Category Archives: Sucks ass

These movies are to be avoided at all costs. The only good thing about them is probably our review.

The Christmas Cabin

One dark and snowy night, a strange man shows up on Sammy’s doorstep, demanding to be let in. As only a clueless, entitled white man who’s never been raped can do, he treats her like she’s the criminal when she is understandably reluctant. But he “come on, lady”s her until she gives in. So we’re about 5 minutes into the film and I already hate them both and am feeling completely unforgiving toward this film. Oh, you think you’re going to warm my heart now? Instill some Christmas cheer? Fat chance.

Anyway, Seth Walker (Chad Michael Collins) believes he owns half of Sammy’s (Peyton McDavitt) cabin. Her great grandmother and his great uncle had a ‘fling’ (during which they co-signed on a vacation property?) and how he wants to be bought out. Instead of tossing him out on his rear, she draws a line down the middle of the cabin with twinkly Christmas lights and share the space while weathering a storm that any self-respecting Canadian would describe as “a mild and pleasant night.” Now they’re co-existing in a cabin where I know I FREAKING KNOW they’re going to fall in love and I’m shooting serious rage daggers at the very thought. Sweetheart, I understand your Tinder options are slim pickins up in your isolated little cabin, but you don’t have to settle for the first Yeti who crosses your path. You could live happily ever after with a sturdy vibrator, unlimited batteries, and a pantry well-stocked with cocoa. But instead she’s semi-consensually co-habitating with a complete stranger whom she KNOWS has intentions of stealing her property and him claiming squatter’s rights is literally the best case scenario in what is otherwise and rape-and-kill scenario that literally everyone else seems coming from a mile away. Ugh.

One viewer commented: “Finally, a Christmas movie with a heroine wearing SHORT hair! Such a refreshing change from all those long hair ending in ringlets.” Which, even allowing for the generous use of the word ‘heroine’ is a very low bar with which to review movies. And yet this is the nicest thing anyone’s ever said about this film.

Christmas In Paris

Robin’s boss/godmother Kate has helped her put her “modeling days behind her” – I can already tell I’m going to love this movie. They’re working on an ad campaign for a new fragrance, and asthmatic millionaire playboy French businessman Lucas is flying into town to oversee the shoot.

Who can blame him for falling in love with Robin who “reluctantly” agrees to stand in for a missing model. I mean, she’s beautiful, and it’s a good thing because she otherwise has no personality whatsoever. She loves Christmas and ponies and flowers and that’s it. Meanwhile, he’s a misunderstood wine connoisseur mama’s boy who also loves Christmas and has the means to make all a girl’s Christmas dreams come true. Cue the whirlwind Parisian romance! It’s what her dead mother would have wanted. What could possibly go wrong? Oh don’t worry, there’s something: let’s call it a Christmas surprise, and not the good kind!

This movie is stilted and stiff and not an enjoyable or entertaining watch. We already have holiday obligations that are awkward and unfun, we don’t need another one, not one we can so easily cancel – and guilt-free too. If you click on our ‘holiday movies’ tag below, you’ll find lots of other options. Lots are crummy but several are worthy, and just waiting for a couple of appreciative eyeballs like yours!

Desperately Seeking Santa

Jennifer is in charge of…promotions? maybe? at a fledgling Boston mall. Her job description may be a bit vague, but at least two things are certain: 1. her boss is threatening to close the mall altogether if she doesn’t increase sales 2. she determines to do this by…hiring a sexy Santa.

The traditional mall Santa is probably not in any danger of going extinct, at least not before malls themselves do, but new and improved Santas are in fact popping up everywhere, not just in shitty Christmas movies. A mall here in Canada had a series of Fashion Santas, who proved extremely popular and had a whole new demographic lining up to sit on his lap.

Another mall here in Ottawa has what they call a Spooky Santa. If he looks a little familiar, he’s clearly a Jack Skellington rip-off (from the Nightmare Before Christmas), again meant to bring in new shoppers not normally interested in sharing lists with cis-Santa.

The sexy Santa that Jennifer has hired for he failing mall is none of these things. He’s blandly good looking in a made-for-TV-movie sort of way, I suppose, but he’s definitely nothing special. For some reason they make him learn a lot of dances. I might feel a little more forgiving if we weren’t endlessly subjected to choreography montages, and then the dances turn out to be quite underwhelming, though performed persistently with no shirt underneath the velour Santa coat. I do object.

Meanwhile, sexy Santa (or David as his family calls him), is studying to be an EMT while struggling to save his family’s Italian restaurant, which is being pushed out of its neighbourhood by a mean developer. Sexy Santa cash is going straight to the lawyers.

Spoiler alert: Jennifer’s boss is also the mean developer. And Jennifer’s boyfriend is his right-hand man. So when the love-hate relationship between Jen and David starts spitting sparks, we hardly feel bad about their imminent affair. Of course, it’s hard to care about anything at all when the script is atrocious and the film just stark raving bad.

A Cinderella Story: Christmas Wish

Sean has called this movie the Coyote Ugly of Christmas movies. Um. Coyote Ugly might be aspirational for this movie. But it’s kind of a funny statement for a film that tells you its biggest influence right in the title. And yet.

Kat (Laura Marano) is in fact both a Cinderella type AND a Violet (that’s Piper Perabo in Coyote Ugly, in case you’re wondering – yes I had to look it up) AND part elf. Kat is an aspiring singer-songwriter who works in Santa’s Village, dreaming big and biding her time until she turns 18. Meanwhile she lives with her step-mother and step-sisters, who are truly awful to her and make her do all the chores. But at work she’s falling for Santa, which is probably as weird a that sounds because at first they only know their costumed selves. But eventually Santa reveals himself to be Nick (Gregg Sulkin), the son of Mr. Winterbottom, the richest man in town. But Kat closely guards her true identity (though let’s be honest: it consists solely of a wig…Nick must be pretty dense), vowing only to reveal it at the charity gala. Of course, if you know the fairy tale, you know Kat’s “steps” aren’t about to let that happen.

The step-mother and step-sisters have excessively, wonderfully gaudy costumes and hair but the characters are so over-the-top there’s just no basis in reality and it’s hard to guess where on the spectrum the filmmakers were aiming for. And that’s if the cheaply-executed music videos and song & dance numbers (auto-tuned within an inch of their lives) sprinkled throughout don’t get you down. And then there’s the ball charity gala, which was clearly and achingly shot with so little budget they were forced use a high school auditorium for the set. And a very hokey elf dance can only mean that for all Mr. Winterbottom’s wealth, the man has no taste.

I can’t imagine any grown human being liking this movie, but Sulkin is cute enough that this movie may fit the bill for tween girls looking for some PG romance.

The Christmas Lodge

This Christmas rom-com features a threesome: Mary, Jack, and The Lord.

If that sounds like something that doesn’t give you the heebie jeebies, it’s about a woman who visits the dilapidated lodge her family used to host their Christmases at when she was a child. She helps its owner restore it to its former glory, allowing her grieving grandfather one last holiday in a familiar place still haunted by the memory of his wife.

The Christmas Lodge is not good and should not be undertaken unless you like major plot points to come randomly from the bible. It literally asks (and answers): what would Jesus do? And surprisingly, the answer was not: turn the channel.

Christmas Survival

This just in: holidays are stressful. Yours are probably easy peasy and filled with nothing but joy and bliss, but some people really struggle because: bills, over-scheduling, in-laws, forced merriment.

In this particular case, two sisters, Miranda (Gemma Whelan) and Lyla (Joely Richardson) and their families are going to try to endure a Christmas at their late parents’ run-down country home. Cars will be towed, pet turkeys named Mr. Gobbles may or may not make the ultimate sacrifice, ovens will not be hooked up in time anyway, arrests will be made, marriages will be in shambles, and at least one guest will have her hair lit on fire.

This year Christmas will be a work in progress, which is a euphemism for a series of unfortunate events. In fact, it’s such an unrelenting series of increasingly farcical events that it feels like an onslaught, and not a very happy or funny one.

Also known as Surviving Christmas With The Relatives, this film is itself to be survived. And seeing how you likely have your own little holiday scenario to survive, maybe this one is best skipped since the real thing is hard to beg out of. But if you think that perhaps you might feel just a teensy bit better knowing that someone (Miranda) has it worse, then Netflix has your back. Punish yourself, and say a little prayer for Mr. Gobbles.

Christmas Break-In

Izzy’s parents forget to pick her up from school on the last day before Christmas break. A freak blizzard stuns the town and she gets snowed in, totally alone. At first it’s great, all skateboarding down stairs and impromptu rock concerts and eating vats of chocolate pudding. But then she’s less alone: Ray (Danny Glover), the school’s janitor/Izzy’s friend and guitar teacher, returns to keep her company but is simultaneously apprehended by the fugitive burglers who’d just decided to use the school as their pesonal bunker. So if you thought this sounded like a Home Alone rip-off before, Izzy’s about to go full Kevin McAllister on their asses.

Can a 9 year old girl take on a trio of grown-up criminals? When the criminals are the “ice cream truck bandits” yes, she sure can. And probably win too. Oh they talk pretty big, but it’s clear they’re a bunch of dunces. And they hired a bunch of dunces to portray them. Actual observable acting from the movie: one robber talks murder while menacingly biting a cookie toward his intended victim. You can’t make this up.

I don’t know how Danny Glover got mixed up in all of this, but I’m less surprised about Denise Richards, who clearly needs both the money and the attention. And when the screenwriter goes by the name “Spanky,” you can kind of guess how her name came up. The grown-ups are 10 000% the problem with this movie, though I’m not just talking actors. I would personally like to shake my head disappointedly at each and every person responsible for this shit excuse for a movie.

Anyway, this is a very weak photocopy of a nearly 30 (!) year old movie. How is this movie less edgy and less relevant than something that came out in 1990? The good news is, you can go ahead and watch Home Alone 10 times this holiday season, and watch Christmas Break-In 0 times in your entire life. Zero times! That is my gift to you. Ho ho ho.