I wonder in what ways the world would have been different if Alan Milne had not married a perfectly horrid wife. Daphne is an excellent socialite but not terribly prone to marital bliss. She waited for her husband to come back from war and is not impressed with the man who comes back. Her advice to just “not think” about the war is not exactly practical, and then she has a son she doesn’t want or know how to love to cheer him up, and that doesn’t work either!
But of course it’s their son, C.R., aka Christopher Robin, aka Billy, whose stuffed animals and wild imagination inspire the very thing he’ll become known for. And it’s his wife’s abandonment of the family that allows father and son to spend meaningful time together, time enough to write the stories that will enchant the world and change their family forever.
Domhnall Gleeson plays the famous author A.A. Milne, a man ravaged by war, confused by his wife, haunted by the characters he created. Winnnie the Pooh is a beloved story for children, but the people behind it are much darker than I’d imagined. This is not really a happy story. Margot Robbie plays his flitty wife, a woman easy to scorn but Robbie humanizes her, has compassion for her. Kelly Macdonald plays the woman who actually cares for young C.R., a nanny her charge calls Nou but the world will know as Alice, from the books. She’s the one who bears the burden placed upon a little boy upon whom the whole world has expectations. The cast is quite wonderful; even the little kiddo (Will Tilston) playing Christopher Robin is good, as he must be.
But as you can imagine, it’s difficult to flick back and forth between the horrors of war and the child-like wonder that inspired a favourite picture book. It adds little pops of whimsy to lighten the mood, but make no mistake: it is a dark mood in need of lightening. At times the movie really hits the right note, but it’s a tone that’s hard to keep – especially since the point is not really Winnie the Pooh OR war, but the nasty consequences of celebrity. Goodbye Christopher Robin surprised me and moved me, but it’s not a water-coloured, feel-good picture, just the sad truth behind a story you thought you knew all too well.