Nona

Nona is a young mortician in Honduras. She lives alone: her father was gunned down on his way home from buying a bag of chips, her brother was stabbed to death during a home invasion, and her mother has fled to the U.S., too poor to pay for her daughter’s passage over to join her.

So you might say Nona is ripe for escape when she meets Hecho, a bad boy on a Vespa. He’s a traveler, a laid-back, rootless guy as evidenced by his ubiquitous nona2bowler hat. They have a fun, flirty road trip, ambling toward their destination, taking their time, getting to know each other. And we’re treated to these beautiful countrysides and colourful images that make us feel like we’re on vacation with them. Nona is fleeing a very hard and dangerous life, but once she’s on the road, it’s clear she feels free. She’s a different person.

Until they near the border, and it turns out that Hecho traffics in humans, and this whole transaction has not been what Nona thought. Yeah. It’s a bit of a blow. The last third of the film takes an abrupt turn, as I’m sure it feels to Nona, who clearly doesn’t see it coming. Is she that naive, and is Hecho that villainous?

The shift is harsh, I’m not gonna lie. But how can I complain when a woman goes from romance to brothel in about ten seconds flat? You’re going to have to watch this one for yourself, if only to commiserate.

Magical Christmas Ornaments

Marie is feeling sad and kind of Grinchy after a bad recent breakup. So her mother is sending her gifts in the mail – ornaments that were special to her in childhood. Yes, not coincidentally, these are Hallmark keepsake ornaments, visibly branded. This is an 87 minute commercial.

Marie is not your typical Hallmark heroine. They usually cast from a very narrow set of cookie-cutter qualities. They all look like the girl next door – attractive, but not glamourous, not intimidating. Approachable. Not high maintenance. Marie, however, looks like she might have some adult films under her belt. So it’s a littleMagical-Christmas-Ornaments-hallmark-movies-40840833-450-325 unbelievable when the wholesome, blandly hunky nurse next door Nate starts to fall for her. Of course, she tries to scare him off. Her reasons are sound, and many: if they got together and it didn’t work out, it would be awkward in elevators. And the mail room! Okay I lied, those were all the reasons. And keep in mind the fact that they lived next door to each other for 6 months before they “met” because she’s always so phone- and self-absorbed. The woman’s best acting is not falling down the stairs in heels.

Anyway, you guys are super smart, so you’ve noticed from the title that these aren’t any ordinary ornaments. They’re magic! Marie’s mother is sending ornaments that put ju-ju out into the universe. Are they predicting events or are they making them happen? No, it is not simply coincidence, god, I can’t believe you even brought that up, where the heck is your Christmas spirit?  How rude! Get your head out of the snowbank and pay attention! These are magical ornaments. They look like shitty, dusty Hallmark remnants from the 1980s, but trust me, they have special powers.

Do your ornaments pulse with magic? Probably not. They probably have little metal hooks, or else a ribbon, and some will have glitter. Are some of them special? Are all of them special? Tell me about them as a palette cleanser so I can pretend I never watched this movie.

Funny Tweets

So, Twitter.

This platform has changed the way we communicate. Originally you had only 140 characters to send out your thoughts, and today we’re up to 280, which is a boone to us long-winded folks. Something in the neighbourhood of 6000 tweets are sent every second. Nearly half of all Twitter users never send a single tweet, they’re just there to read. And man is there stuff to read. Read for days!

In Twitter’s early days, it was like the wild west: anything goes. And one of the things that really proliferated was comedy. There’s a special knack to writing jokes for Twitter, there’s a special pace, a special formula.

This documentary talks to a bunch of hella funny Twitter comedians, many of whom had their careers explode because of Twitter. Breaking into the writing world used to be hard, but now you can gain attention from your dead end job in Bumfuck, Nowhere. And it’s happened over and over! How cool is that?

Twitter also puts you in touch with tonnes of strangers who share the things you’re passionate about. Some of them hate you and what you’re saying, and they let you know, often more loudly than the people who love it.

And then there’s the celebrity content! You can follow whomever you please, including Ryan Reynolds, David Lynch, Patton Oswalt, and Conan O’Brien (all recommended).  And disturbingly, the current president of the United States is also a prolific tweeter. He likes creating evidence of his lack of intellect and filter, and posting it to the internet forever and ever. Because he’s an idiot. Danny Zuker, a writer for Family Guy, interacted with Trump frequently – his slams were popular and effective, but he likens it to “dunking on a toddler.”

This is an entertaining documentary and a great crash-course on the ins and outs of Twitter. Director Laurie McGuinness covers thinks like plagiarism on social media, how women are treated differently (meaning poorly), internet outrage, and the unintended consequences of thoughtlessly posting your basest instincts. Twitter can get you hired and it can get you fired. It’s a risk, it’s a connection, it’s a new way of thinking. It can open up your world, if you let it.

p.s. my super awesome Twitter can be found at @AssholeMovies – won’t you be my follower?

I Am Paul Walker

Can you believe it’s been 5 years already since Paul Walker died? This documentary is an homage to the man that was, and it may not be who you thought it was.

Described variously as “the 4th Paul Walker, in a line of badasses” and a “cute kid who stayed pretty his whole life,” Paul got into acting as a child because his mother encouraged him. The work came easily. It may not have been the career he dreamed of – he thought a lot about pursuing marine biology in college – but both the work and the money were hard to resist.

He grew up Mormon and maintained family values his whole life. He was always close to his 3 siblings, and was thrilled when his daughter, who he had young, came to live with paulwalkerhim full time. She made him conscious of time, and he wanted more of it with her. He contemplated quitting acting to have more family time. Notice I said quit acting and not quit Hollywood. He was never in Hollywood, never cared for the lifestyle. If he wasn’t working on a movie, he wasn’t in Hollywood, he was probably out on the water, out dare-deviling, living life to the fullest.

Childhood friends, family members, people he volunteered with, costars – I Am Paul Walker interviews everyone to get to the truth of a man who kept his private life private and his head out of the clouds. And by all accounts, it sounds like Walker was everyone’s best friend, a guy who had “real relationships with everybody.”

Tyrese Gibson, who turns out to have some pretty profound stuff to say about his friend and Fast and Furious costar, says “We’re actors in Paul Walker’s movie.” The directors who admired him and wrote roles for him remember him fondly, his mother aches over his loss, his little brother can’t help but tear up when he talks about the man he idolized.

It always sucks to lose someone so young, but the people who pay tribute to him here leave the impression of a man unlike any other. I wonder sometimes, how much documentaries like this eulogize and in fact lionize the dead, and I suppose it’s only natural that we do that to some extent. What would my documentary sound like? Not nearly as glowing, I’d wager. And yours?

Social Animals

Austin, Texas, where every hipster thinks they should be able to open and run their own business. They’re all failing of course. Zoe’s is failing. Apparently her big dream was to wax women’s pussies, but the pussies aren’t coming. Across the street from her, Paul’s video store is failing too. Only the food trucks that circle these going out of business sales seem to be proliferating, business owners that have fled their lease agreements and work on wheels instead.

Of course, business is not Zoe’s only concern. All her friends are getting married and having babies, but she’s chronically single and collecting polaroids and hopefully first names of all the men she brings home to her trailer; if it’s a-rockin, you know MV5BYTJjNjdhZWItY2U3ZC00YjVjLTlkN2ItMTE0OWEzOTA3ZWU5XkEyXkFqcGdeQXVyMjExODQwODM@._V1_SX1777_CR0,0,1777,999_AL_the rest. But her friends are getting tired of Zoe’s (Noel Wells) bullshit and she’s not much fun to be around now that her life is fully falling apart. The only person who seems to understand is Paul (Josh Radnor), the unhappily married man across the street. His wife has given him permission to have an affair, and Zoe is undeniably cute in a damaged way, but he’s still a bit shy to ask for what he wants.

Social Animals is a clever if inconsistent script. Watching Millennials attempt to “adult” is at turns entertaining and depressing. My sister was telling me recently about the very young, very new woman at her work who uses “adult” as a verb, as in “I was adulting this weekend; I made soup.” She was very proud at this stab at adulthood, but when my sister asked her what kind, she replied “Campbell’s.” Which, okay, makes sense, because I literally just heard on the radio this morning that the sale of canned tuna is way down because Millennials don’t know how to use a can opener. So perhaps successfully opening and microwaving a can of Campbell’s is something to celebrate if you’re young and dumb. Although I was once upon a time chronologically her age, I was never that young. At her age I was married, running my own household, and managing to cook impressive multi-course meals. Of course, I don’t really believe that Millennials are idiots. I believe their parents have ruined them by doing everything and teaching them nothing, and especially not independence. Millennials aren’t the problem. Their parents are.

Of course, Zoe’s parents are dead, so I probably shouldn’t speak ill of them. But even cold and in the ground she moans about getting a raw deal from them. Even the bank seems to imply that the reason her business is failing is because her parents aren’t giving her cash injections (so now we know why the American economy tanked). But I kind of enjoyed this movie about young people groping around, trying to figure shit out, and dramatically burning polaroids under a bridge. It didn’t make me feel superior, but it did make me feel secure. I may not always love getting older but I sure as hell wouldn’t want to be that young again. Sometimes Sean and I still feel like a couple of kids, but we have non-Ikea furniture, and RRSPs, and a fairly casual relationship with avocados. We’ve got our shit together. And even when making roasted red pepper soup from scratch, I never use “adult” as a verb. I just am.

 

My 10 Favourite Coen Characters

10. Chad Feldheimer (Brad Pitt), Burn After Reading: We don’t often get to see Brad Pitt being funny, but as Burn After Reading’s dumb blond, he’s hysterical. He’s charming, his enthusiasm is infectious, and he’s dumb as rocks. But that little dance of his isn’t a meme for nothing.

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9. Ulysses Everett McGill (George Clooney), O Brother, Where Art Thou: Clooney feels loose and slick in this movie, with slightly wild eyes and patter to match. This one is crowded with memorable characters, and so many have juicy moments, but Ulysses is the beating heart with a zest for oral hygiene, and you have to love a man for that.

8. Buster Scruggs (Tim Blake Nelson), The Ballad of Buster Scruggs: The film’s opening chapter draws us in with a horseback song and fancy gun slinging. The two combined are a sight to behold, so well-choreographed you can only whistle along in admiration. But when sudden violence hits and the tone shifts astronomically, it’s a signal to us all that this film is going to take us for a ride.

7. Llewyn Davis (Oscar Isaac), Inside Llewyn Davis: Llewyn is a gentle creature, writhing with pride, jealousy, determination, dejectedness, and so much more, always evident in the crinkles around Isaac’s eyes. It’s a heartbreaking movie in many ways, and less an ensemble than many Coen films, but Isaac, a relative unknown at the time, carried it, and sang like honey so you’d want to curl up at his feet and purr yourself into sweet oblivion.

6. Hobie Doyle (Alden Ehrenreich), Hail, Caesar!: Hobie Doyle was Ehrenreich’s breakout role, playing a successful western movie star just starting to transition to more dramatic roles. His wide-eyed cowpoke ways are refreshing and unexpected in Hollywood, and Hobie feels guileless and forthright. He’s a genius with a lasso but it’s his signature flubbed line that every single person found themselves repeating as they left the theatre – “would that it were.”

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5. Walter Sobchak (John Goodman), The Big Lebowski: I challenged myself to pick only one John Goodman role, or else he easily could have taken over half this list. But Walter will always be near and dear to my heart. He’s a self-righteous, judgmental, controlling moron with a passion for rules without ever overthinking them. What’s not to love?

4. Jerry Lundegaard (William H. Macy), Fargo: Undeniably an asshole, Macy makes us feel sympathy for Jerry, and even more amazingly, he keeps him funny, despite the fact that he just keeps digging and digging until he’s so far deep in the hole he can’t even tell he’s in a hole anymore. Jerry is riddled with anxiety, desperate to be more than he is, and just can’t seem to understand that you can’t be only a little bit bad. Once you crack the door, violence comes barreling in, and Jerry is laughably unprepared.

3. Edwina McDonnough (Holly Hunter), Raising Arizona: I just love how Hunter can swing between wild emotions in this – nurturing to violently defensive; ecstatic to complete meltdown. It’s emotionally exhausting to watch so I can only imagine how intense it was to play such a character, but that’s what makes Edwina so iconic. Raising Arizona is such a fun and funny film, but Hunter has the skill to keep Edwina’s need and  love pure and honest and painfully apparent.

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2. Jeffrey Lebowski (Jeff Bridges), The Big Lebowski: Lebowski is a philosopher at heart. So many wild and zany characters bounce off him in this film, memorably so, and in other hands, Lebowski may have been overwhelmed. But along comes Jeff Bridges, and he’s perfectly laid back, unflappable really, but still engaged in the world around him, still curious and questioning. It was so note-perfect a performance that it was instantly iconic, eminently quotable, and beloved to this day. What could possibly top it?

1.Marge Gunderson (Frances McDormand), Fargo: Thank you holy cheeses for giving us this backwards-talking, nine-month-pregnant, slow moving, fast thinking, admirable as shit character. The world needs Marge Gunderson, and we’ve been doubly blessed having Frances McDormand to play her. Is anyone else even worthy? Marge sees people on their blackest day, the world at its worst, but she does her part to make it just a little bit better, and then she comes home to dinner with her husband, cozy and domestic as all get out.

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Angela’s Christmas

Some people believe they’ve seen a stone statue cry tears of blood. Others think they’ve seen Jesus in toast. This is the story of Angela, a little girl who thinks that the baby Jesus in her church’s nativity scene looks awfully cold, underdressed in his manger. She sneaks in to rectify the situation, which is how her sneeze has members of the congregation believing that the baby Jesus has caught the sniffles and has come to visit his germs upon them (or something like that, but very holy and earnestly felt). And if that had been the entire story, this review would be very short. But the thing is, Angela snatches the baby Jesus in order to warm him up. She is sincere in her good intentions, but this is still the theft of the lord we’re talking about – and on Christmas, no less.

Angela’s Christmas is an animated Netflix original, just 30 minutes, perfect for family viewing around the holidays. It’s adapted from Frank McCourt’s children’s book, so MV5BMDRiY2Y0NDYtODViNi00NWQzLWE2M2YtNjc4N2U4NjkzZjQ1XkEyXkFqcGdeQXVyNDkwMTM0Ng@@._V1_SX1238_CR0,0,1238,999_AL_presumably this is the very same Angela of Angela’s Ashes (McCourt’s mother). If you’re at all familiar with McCourt’s work, then you know it’s got plenty of Irish authenticity, and so does this little film.

Like all of McCourt’s work, the details are so terrifically rendered that they will inevitably bring a tear to my eye. This is a very sweet film that can’t help but please all audiences. Perhaps you’ve got a lump of coal where your heart should be? No? Well then add this to your holiday viewing list. It’s pure and innocent, and it’ll put a little coziness where you need it most. Angela’s Christmas is the anti-dote to all your holiday cynicism. There are no gifts, no turkey, no reindeer, just childhood innocence and the warmth of family. And that’s really all you need.

A Christmas Prince: The Royal Wedding

Last year you fell in love with clutzy, Conversed Amber as she met and became betrothed to her prince, since crowned King Richard. This Christmas, Amber and Richard are to be married with all the pomp and circumstance that befits a king and queen.

The only problem is, Amber doesn’t want any of it. Not the ostentatious event, not the fishbowl lifestyle of a crowned queen. The only other problem is, nor can they afford it. Despite Richard’s best efforts at modernization, phony baloney Aldovia is bleeding money and the out of work peasants citizens are angry.

So on the one hand, there’s a gay caricature of a wedding planner (think Martin Short in MV5BMjIwMTE1ODAyNl5BMl5BanBnXkFtZTgwMjMyMDY3NjM@._V1_SX1777_CR0,0,1777,999_AL_Father of the Bride) trying to steamroll Amber’s wedding into some poufy-sleeved thing she’d never want and doesn’t recognize. And on the other hand, she’s foregoing her bachelorette party in order to follow a journalistic hunch and stick her nose where the press secretary has specifically forbidden it.

As corny and awful as A Christmas Prince was last year, this year’s is so much worse. I mean, it’s not even a romance, it’s like Spotlight for people with no intellect or shame. And in a year with not one but two actual, real royal weddings, broadcast all over the world in their regal, swoon-worthy glory, there was not even a hint of reference to either. Harry and Megan Markle, despite actual royal protocols to follow, still managed to impress us with more romance and personality than this film does, and believe me, A Christmas Prince: The Royal wedding takes liberties literally every damn where else.

There are bad movies, and then there are bad Christmas movies, which truly does deserve its own pepperminty category of its own. There’s a moment, for example, when an unexpected guest arrives, and the 6-8 people in the room are all surprised, so the camera gives them each a close-up-shocked-face moment. I honestly didn’t know those even existed outside soap operas. And they shouldn’t.

Anyway, for a movie literally called The Royal Wedding, there is precious little time spent on the wedding, and it’s hardly royal. The dress is horrendous and Amber’s hair is constantly a complete mess. Not only does Aldovia not have a royal hairdresser, it does not appear to have a royal brush. But the genius in Netflix’s line of Hallmark-esque holiday is movies is that they’re so dumb they make us feel smart for mocking them while watching. Like the first, there are horsies and cookie montages, but there’s a lot less sparkle and a lot more business. In other words, plenty to mock.

Pick of the Litter

This documentary follows five puppies from birth as they train to become guide dogs to the blind. We literally do get to see Potomac, Patriot, Primrose, Poppet, and…Phil be born, all shiny and new and a little slimy to the world, and by the age of two months they’re already being placed in homes where raisers will abide by strict rules to bring up ideal candidates for the guide dog training program. As Pick of the Litter constantly reminds us, not everyone will make it. In fact, of 800 puppies born to the centre every year, only about 300 turn out to be suitable. The standards are exacting because the job is important. Matched with a visually impaired companion, these dogs will be the seeing eyes for their loved one, keeping them safe, but also giving them a sense of freedom that a cane just can’t mimic. Still, I find it a little heartless to keep throwing the “only the best of the best” tag line in our faces, like it’s a dog’s fault for not being the “ideal candidate.” Not all humans are cut out to be dog trainers, but the rest of us aren’t pieces of shit, we just have other things we’re good at. Can’t we maybe think the same for dogs?

The film is far-reaching, documenting and interviewing everyone involved in the process – the vets, the families, the future recipients. When a dog is deemed unsuitable for the program, there are a lot of broken hearts. “Career changed” is the euphemism employed, though I’m not sure the dogs care or notice as much as we may think. There are many MV5BN2EyMDA1NGMtZmMxNC00YTZjLTkyZDktYTBlMTVmYjkwODlhXkEyXkFqcGdeQXVyMTEzNjYxMjQ@._V1_SX1777_CR0,0,1777,999_AL_dedicated volunteers who invest a lot of time into these dogs, and getting cut from the program can seem like a failure; indeed, there are far more applicants for guide dogs than can be handled in any given year. But these are all smart dogs who work hard and do their best. I have four dogs at home: at least 3 of them are geniuses, but none of them would be guide dog material, not even if they’d been bred and trained for the job since birth. They’re hyper and they love to interact. We really do ask a lot of guide dogs, but I know that some dogs really love having a job to do, it makes them feel fulfilled, and I can’t think of a more important job or a more beautiful connection between dog and owner.

It is a testament to the filmmakers (to directors Don Hardy Jr. and Dana Nachman) that I myself felt rather emotionally invested in the process. A lot of love and effort is poured into these dogs before they ever meet their partners. It’s interesting to see the ins and outs of the process, particularly as many of us have noticed little dogs in training vests out and about with their handlers during training. This documentary lets us into the family – right into the dog’s crate, in fact, over a period of two years. It’s uplifting, it’s adorable, it’s sometimes bittersweet. It’s got everything but the wet nose.

Elliot The Littlest Reindeer

In fact – spoiler alert – Elliot is not  reindeer at all. He’s a miniature horse who lives on a petting zoo. His best friend is a tin can-eating goat named Corkie. But Elliot dreams big. The petting zoo is attached to a reindeer training centre, a ‘farm team’ from which Santa drafts his 8 reindeer each year. Elliot does his best to train along with them, though the other reindeer laugh and call him names (will reindeer never learn?).

Luckily, Blitzen announces his retirement 3 days for Christmas, and Santa decides to hold elliot-the-littlest-reindeeropen try-outs for all the aspiring reindeer stars. Elliot and Corkie have to do some fast-talking and some fairly amateur cosplay to even get him in the gates. But Elliot is fast and surprisingly agile. Is he actually a contender? And even if he wins, is it possible for a miniature horse to be accepted onto Santa’s team?

This is a cute little movie that’s sure to please young children. You can tell it’s a Canadian production because it likens the reindeer team to a hockey team – the two great pursuits of the north. The voice cast includes Morena Baccarin, Josh Hutcherson, John Cleese, Martin Short, Jeff Dunham, and Samantha Bee. Packed with cuteness and with a protagonist the whole family can get behind, why not add Elliot The Littlest Reindeer to your family’s holiday rotation this year? It’s got a one-day only cinema engagement in the following cities December 2nd, and will be available on VOD as of December 4.

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