Tag Archives: Paul Giamatti

Jim & Andy

The official title of the documentary is Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton and it’s ‘about’ how Jim Carrey became Andy Kaufman in order to portray him in the 1999 movie Man in the Moon.

Andy Kaufman was a comedian who defied definition. There wasn’t and hasn’t been anyone like him before or since; Kaufman existed outside the normal conception of stand-up comedy. For a lot of people he was simply too much – so who better to play him than this generation’s over the top comedian, Jim Carrey?

Having watched the documentary, it’s hard to decide who’s crazier. Maybe Andy MV5BMjM3OTY1OTAxNl5BMl5BanBnXkFtZTgwMTI0MTUxNDM@._V1_SY1000_CR0,0,674,1000_AL_Kaufman just didn’t give a fuck – but Jim? The documentary has a tonne of footage from the set of the movie, which was filmed 20 years ago. A documentary was planned at the time (shot by an old girlfriend of Andy’s) but Universal pulled the plug, for fear that the public would discover their beloved Jim Carrey to be an asshole. Cut to 2017 and the cat’s pretty much out of the bag. And maybe asshole’s not even the right word, but there is no one right word: he’s a space cadet, a depressive, a nonsensical philosopher. And those things are all apparent in the documentary, which also features an interview with him present day. And it’s hard to know who to detest and pity more: the Jim Carrey on the set of Man on the Moon was was never Jim Carrey at all because he was so deep in the character Jim never showed up to work, or the Jim Carrey today who at times seems downright bewildered even in his own skin. He talks about fugue states and telepathy, but bottom line, he believes that the spirit of Kaufman inhabited his body during filming. When director Milos Forman or colleagues like Danny De Vito or Paul Giamatti tried to address Jim on the set, “Andy” would be angry and\or defensive. “Andy” was always on, and always creating a ruckus. You can see how that would wear thin. The real Jim Carrey, whoever that is, has recently claimed to have had a spiritual awakening, and depending how woke you are yourself, what he spouts is either enlightened or crazy.

Either way, it’s hard to watch. And while it starts out to be fascinating in a voyeuristic, train wreck kind of way, my tolerance for it eroded before the 94 run time was up. And I’m a little uncomfortable eavesdropping on the scattered thoughts of a man who is perhaps not mentally at his best. Having battled depression for years, he has lately taken to ascribing meaninglessness to everything, coming off loopy in red carpet interviews. And he’s still staring down the barrel of a wrongful death lawsuit, accused by his dead girlfriend’s mother and estranged husband of having introduced her to hard drugs, prostitute, and at least 3 STIs. Carrey maintains the the lawsuit is simply a shakedown. I don’t know who’s right, but I do know that the whole method acting thing was nutty to begin with and is downright unhinged the way he does it. Maybe it’s the counsellor in me talking, but watching this just made me think: this man needs help.

 

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Ratchet And Clank

I was just saying that animated movies were very strong in 2016 – I loved The Little Prince, Zootopia, Kubo And The Two Strings…and likely many more. What I did not love, or even like, was Ratchet And Clank.

ratchet-and-clank-screen-06-ps4-eu-02jun15A cute nearly-puppy looking protagonist named Ratchet is “trying out” to join a team of alien super heroes, the Galactic Rangers. He’s not strong or fast, but he has “heart” and lots of failed inventions and a robot sidekick named Clank. Sounds promising on paper but it just wasn’t interesting in practice. Small children may make it through but even they’ll know there’s just better stuff out there. It does nothing to distinguish itself. It has an admirable message lost somewhere amid the chaos about the surprisingly thin line between heroes and villains, but it’s so obviously just going through the motions that it fails to inspire. Even my idle curiosity and need to kill an hour and a half weren’t fulfilled by this in any way. If it’s mediocre animation you’re after, try Kung Fu Panda #Whatever, or The Secret Life of Pets.

This movie is based on a video game I know nothing about, nor do I want to after this exposure. Ratchet and Clank, as far as I’m concerned, can go back to living underneath the rock I accidentally unearthed. Bye, Felicia.

The Little Prince

A little girl has a bright future ahead of her. How do I know? She and her mother (Rachel McAdams) have her whole life planned out. A life plan so intense she’s more like her mother’s Senior VP than her daughter. Her mother’s best compliment: “You are going to make a wonderful grownup.”

But the crazy old man (Jeff Bridges) next door draws her out of her mature little shell with his fanciful inventions and his beautiful story-telling. His stories and drawings come to life in animation within the animation: the story of The Little Prince.

Growing up it was always Le Petit Prince to me, but even en anglais, the timeless story warms the heart. The main story, starring the little girl, and the crazy man’s story, starring the little prince, are distinguished with different styles of animation. The little girl is done in familiar CG style; the little prince is stop-motion, done not in clay but in paper. Both are lovely, 210b0b20-a7ab-11e5-88e2-828a3e695a05_1280x720but I confess a fondness for the nostalgia and simple loveliness of the latter.

The voice cast is incredible: Jeff Bridges, Paul Rudd, Albert Brooks, Marion Cotillard, Benicio Del Toro, and more. It’s a real testament to just how cherished the book is, around the world. The Little Prince is a sweet children’s book but it can be read and enjoyed by adults, with many layers of themes to interpret. The same goes for the movie, faithfully and lovingly adapted from its source.

The little girl, too grown up for her own good, rediscovers childhood lp-garden-rgb-5kthrough friendship with the batty old guy next door. But anyone who knows the story knows that along with sweetness, there is also sorrow. The first half of the movie is all poetry and imagination. The second half falters a bit when it gets further away from Saint-Exupéry’s ideas and ideals. The movie is a little less fanciful than the novella, a little more down to earth. But The Little Prince has always been the stuff of dreams, too good, too ethereal for Earth. It’s still lovely though. It’s still one of the loveliest things I’ve seen all summer.

 

Straight Outta Compton

Finally!  It’s hard to say there was a downside to TIFF but it monopolized my movie-watching for its entire 11 days.  And since Jay and I were busy before that doing Amazing Races and Oddball Festivals and other summertime stuff, I didn’t get to see Straight Outta Compton until yesterday.  Which was making me itch a little because I had heard really good things, and I am happy to report that those good things were accurate.  Straight Outta Compton is a very enjoyable history lesson/tribute to some of hip-hop’s founding fathers, most notably Eazy-E.

Having been a 12 year old small-town Canadian kid whDr.DreTheChronic.jpgen N.W.A. broke, they were a little fuzzy to me at the time. But now I’m older and wiser, and since turning 13 I got into mid-90s hip-hop, Ice Cube made a lot of movies, and as my record collection grew I got Straight Outta Compton and The Chronic (and All Eyez on Me), so this movie brought N.W.A. into sharper focus.  It’s really staggering to think of how much talent was in this group and how soon it all ended.  It’s  also staggering to think about how much more to the story there is in the Aftermath, which gets hinted at in the end, and which was a nice touch.

I thought this movie flowed really well and was grounded enough in reality to feel authentic.  Again, since I was 12 at the time, I don’t know much about Eazy-E aside that he died from AIDS when AIDS was just becoming real for me because Magic Johnson had it.  So it was really neat to see him be the focus of this movie along with Ice Cube and Dr. Dre.  I expect that DJ Yella and MC Ren had more to do with the group than just being faces in the background but if you are fans of theirs, you will have to wait for their version of this story to get greenlit in order to learn anything about them.  Fortunately for me, I am a Dr. Dre fan primarily and Straight Outta Compton paid lots of respect to his genius.

It helped that O’Shea Jackson Jr. looks so much like his father, but a great casting job was done with the other roles as well.  Even cameos like Snoop Dogg and Tupac work, especially because the voices are eerily similar.  I felt like maybe there was some auto-tune trickery at play but whatever was done, it works to immerse you in this world if you are at all familiar with it.  And Suge Knight is well portrayed too, he’s a dead ringer for the real thing and comes off as bad as he should.  As Jay said while we were watching it, whoever thought it was a good idea to trust that guy deserved what they got.

If you like hip-hop at all, this is a must see.  And even if you don’t, this story is one that may grab you regardless.  It’s an enjoyable movie that captures a lot of N.W.A.’s ups and downs, and is more or less accurate as far as I can remember!  For that, Straight Outta Compton gets eight police brutality charges out of ten.

Wino Forever

Today we’re leaving San Francisco to explore wine country. Does it make us sound like lushes to admit this was the whole reason we planned this trip?

sidewaysBefore they were Spiderman villains, Paul Giamatti and Thomas Haden Church were wine loving assholes just like us. The pair are not very likeable men in the movie Sideways, but they sure do bond over bottles of fine wine. Sales of Pinot Noir surged after this movie hit theatres and of course sales of Merlot plunged. It was a little film that could, showing that life can be both funny and tragic at the same time. Alexander Payne (along with Jim Taylor) took home the Oscar for its stellar screenplay and it, along with its four leads, had plenty of acclaim. I liked it the minute I first saw it but after “cellaring” it for a bit, I find that it has matured, and I suppose so have I. It’s a thoughtful movie that pairs well with stuffed olives and\or brie. 😉

We three Assholes don’t need wine to get us going and we don’t drink to get happy – we drink toow0sx3sk2bvbtpymxwaqrnmdimw get EVEN MORE happy! And we’ll be sloppily happifying all over California wine country today (don’t worry, we’ve engaged a chauffeur), and steadfastly keeping each other’s hair out of the spit bucket (I never spit anyway, I’m definitely a swallower).

We’ll be sure to be updating our twitter account with drunken trip highlights all week long – join us @assholemovies .

 

 

Road Trip Movies

TMP

Wanderer’s timing has been spooky lately. The Assholes fly out to sunny California today and will be taking a road trip of our own on Sunday along the beautiful Pacific Coast Highway. Perfect time to be thinking of our favourite road trip movies.

thelma and louise

Thelma and Louise (1991)– A road trip to a friend’s cabin in the mountains quickly goes off the rails for Thelma and Louise when Louise shoots an attempted rapist to death before they’ve even reached their destination. The trip goes from vacation to nightmare to something much more as the two realize they wouldn’t go back to their old lives even if they could. Nothing like the life of a fugitive to make you finally feel free.

sideways

Sideways (2004)– I made a deal with myself that I would only pick one Alexander Payne movie this week. As much as I love his last four movies- all road trip movies- Sideways was an easy decision, given that we will be doing a Napa Valley wine tour of our own tomorrow. Hopefully we’ll have more fun than Miles (Paul Giamatti), a depressed alcoholic and failed novelist. Sideways is a hopeful but often painful comedy that to this day still makes me feel a little guilty every time I order Merlot.

Due date

Due Date (2010)– Director Todd Phillips and star Zach Galifianakis’s follow-up to 2009’s The Hangover was highly anticipated and very disappointing to many but I have always stood by it. Galifianakis’ Ethan Tremblay and Robert Downey Jr.’s Peter Highman are forced to drive cross-country together after they’re both improbably kicked off an airplane. Both stars play off of each other beautifully and the gags mostly work but what I love is how the story is constructed around what’s going on in the lives of these two men instead of around a bunch of setpieces and jokes. Downey is particularly good as his performance hints at a more real pain than he has been able to manage even in his recent “dramas” like The Judge.

San Andreas – not the Rock’s fault!

I just liked the title, it’s not a knock on this movie.  San Andreas was actually surprisingly enjoyable.  I am biased because as you may know I like when things blow up.  Well, the sheer amount of destruction on screen here probably tops 2012 (the movie not the year).  Which of course was centred around the Mayan apocalypse.  This is just two little states getting smashed, but my god, so much smash!

I go into these movies expecting cliches and this movie has all of them.  Including one I could have done without, the scuzzy new boyfriend of the ex of the male lead.  And he is super scuzzy, Mr. Fantastic he is not.  I felt like he was included just so we could get behind some of the disaster, like maybe if he dies it will be easier to forget the thousands more that are swept away with him.  You be the judge I guess.  For me, I always just assume everyone else died at the end of these movies, even though they tell us in cliched news footage that most were okay.  In San Andreas, it did not seem like anyone except the Rock and his family were walking away at the end.  The other CG rag dolls just added to the triumph.

I liked it.  Every ludicrous minute.  Critics drive me nuts when they give a movie like this a one star review.  You know what?  This is not Oscar material.  We came here to see some shit get torn up.  And San Andreas delivers to a fault!!!!

I give it a score of 31,250 atom bombs out of 40,000.