Father-Son Movies

This week’s Thursday Movie Picks theme is father-son relationships. The challenge is to list 3 movies that highlight the theme. I didn’t have to think too hard because this theme seems to be explored exuberantly in so many intriguing ways, so here are 3 off the top of my head:

BEGINNERS-articleLargeBeginners – Matt has a strong and pervasive dislike of Ewan McGregor so I know he’s disapprove of this pick, but I can’t help it. After the death of his wife, an older man (Christopher Plummer) comes out as gay to his son. There is a real relationship here, a shakiness between dad and son that feels genuine. But the honesty seems to breed closeness and the two embark on a new relationship, late in life, one with understanding and humour. The story is told cleverly and shows a bravery we don’t often see on screen. It’s not necessarily about being gay, it’s about a father teaching his son about what is possible when you open your heart.

Catch Me If You Can – Christopher Walken is the shit. I just love the layered performance in this 002CMY_Leonardo_DiCaprio_013movie. Frank Abignale Sr. is obviously a huge influence on Frank Jr. Clearly this is where his charm comes from, but it’s also where he learns his seething resentment for the world. Even when his father makes for a rather pathetic picture, Frank Jr. idolizes him and chooses a life of crime not just to make his father proud, but restore his father to his former glory.

big-fish-2004-77-gBig Fish – This is one of my all-time favourite movies (sorry, Matt – how did Ewan McGregor end up here twice?). The relationship here is complex – a son is called to his estranged father’s deathbed. He wants to be able to say goodbye to him, but isn’t sure if he even knows him. His father has told grandiose tall-tales his entire life, and those stories have gotten in the way of their relationship. The son thinks they are lies that put distance between them, and the father feels they are essential truths meant to serve as legend. They are his legacy. As the stories are retold, the son (Billy Crudup) comes to understand that the exact facts are not the point. His father (Albert Finney) is a story-teller, each story is infused with heart and meaning, and it’s not what they tell so much as how they’re told, and to whom.

What are your favourites?

Focus

As much as I always enjoy the chance to see a SilverCity pre-screening, it’s hard for me to get enthusiastic about a movie about a couple of grifters. Especially the master and apprentice kind, where a seemingly hopeless but but enthusiastic novice tells a seasoned veteran “Show me how to do what you do”. I couldn’t help entering the theater thinking that I had already seen every possible twist, every possible combination of who’s playing who and who’s been in on it the focus 1whole time. Having been tricked before, I vowed to go in with my eyes open.

Focus didn’t throw anything at us that I haven’t already seen. I can’t say I was able to predict every single twist. I couldn’t possibly. The movie shifted gears so many times that I couldn’t always tell which trick was coming next but, once it came, it was usually familiar.

Which isn’t to say that there’s nothing to like. Focus is more than a heist film, it’s a comeback film for Will Smith after a nearly two-year absence after 2013’s unsuccessful After Earth. His career has had more surprises and twists than Focus does and I’ve enjoyed watching him continue to improve as an actor ever since his sitcom days. Now well into his forties, he plays Nicky as confident instead of coky, with none of that goofy hamminess he brought to most of focus 2his earlier movies. His banter with up and coming co-star Margot Robbie is much more fun to watch than the execution of the scams are, which are rarely clever and often just plain sillly.

Smith and Robbie look great and so does the movie. Directors Glenn Ficcara and John Requa find the coolest bars and know how to shoot them and, just like in their last movie Crazy Stupid Love, the bar seduction scenes are the best in the movie. The clothes, the lighting, the slick editing, and confidence of the two leads can make the dialogue sound smarter than it really is.

Oscar aftermath and Requiem for a Dream

Twenty years ago, having not met any of the other Assholes yet, my Oscar parties were just my younger brother and I in front of a TV. I was 13 years old and hadn’t seen most of the nominated films but I still felt like my opinions on every category needed to be heard. Not having a blog yet, my 11 year-old brother birdman oscarbecame the first victim of my Oscar rants. Not that he minded. Although less invested in the awards themselves than I was, I think he joined me each year for the fun of watching me guess wrong over and over again. “You’re really bad at this,” he used to say.

Twenty years later, I’m still really bad at this. I watch as many nominated films as I can now but only managed to call 12 of the 24 awards on Sunday. That’s 1 in 2 which I remember was pretty much exactly what I scored back in the early days. So all that preparation, sitting through Hnpharry Potter and Transformers movies just to have an opinion on visual effects, for nothing.

Not that I didn’t enjoy losing. Despite Neil Patrick Harris’ awkward hosting (“We’ll be right back with Oscars for Best Live Action Short, Animated Shorts, and Bermuda Shorts” being the low point), it was a great night full of red wine and spicy mustard that Jay brought back from Paris. There were pleasant surprises too. I don’t mind losing when losing means Big Hero 6 gets to take home an Oscar or when the excellent Whiplash takes home more than anyone but Sean expected.

Now that awards season is officially over, I’m a little burnt out. It happens every year.Starting on nomination day, I hit the ground running seeing so many movies that by the end the thought of sitting through another movie makes me exhausted and the smell of popcorn makes me nauseous.

Because we have this site now, taking my usual post-Oscar break isn’t an option so I went out and rented Requiem for a Dream, one of Luc’s favourite movies that I have been putting off seeing for fifteen years. I didn’t know much going in but I knew enough to think it would be unpleasant and 2000’s nightmarish cult classic did not let me down. Despite some scenes of hope and beauty early on, it started out sad and only got more punishing as it went on. Director Darren Aronofsky’s unusual filmmaking lets us experience the pain and anguish from the point of view of the characters. His style separates Requiem for a Dream from more conventional films about addictions. requiem for a dream

Requiem for a Dream mostly stands out because of Ellen Burstyn who, at the age of 68, was a good enough sport to walk around with 10 and 20 lb fat suits and sat wit5h the makeup department for hours putting on uncomfortable prosthetics. She gives a performance that’s so heartbreaking that the cinematographer reportedly sobbed through her big scene. She won an Oscar for this, right?

Nope. Just checked. She lost to Julia Roberts for Erin Brockovich. Come on, guys. No wonder I can never predict your choices.

I’ll Be Next Door For Christmas

Nicky’s parents are super pumped about Christmas. Like, obsessed. Like, levels of enthusiasm approaching sickness. Nicky refers to it as OCD – obsessive Christmas disorder, but Nicky better watch her mouth as Target recently caught heat for selling a sweater that said the same. Insensitive to those who suffer from the actual disorder, they say, and nobody is as good at fixating on things as those afflicted with OCD, so in they end they triumphed over their oppressors; Target apologized and removed the offensive items from their shelves.

Anyway, Christmas has basically ruined Nicky’s whole childhood, so to her, it is serious, year round business. She rebels by taking up the tuba (please do not ask me the logic behind this), and improbably, she meets a fellow music nerd at band camp. MV5BMmZmMGExM2UtMzFkNi00NjUwLWE3YWItZDRlNzY2ZDE2YjU2XkEyXkFqcGdeQXVyMDY0MDUxOA@@._V1_SY1000_SX1500_AL_Ahem. Tanner is super cute and they manage to keep up their long-distance relationship all through the fall. But come winter, Tanner wonders if he and his father might come out to California for a visit. Tanner’s dad has a heartbreak triggered by the holidays, so they keep things super low-key. Up until now, Nicky has managed to keep her family’s affliction to herself, but a visit is pretty much game over.

Logic being Nicky’s strong suit, she decides the only thing to be done is to use the empty house where she’s cat-sitting, hire actors to play her parents, and create a fake Christmas with which to trick her boyfriend. The auditions alone are enough to convinece you of just how bad an idea this is, but Nicky is young and optimistic, which is the nice way of saying stupid, and they go full steam ahead with a plan that backfires harder than Santa’s sleigh after the reindeer annual chili cookoff.

The trio of young actors – Juliette Angelo, Kirrilee Berger, Javier Bolanos – are actually pretty watchable. My holiday movie standards are super low after overdosing on Hallmark trash, so I’m giving I’ll Be Next Door for Christmas a solid “not horrible” rating. I cannot go so far as to call it good, but it is occasionally funny, sometimes even on purpose, and I have to give it bonus points just for not being a Hallmark piece of coal.

And the Oscar goes to…

legooscarI would like to take this opportunity to present myself with a fabulous LEGO Oscar because I’m the winner of our Asshole Oscar pool. This should come as a surprise to absolutely no one since I won last year also, and tied for first the year before, which means I’ve never lost. Even Meryl Streep doesn’t have a record like that. Suck it, Streep!

Hope At Christmas

After the death of her grandma, Sydney and daughter Rayanne spend Christmas in the house they inherited from her.  Sydney is newly divorced and recently bereaved, so her Christmas spirit is understandably a little tarnished. A local book store brings a little cheer her way in the form of Mac, the town’s 4th grade teacher and resident Santa, with whom the store’s owner, Bea, keeps trying to set up a very reluctant Sydney.

I don’t know about you, but I manage to vacation without becoming completely entangled in local politics. Sydney’s in town for less than 2 weeks but for some reason she finagles a job – “a little fun for the holidays,” she calls it, as if she’s never had a job before, as if the rest of us aren’t desperately trying to secure as many days OFF at the holidays as possible.

Anyway, little Rayanne makes a special Christmas plea to Santa to make her mom feel MV5BMDdkOWVlZjEtNDNlMC00NmFjLWFlMzQtZDdlZGQ2YTE0YjNmXkEyXkFqcGdeQXVyMzEzMjg5NjA@._V1_better. Underneath the beard, it’s really Mac, who moves her wish to the top of his list.

Will Sydney leave the big city to embrace small town life in Hopewell, which includes Mac, or will she stay where the big career opportunities are? That’s right: it’s a question not worth asking, and even the script doesn’t pretend it’s very serious. We know from the very first snowflake that of course Sydney and Rayanne are staying in their grandmother’s house. They’re going to make a family with sad widower Mac. And they’re going to take over running Bea’s book store. The only surprise in the whole movie is when a Christmas tree falls over, but they somehow turn that into not just a Christmas emergency, but an event so dire it threatens Christmas itself. Yes, that’s what passes for conflict in Hallmark holiday movies: a tipped over Christmas tree. And that’s fine. As far as I can tell, these films aren’t meant to be good. Between their unerring formula and the homogeneity of their cast, Hallmark movies are the equivalent of that channel that just plays the crackling fire round the clock. It’s background noise.

Christmas Wonderland

Heidi moved to New York to be an artist but ended up excelling in a position as art gallery curator, her paints mostly forgotten. Her sister needs a favour close to the holidays – she needs an overnight babysitter for her two kids, so Heidi finagles some time off work to return to small town Pleasant Valley and spend some time with her niece and nephew.

While there, Heidi isn’t just a babysitter, but the defacto Christmas mom too, fulfilling all the holiday duties her sister is signed up for. She has to bake cookies, take the kids to pageant rehearsal, and volunteer for the Snowball dance. And guess what! The Snowball dance is being organized by her former high school sweetheart Chris, who is now her nephew’s teacher and hockey coach. While not the obvious choice for Snowball volunteer, the truth is, Chris and Heidi are both Snowball royalty – they were Snowball king and queen back when they were young and in love.

Although she’s badly needed back at work, of course Heidi’s stay with the kids gets extended. And while she’s there, she gets out paints and canvas that she’s apparently had stashed there for years (?) and gets busy IN HER SISTER’S ALL BEIGE LIVING ROOM. I mean, there isn’t even an ugly-patterned couch to help hide the inevitable stains. Her apron suggests that only a small fraction of paint actually makes it to the canvas, but she’s going to risk the wall to wall carpeting in someone else’s house? Really, Heidi? I’m such a messy painter that I once accidentally dripped some pain on my dog Herbie, then a frisky puppy, when I was refurbishing a dresser. When I later made an appointment to take him to his first vet visit, they asked me lots of questions over the phone – how many weeks old, what breed, what colour – to which I responded, white, black, and teal, which technically, pre-bath, he was. I explained the joke and how it came to be, but when we turned up to the vet days later, teal had made it into his official file, and remains there to this day.

Anyway, there’s very little romance in this romantic Christmas movie. There’s very little to recommend it, period. There’s not even a cute, off-colour dog. But if you’re looking for cute, Hallmark does have quite a deep well, so visit us here!

Oscars 2015: Best Director and Best Picture

Birdman cinematographyBest Directoruntitled

Richard Linklater- Boyhood

Alejandro González Iñárritu- Birdman

Bennett Miller- Foxcatcher

Wes Anderson- The Grand Budapest Hotel

Morten Tyldum- The Imitation Game

One of the more controversial categories this year, the Best Director race is traditionally one of the more reliable predictors of the Best Picture Oscar. The Academy’s snub of Ava DuVemay for Selma has put a bit of a damper on things but Linklater and Iñárritu’s inclusion still make for an nteresting race.

Miller and Tyldum are strange nominations. Not only did I find Selma a much better movie than The Imitation Game, it was much more of a director’s showcase. And Miller won’t win. Since I started watching 20 years ago, no director has won for a film that didn’t even earn a Best Picture nomination. As good a job as he did with Foxcatcher, it really is bizarre that the Academy passed over four Best Picture nominees in favour of Milller.

Now for Wes Anderson. I am running out of things to say about him, having praised The Grand Budapest Hotel several times over the last couple of weeks. We love him here at Assholes Watching Movies and are thrilled that the Academy finally got around to giving him his first Best Director nomination.

That leaves Linklater and Iñárritu who have made two of this year’s best movies. How do you compare the ambition of these two projects. Birdman’s self-aware screenplay and dizzying cinematography vs Boyhood’s 12 year commitment. I wouldn’t be disappointed either way but I’m voting Linklater. He made a great film, not just an ambitious one that was filled with beautiful moments filled with truth.

Best PictureBirdman script

American Sniper

Birdman

Boyhood

The Grand Budapest Hotel

The Imitation GamePatricia Arquette

Selma

The Theory of Everything

Whiplash

I’ve commented on all eight of these films at length andhave made no secret of my love for boyhood. Experts have declared Boyhood and Birdman as the two frontrunners, leaving me with no idea what is going to happen. Both movies are great so I won’t mind either way. As long as American Sniper doesn’t win as my colleague just predicted.

 

 

Amelie

Sean and I are celebrating our wedding anniversary in Paris; today we’re actually renewing our wedding vows at the Eiffel Tower so I’m posting about a wonderfully romantic French film about love and life in Paris through the eyes of an idealistic and imaginative young woman.

Gloriously known as Le fabuleux destin d’Amélie Poulain (translation: The Fabulous Destiny of Amelie Poulain), this film introduced the rest of the world to Audrey Tautou, seemingly born to play the role though it was actually written specifically for Emily Watson, who turned it down because she doesn’t speak French. A passion project for director Jean-Pierre Jeunet, he’s been collecting the various memories and curiosities that make up the story of Amélie since 1974. Who knew that the guy who brought us Alien: Resurrection had such magic and whimsy in him?

audreytautou

Amélie was brought up in a rather protected fashion, her father being very concerned about her supposed heart condition. To make up for her isolation, a young Amélie lives in her imagination, and her grown-up self is still very much a dreamer, a wondrous observer and devoutly introverted. She devotes her life to making others happy, and lucky for us, she’s surrounded by a very quirky bunch.

For her father, she fulfills his lifelong dream of travel (tough for a recluse) by stealing his treasured lawn gnome and sending it all over the world. This was inspired by true events – in fact, a rash of pranks perpetrated in the 1990s in England and France.

amelie

The traveling gnome was inspired by a rash of similar pranks played in England and France in the 1990s. In fact, the theft of garden gnomes is so pervasive it even has a name – “gnoming.” A gnome is taken from someone’s garden and released back “into the wild” (wherever that is for an inanimate object – the shelves of Walmart?). In 1997, a the leader of the Garden Gnome Liberation Front was convicted of stealing over 150 gnomes – his prison sentence was suspended, but he did pay a hefty fine.  (A couple of years later, there was a “mass suicide” of garden gnomes in a small town in France – residents woke up to find 11 gnomes hanging from a bridge, swinging from the nooses around their necks). At any rate, Amélie was responsible for bringing the whole garden gnome kidnapping thing to our attention, and the idea was later used by Travelocity in an ad campaign.

colignon

Although the movie is shot in a dreamy sort of way, with Paris polished, glowing, and blemish-free, some of the locations can actually be found in Montmartre. The cafe where Amélie works, for example, can be found on Rue Lepic (and is conveniently also named “Les Deux Moulins”). The fruit store run by M. Collignon is at 56 rue des Trois Frères. And of course the church where Amélie’s mother is crushed to death by a suicidal jumper is none other than the uber-famous Notre Dame  cathedral.

ameliegif

Amélie’s watchful neighbour paints the same painting yearly – he’s up to 40 copies of Renoir’s Luncheon of the Boating Party, and he still hasn’t got the girl-drinking-water’s expression quite right. Pierre-Auguste Renoir is a French artist of the impressionist variety and I’m looking forward to ogling his stuff at the Museé de l’Orangerie, but that particular painting can actually be found in The Phillipps Collection in Washington, DC.

If you haven’t seen this, you should, and if you  have, no time like the present for a re-watch!

ameliemetro

Gideon’s Army

I set out to review Gideon’s Army last night with a quick comment on the best documentary Oscar race. My quick comment became a long comment as I got a little carried away thinking about what makes a documentary great. Should we hold theGideon's Army 1m to the same standards as we would fiction in terms of style or is it enough to just tell the truth about an important subject?

Gideon’s Army is a fantastic documentary no matter how you look at it. Screened mostly at film festivals in 2013 but now available on Netflix, it follows three young and hopelessly overextended public defenders working in poor areas in the southern US. Anyone who’s ever watched Law & Order knows the Miranda rights, probably by heart. “You have the right to an attorney. If you cannot afford an attorney, one will be appointed.” Everyone has a right to legal representation, even if your lawyer is taking on up to 180 clients at a time as Brandy Alexander (not even thirty years old yet) has to. A statistic at the beginning of the film states that there are 15, 000 public defenders working in the US right now and together they represent millions of defendants each year.

Gideon's army 2

Gideon’s Army gets the statistics out of the way quick and then puts all its focus on people. The three lawyers that we get to know in the film have to defend both people that they firmly believe to be innocent and people that they know to be guilty and proud to be guilty of unspeakable crimes. They lose sleep over the cases that they are terrified to lose and the lives they are afraid of ruining. In Brandy’s case, she had to represent at least on person who threatened to kill her. The work is so stressful that they have a support group.

One lawyer described being regularly asked “How can you defend those people?”. This is not a popular subject for a doc. Lawyers don’t get much sympathy, especially criminal lawyers, and Gideon's army 3neither do defendants. The film makes a strong case that the system that claims “Innocent until proven guilty” is really stacked heavily against the accused, especially if the they don’t have money. The system puts tremendous pressure to take a plea bargain, not being able to afford to stay in prison while their house and job slip away as they await trial.

Gideon’s Army potrays those that do their best to keep burnout and pennilessness at bay to defend those that can’t afford to pay them as heroes. Director Dawn Porter’s admiration is understandable. As a social worker, I can cheer for anyone who will take the time to listen to and stand up for those that the rest of the world has seemed to have given up on. I highly recommend you check out this movie.