Is it fair to say that the best use of the Muppet Movie (1979) may be as palate cleanser? We found it on Disney+ while in need of something easy, after slogging through The Platform. Instead of three Care Bears seasons, as recommended by Dr. Jay, we opted for one dose of classic Muppets silliness. The medicine worked well enough; it just tasted a little stale.
The Muppet Movie (1979) tells the origin story of the Muppets, though Kermit the Frog readily admits at the outset that some liberties have been taken. Kermit is discovered singing in a swamp (The Rainbow Connection, naturally) by a big Hollywood agent (Dom DeLuise) who has rowed the wrong way. Turns out, Hollywood is in dire need of frog talent. After a few seconds of deep thought, Kermit decides to move right along to the West Coast to try his luck at stardom, but Doc Hopper (Charles Durning), a local purveyor of frog legs, is set on having Kermit be the face of his restaurant chain, dead or alive. As he tries to stay one step ahead of Hopper, Kermit happens upon all your favourite Muppets, who join up with Kermit on his journey, and ultimately make it big enough in Hollywood to star in the very biopic you’re watching.
I am sure the long list of celebrity cameos was top-notch in 1979, as the Muppets have always excelled at drawing other stars into their orbit, and any movie that includes Bob Hope, Richard Pryor and Steve Martin is doing something right. But most of the faces were not familiar to me, and I know they were expected to be (I certainly recognized most of the names once the credits rolled). Admittedly, I am only a few years older than this film, so your mileage may vary, but the Muppets Movie (1979) felt dated for me because so many of the cameos went over my head.
Still, the Muppets have lots to offer on their own, sight gags, silly banter, and especially a great soundtrack that literally propels them on their journey (I dare you to find me a more aptly titled song than Movin’ Right Along). The Muppets Movie (1979) remains an entertaining kids’ movie, but it has lost some of its lustre with age.
You may not know Nico by name, but I bet you have heard of some of her friends, people like Andy Warhol and Lou Reed. Nico, born Christa Päffgen, was part of the Velvet Underground for their first album (getting co-billing in fact) and, as a musician, that would seem to overshadow anything else one might do from then on. Nico, 1988 joins Christa in 1986 as she tours in support of her latest solo album. Understandably, Christa would prefer to keep the focus on her new music, but the press keeps asking about her past.
Nico, 1988 makes the viewer feel the weight of that past. This film gives a revealing and honest look at Christa’s life, stitched together from memories of those who knew her, including her son. It feels like a documentary, in large part due to a great performance by Trine Durholm in the lead role. Durholm shines both offstage as well as onstage, handling vocal duties herself.
The music is the beating heart of Nico, 1988, which is entirely appropriate for a biopic about an avant garde innovator whose music Rolling Stone called “a really worthwhile venture into musical infinity”, music that others have described as desolate, terrifying and unlistenable.
Judging from the soundtrack in Nico, 1988, all those descriptions are accurate. Sometimes, Christa sounds horrible, but once in a while, it’s magic. One ill-fated concert in Prague shows the heights that Christa can hit. Her energy and the crowd’s mesh perfectly and draw the viewer into the front row. Not coincidentally, that’s the only performance in the film that Christa delivers drug-free. Christa’s struggles with addiction are part of her story, and they feature in this film just as they did in her life.
For music lovers in particular, Nico, 1988 is essential viewing. It provides a behind the scenes look at the life of a true artist, a musician’s musician who cast a shadow too large for herself to escape from. Catch it if you can!
I had heard she had some sort of music career fallback, but I didn’t really understand that I’d been hearing her on the radio consistently for quite some time. Hailee Steinfeld: you may know her as the little girl from True Grit, or else the young woman in The Edge of Seventeen, but a whole lot of young folk know her as a top 40 pop artist. She “broke out” after appearing in Pitch Perfect 2 and just like that she had a record deal and a music video.
Of course you may know that Pitch Perfect alum Anna Kendrick also landed on the Billboards with her annoying song, Cups. The music video, which I’ve neglected to see before today, is a bit aggravating since she’s play some working class baker in a horrid little diner that apparently refuses to sell drinks. Anyone else start bleeding from the eyeballs when this comes on? Anna Kendrick’s gotten singy in a whole bunch of her movies, including Trolls and Into the Woods, so it seems unlikely that her vocal stylings are going anywhere soon (god help us all).
Kendrick’s not the only co-star of Hailee Steinfeld’s to have music on the radio. Her True Grit co-star Jeff Bridges is super musical too. Of course you were likely blown away by his performance in Crazy Heart, but that’s not a one-off. He studied piano as a kid but now he’s usually seen with one of several guitars in hand, on set and everywhere else. In 1980, while filming Heaven’s Gate, he’d often jam with his co-star, singer\songwriter Kris Kristofferson, between takes. Kristofferson helped inspire Bridges’ Crazy Heart character, Bad Blake, who is described as being the fictional 5th Highwayman, alongside Willie Nelson, Kristofferson, Waylon Jennings and Johnny Cash.
A bunch of actors tour with bands in their down time. Steve Martin’s bluegrass sound isn’t surprising to anyone who’ll recognize his banjo from his stand-up comic days. He’s put some real time and effort into his second career as a musician, and he’s picked up some Grammy awards to show for it. Billy Bob Thornton has released music with The Boxmasters and Tres Hombres. Michael Cera plays bass in Mister Heavenly. Kevin Costner’s band, Kevin Costner and Modern West, tours the NASCAR circuit. Keanu Reeves’ band Dogstar reportedly gave Weezer their first touring gig opening for them in the early 90s. Kevin Bacon makes music with his brother in (you guessed it) The Bacon Brothers. Russell Crowe started out with 30 Odd Foot of Grunts before he was super successful over here, and then graduated to Russell Crowe & the Ordinary Fear of God once he did. And perhaps most famously (or at least most successfully), Jared Leto formed alt-rock band 30 Seconds to Mars the minute he was done with My So-Called Life and has always gone back to it between film projects, ensuring the stability of the black eyeliner industry.
Jamie Foxx revealed his musical talent in the movie Ray, and then followed it up with a convincing Ray Charles impression in Kanye West’s song, Gold Digger. Foxx has also been feature on a Drake track (another actor turned musician; Canadians will never let him forget that he got his start on the Degrassi reboot). Solo, he’s released 4 R&B albums since Ray. His most commercially successful single, the heavily auto-tuned Blame It, has a music video that weirdly “stars” Jake Gyllenhaal, Ron Howard, Forest Whitaker, and Samuel L. Jackson. Never mind the Grey Goose sponsorship deal. Feel free to check it out and let me know what gives.
One of my favourie actor crossovers is Zooey Deschanel, who has a good thing going with M. Ward called She & Him. She’s pretty legit – she plays keyboards, percussion, banjo, and ukulele – and M. Ward lends a lot of blues\folk credibility. We know she can sing from her duet with Will Ferrell in the movie Elf, but she’s also appeared on a Coconut Records album, a band by fellow indie actor Jason Schwartzman. In this She & Him video, she’s helped out by her 500 Days of Summer co-star, Joseph Gordon-Levitt.
In case you doubted that Ryan Gosling was singing (he was a Mousketeer alongside Justin Timberlake you know!) and playing the piano long before La La Land ever existed, here’s a pretty raw video of him and his band Dead Man’s Bones. The sound’s not great because it was recorded live, but you’ll get the gist.
There are many more besides who tried to sing and probably shouldn’t have, and I’m not even sure if William Shatner belongs on that list. He’s released so many albums at this point that I have to take him at least semi-seriously, or as seriously as the Shatner spoken-word singing can be taken. Which is still better than Cory Feldman sing-ranting about the pitfalls of being a former child actor. And I can only begin to imagine the highs and lows contained on an album by Steven Seagal, Bruce Willis, or David Hasselhoff, and apparently there are 18 of those in existence! Can you even believe it? Well believe it: