage to the classic 1931 film Frankenstein, based on Mary Shelley’s book of the same name.

This is a beautiful stop-motion feature that used over 200 separate puppets, with roughly 18 different versions of Victor alone. The puppets have human hair and 40–45 joints. Sparky was constructed as rather “dog-sized” and is comprised of about 300 parts, some of them made by watch makers, to bring his mechanical skeleton to life.

It was the first black-and-white feature film and the first stop-motion film to be released in IMAX 3D, and went on to be nominated for an Academy Award for best animated film (it lost to Brave, frank1though it should have lost to Wreck-It-Ralph). It’s got loads of great voice talent from Tim Burton favourites like Winona Ryder (Edward Scissorhands), Catherine O’Hara (Beetlejuice), Martin Short (Mars Attacks!), and Martin Landau (Ed Wood).

For those of us who like our Halloween fun with a little less blood and a little more guts, I’d say this one is a definite holiday staple. What’s your favourite  Halloween thing to watch? Do you have a pet you wish you could bring back? Check out the comments for my own Frankenweenie!

Genuine Kate Spade cell phone cover s6 edge.

Super cheap  gold glitter galaxy s6 edge phone case.

Shiny mirror golden samsung galaxy s6 edge case.

Harvest Moon

In a page right out of Schitt’s Creek, a wealthy man goes bankrupt and his spoiled daughter is devastated to have her shopping interrupted. Jenny discovers that her trust fund has been pillaged and all her assets (shoes) seized and there’s only one thing left to her in the world: a lowly pumpkin farm.

Out she trots to bumfuck nowhere, location of “the old Jarrett farm” where several Jerretts are still living and trying to eke out a living, more or less. She meets a handsome Jarrett named Brett who despises her even after throwing her in a muddy puddle (practically her own fault for wearing a designer outfit to a farm, fyi – that’s their MV5BYWNhNjMxYWMtMzdjOS00MTAzLWJkNTMtZjRiNTMyOTZjYmE3XkEyXkFqcGdeQXVyMzM0ODg1MzA@._V1_SY1000_SX1500_AL_definition of “asking for it”). She needs to sell the farm for a nice profit; he’s always intended to buy it back whenever they had a few dollars scraped together. He does not currently have the means, and she can’t afford to wait. Plus, a TERRIBLE real estate gives her bad advice – that she can’t sell the farm because the Jerretts have significant personal debt. So she resolves to put her vapid, superficial skills to use giving the farm a makeover. Somehow new placemats will make the farm more profitable? As you can imagine, Brett and company are not only unmotivated to help her, they’ve got a plan to thwart her plan!

Not that Jenny needs any help getting herself in trouble. If there’s anything in a given scene that can her daisy dukes wet, you bet she’ll find it, and then act like a cat pawing at its arch nemesis when she does. Cinema at its finest!

Harvest Moon has more dead mothers than you can shake your Starbucks Pumpkin Spice Latte at. But will Jenny ever find enough “revenue streams” to make someone else’s business viable enough for her to sell the land right from under them? Do NOT question the business sense, her father’s in-house lawyer looked it over, goddammit (yes it’s the same lawyer under whom the family went bankrupt, but what does that prove?).

There’s a lot of questionable content here – a condescending makeover, slapstick involving a tractor, even a Footloose dance lesson knock off without any budget for music. But most importantly, there’s a vaguely handsome widow who is just mean enough to Jenny for her to fall in love with him. Somehow.

 

Celebrate Good Times – Come On!

1981, year of my heart: 700 MILLION people tuned in to watch Princes Charles marry the Queen diwedof puffy sleeves, Lady Diana; President Ronald Reagan nominates the first woman, Sandra Day O’Connor, to the Supreme Court of the United States; MTV, the first 24 hour music video channel, is launched with Video Killed The Radio Star by The Buggles; the Boeing 767 makes its first flight; the Dodgers won the World Series over the Yankees after a shortened baseball season due to striking players; Simon & Garfunkel perform their Concert in Central Park to half a million fans; the Edmonton Eskimos win their record 4th consecutive Grey Cup by the skin of their teeth; Donkey Kong makes its delaurawedbut; Eli Manning, Britney Spears, Alicia Keys, Justin Timerberlake, Pitbull, Beyonce, Roger Federer and Georges St-Pierre are born; the first DeLorean rolls off the production line; the Raiders became the first
wild card playoff team to win a Super Bowl after defeating the Eagles; Walter Cronkite signed off the air; the first heart-lung transplant is performed at Stanford’s Medical Center; the original Model 5150 IBM PC with a 4.77 MHz Intel 8088 processor was released in the U.S. at a base price of $1,565; the Islanders took home the Stanley Cup; Luke and Laura got married on General Hospital. It was a banner year.

On the radio

1981 sounded super cool, of course. Disco was reluctantly loosening its grip on the mainstream, making way for radio hits like:

Rick Springfield’s Jessie’s Girl

The Rolling Stones’ Start Me Up

davidbQueen ft David Bowie’s Under Pressure

Rick James’ Superfreak

Air Supply’s The One That You Love

Journey’s Don’t Stop Believin’

Kool & The Gang’s Celebration

Kim Carnes’ Bette Davis Eyes

On TV

Dynasty, Hill Street Blues, The Smurfs, and Entertainment Tonight made their debuts.

The Incredible Hulk was suddenly cancelled. Charlie’s Angels, The Waltons, and Eight is Enough also ended their series.

selleckChuck Woolery hosted his last episode of Wheel of Fortune after a salary dispute, and Pat Sajak took over.

Tom Baker made his final appearance as the Fourth Doctor on Doctor Who, and Peter Davison stepped in as the Fifth.

MASH, The Jeffersons, Dallas, The Dukes of Hazard, Taxi, Diff’rent Strokes, Laverne & Shirley, WKRP in Cincinnati, The Facts of Life, and Magnum P.I were the finest in television.

At the movies:

Oscar winners Jennifer Hudson and Natalie Portman were born in 1981, along with Chris Evans, Amy Schumer, Joseph Gordon-Levitt, Bryce Dallas Howard, Elijah Wood, Jessica Alba, Hayden Christensen, Josh Gad, and Tim Hilddleston.

indyIndiana Jones and the Raiders of the Lost Ark debuted in 1981 and was the highest-grossing movie that year. Other popular films included:

Stripes

Chariots of Fire

For Your Eyes Only

The Cannonball Run

Superman II

Blow Out

My Dinner with Andre

Natalie Wood drowned in a boating accident. We also lost Beulah Bondi (actress, It’s A Wonderful Life), William Holden (actor, Sunset Boulevard), William Wyler (director, Ben-Hur) and Paddy Chayefsky (screenwriter, Network).

The Oscars in 1981 looked like this:

Chariots-Of-Fire-2Best Picture: Chariots of Fire

Best Director: Warren Beaty for Reds

Best Actor: Henry Fonda for On Golden Pond

Best Actress: Katharine Hepburn, also for On Golden Pond

Several actors made their film debuts in 1981, including:

Ben Affleck – appeared in a local independent called The Dark End of the Street at the age of 7, directed by a family friend. He meet 10 year old Matt Damon later this year.

jason-alexanderin-the-burningJason Alexander & Holly Hunter – both appear in The Burning, a slasher film written by Bob Weinstein. This low-budget horror flick is about a summer camp caretaker, horribly disfigured from a prank-gone-wrong and newly released from the hospital with severe deformities, who seeks revenge on those he holds responsible, starting with the kids at a nearby summer camp. The film is notable for being Miramax’s first.

MCDHACO EC001Kim Basinger – she makes her first appearance in a forgotten drama called Hard Country where she had a starring role as a young woman longing to escape small-town Texas to pursue her dreams, but held back by a factory-working boyfriend.

Tom Cruise – Brook Shields and Martin Hewitt star as star-crossed teenaged lovers torn apart when bad advice from his buddy Tom Cruise (age: 19) lands Martin in jail. Watch Endless Love carefully and you’ll spy some other soon-to-be-famous faces. You might also know the Oscar nominated song of the same name, performed by Lionel Richie and Diana Ross. Tom Cruise would have a larger supporting role this year, in Taps.

atapsSean Penn – speaking of which – Sean Penn makes his acting debut in Taps alongside him. Taps stars Timothy Hutton as a cadet in military school who is aided by fellow student cadets Sean Penn and Tom Cruise in taking over the school in order to save it.

Kathleen Turner – she stars with William Hurt as a cheating wife in this “erotic thriller” directed by the writer of Raiders of the Lost Ark and The Empire Strikes Back. It launched her career, established her as one of the sexiest stars in film history, and identified her as frankly sexual and…rather robust.

James Cameron – he got to sit behind the director’s chair for the first time, and his stunning debut: Piranha II: The Spawning, a shameless low-budget horror sequel. He was originally hired cameronas the special effects director, but took over when the the original director, Drake Miller, was fired. But Cameron isn’t comfortable with this credit. He claims “I was replaced after 2 and a half weeks by the Italian producer. He just fired me and took over, which is what he wanted to do when he hired me. It wasn’t until much later that I even figured out what had happened. But when I saw what they were cutting together, it was horrible. And then the producer wouldn’t take my name off the picture because [contractually] they couldn’t deliver it with an Italian name. So they left me on, no matter what I did. In actual fact, I did some directing on the film, but I don’t feel it was my first movie.” Good thing James, since critics called it one of the world’s worst movies, belonging on “anyone’s list of all-time horror turkeys”, the piranhas resembling “haddock with dentures.” Cameron, however, maintains it’s “the best flying piranha film ever made.” So there.

So this is why 1981 will always be quite precious to my little heart. And it just so happens that on this day, back in 1981, one of the funnest Assholes I know, and one of my best friends in the world, was born. Happy Birthday.

Do you have any particular memories to share from 1981?

Capital Pop Up Cinema Presents…

We are very fortunate to live in the beautiful capital city of our country, and to have constant opportunity to do fun and exciting things. The good folks at Capital Pop Up Cinema have brought us a whole season of random, outdoor movie screenings, but this summer being packed full of travel and adventure, we only caught the last couple of offerings.

Last week, in the heart of the bustling Byward Market, hundreds of people brought lawn chairs, cozy blankets and hot chocolate to brave the cool temps for a viewing of The Nightmare Before Christmas. There were more than a few Jack Skellingtons in attendance, and the audience was in a festive and excitable mood as the sun set and the Capital Pop Up’s inflatable screen came to life. The market is the heart of our fair city, choc-full of restaurants, retailers, art galleries, night clubs, and stands selling beaver tails. Not to mention the extra-wide, pedestrian-friendly streets to accomodate the fabulous, year-round outdoor farmer’s markets that sell seasonal produce, everything from cranberries and parsnips to eggs and goat’s milk ice cream – not forgetting our world-maple syrup, of course! So imagine, if you will, this vivacious part of town, the constant stream of happy and satiated people, the occasional tour bus, the frenquent brides posing for photos, the sidewalk chalk artists, the parents pushing ginormous strollers, vendors with their gerbera daisies, and in the middle of it all, an impromptu outdoor cinema! I thought it might be distracting but actually it was good fun, and there were plenty of passerby (and maybe a homeless guy or two) who stopped to appreciate the movie and the intoxicating scent of popcorn in the air.

The Nightmare Before Christmas: a visually arresting work of stop-motion animation that blew everyone’s socks off in 1993, and legions of fans still know every musical number by heart (I can attest to that, having unintentionally sat beside some die-hards). Henry Selick directed but the film is popularly known to be Tim Burton’s, who wrote and produced the film but was simply too busy to direct. The film is about Jack Skellington, a denizen of Halloweentown who accidentally follows a portal to Christmastown, and decides that others back home should be able to celebrate this new and wonderful holiday as well – to darkly comic results. Danny Elfman, Catherine O’Hara, and PeeWee Herman all contribute voice work.

The week before, Capital Pop Up Cinema screened The Cabinet of Dr. Caligari, a 1920 German silent horror film that was brought to life with live musicians. It played to a smaller but enthusiastic crowd in the parking lot of Das Lokal, a kitchen and bar at 190 Dalhousie where chef Robert Fuchs serves up delicious European fare with a German twist. The charcuterie and das schnitzel are particularly recommended, and the cocktailed called Zugspitze (vodka, elderflower liqueur, cranberry juice) is an inspired choice from the bar.

The Cabinet of Dr. Caligari: directed by Robert Wiene and written by Hans Janotwitz and Carl Mayer, it’s considered to be not only the quintessential work of German expressionist film, but also among the first true horror films. It tells the tale of an insane hypnotist (wide-eyed Werner Krauss) who uses a sleepwalker (Conrad Viedt) to commit murder. The screen writers, both pacificts, wrote the story in the wake of WW1, showing a people’s need for brutal and irrational authority; Dr. Caligari represents the German war government, and Cesare is symbolic of the common man conditioned, like soldiers, to kill. Some say the movie reflects Germany’s particular need of a tyrant, but that seems facile in the shadow of Hitler. The film’s visual style is graphic and jarring, with deliberate distortion to give the impression of insanity and instability. Honestly, the art work is to die for and you could honestly treat this film as a trip to a museum and that alone will ensure your rapt entertainment. This film has a huge legacy that I am ill-equipped to discuss at length, but lucky for me I’ve come across a really great post by fellow blogger David at Movie Morlocks that will do the dirty work for me.

 

 

Welcome To Me

So Kristen Wiig, eh?

It almost feels inappropriate to laugh at this movie. Wiig plays Alice, a woman with a whole deck of diagnoses, the most recent being Borderline Personality Disorder, but still a few cards short.

A side note about Borderline Personality Disorder: BPD is nothing to mess with. People with BPD suffer from wildly unstable relationships and behaviours, often with brief psychotic episodes. They are prone to reckless and impulsive behaviour, and have problems regulating their thoughts and emotions. BPD often occurs with other mental health disorders like depression, anxiety, and self-harming or suicidal behaviours. It’s serious stuff.

And yet this movie dares to ask: what happens with Alice, an unstable woman suffering from BPD, wins millions upon millions of dollars in the state lottery?

Well, she goes off her meds, for one.

welcome_to_me_51Next: she buys herself a talk show so she can be just like her idol, Oprah Winfrey. Only Alice doesn’t want to interview celebrities or do guest bedroom makeovers. She has only one topic in mind: ME. Or rather, her. Wouldn’t it be weird if Kristen Wiig made a movie and all she did was talk about me? Yeah, not this time, unfortunately. This time it’s all about Alice.

Wes Bentley and James Marsden appear as the owners of the TV network that’s so hard on its luck it makes a deal with someone who is clearly mentally unbalanced – and since Charlie Sheen can still get work, I guess we have to find this perfectly plausible. Jennifer Jason Leigh, also a network exec, is less enamoured with her.

Meanwhile Linda Cardellini plays Gina, the unsung best friend of Alice, who never gets any WTM-pic20-copy1.jpg-700x394respect. She’s a far better friend than Alice deserves or knows what to do with, and is a serviceable conduit for audience pathos.

Is it funny to watch an emotionally confused woman re-enact moments of her childhood while reigning her TV kingdom from a throne that looks suspiciously like a swan? It is. But it’s a one-note kind of funny, which nothing in the way of plot of character development. The screen writer looked up BPD but didn’t have the balls to go all the way. Wiig is, as always, willing to be awkward as hell. And she is. It’s a good performance, and if you like Wiig you will inevitably find this movie enjoyable if not particularly memorable. Is it a compliment to her to say we always knew she had dark reserves of madness? She moves in this role fearlessly and does more than the script asks of her.

1280x720-aSjI’m not entirely sure if director Shira Piven was going for offbeat drama or dark comedy, but the end result is nearly as uneven as Alice herself. It makes for an uncomfortable revelation of selfie-centered, emotional exhibitionists when self-examination, and maybe self-care, are what are called for. Even more condemning: that Alice is so out of control, and the “well” people around her take so little notice.

If you’re looking for some quirky Netflix and chill, you’ll find this one under W.