Dell has a record and a chip on his shoulder. He’s looking for work just enough to appease his parole officer but not enough to actually get a job. But then one lands in his lap anyway.
Now, to be fair: Dell (Kevin Hart) hasn’t done anything to earn this job. Yvonne (Nicole Kidman) has lined up plenty of qualified, competent health care aides to interview for the position. But Philip (Bryan Cranston) doesn’t want the good ones. Philip is disgustingly wealthy, newly paraplegic, and harboring a death wish. No one else is prepared to respect his DNR and he’s hoping a fuck up like Dell will mean merciful death – and soon.
The Upside is an American remake of a French film called The Intouchables. It was wildly popular in France and it’s a well-made film, but both iterations have the same problem. They’re about a wealthy white dude introducing a poor black man to “culture.” The condescension implicit in the premise is so problematic it’s hard to look beyond it. Kevin Hart and Bryan Cranston have passable chemistry but you’re going to love or hate this film, mostly depending on whether you can embrace the formula. Because The Upside doesn’t even pretend to deviate from The Intouchables’ formula. Not for one stinking minute.
Old white rich guy and slightly younger ex-con have a lot to learn from each other. Philip is grieving the loss of his wife (which never amounts to anything) and his legs, while Dell is dealing with repercussions over the loss of his freedom, and his family. Not that he ‘lost’ his family so much as neglected them and now thinks he can win them back by throwing money at the situation.
The direction is nothing special. The movie relies on the whole ‘based (VERY LOOSELY) on a true story’ shtick and it’s very familiar and uninspired. The performances are fine; the best thing you can say about them is that they won’t be remembered in anyone’s career retrospective. But none of this really matters because at the end of the day (or the start of the film), the movie just feels racist and wrong.