Tag Archives: holiday movies

Welcome to Christmas

Madison Lane is a very busy resort developer tasked with finding a location for a new ski resort. She’s pretty committed to Mountain Park as the next location but her boss wants her to check out the town of Christmas, Colorado all the same. Christmas has been down on its luck for a while now, in desperate need of both jobs and tourists if it wants to flourish once again and though it is small, it put together a pretty attractive incentive package for the resort people. On her way there, Madison (Jennifer Finnigan) literally crashes into the Welcome to Christmas sign, which will serve as a running joke and an opportunity to rethink the town’s awful slogan. It also conveniently traps her there or as long as the mechanic can convince her he doesn’t have the parts to make her car run.

Meanwhile, the whole town launches a campaign tailored in secret to Madison to convince her theirs is the best town for the new ski resort. Town Sheriff Gage McBride (Eric Mabius) acts as her guide while the town throws every magical thing they can think at her: tree lighting ceremonies and ornament scavenger hunts, not to mention oodles of charm and tradition. Madison can’t help but fall in love with the town. And with the sheriff. Right?

Chateau Christmas

World famous pianist Margot (Merritt Patterson) takes a break from her busy touring schedule to stay at Chateau Neuhaus for Christmas. It’s a family tradition she hasn’t had time to share for several years, and while she’s happy to reconnect with her young niece, she’s also hiding out from a recent review that called her playing passionless – the worst part is, she knows it’s true. Contemplating retirement, she’s glad for the time off. Not that she’s going to get much.

Also at the Chateau for Christmas: her ex-boyfriend Jackson (Luke Macfarlane)! Seems like a pretty big coincidence, but his best friend is the hotel manager, and the manager has a pretty big problem: their annual Christmas concert is in peril, having lost not only its director but most of its performers as well. Uh oh. So obliging Jackson got roped into putting together an entire concert in just a few days with his ex-in-laws in attendance and his beautiful ex-girlfriend set to be its star. Life is throwing them together again after their careers took them in different directions – will Margot and Jackson be able to find their way back to each other?

Hallmark Magic 8 Ball says: all signs point to yes. Happy endings are guaranteed, remember? And happiness defined by Hallmark means true love forever. That’s sort of a pukey concept, but if you’re willing to buy in to the romance be all and end all of that is good and right in the world, you can rest assured that Hallmark will come through for you. The true purpose of a Hallmark movie is to get just as swept along as the couple in question. You will give in to the Christmas spirit, which inevitably fosters love and warmth and family and commitment and cookies.

On the 12th Date of Christmas

As fate would have it, Jennifer and Aidan both work at the same Chicago scavenger hunt company. Yes, a company that plans and executes scavenger hunts on behalf of anyone crazy enough to pay them – typically as corporate team-building things, which is a sad and terrible market around which to build a business. Not only do Jennifer (Mallory Jansen) and Aidan (Tyler Hynes) both work at the same place, they’re vying for the same promotion. Aidan has more experience, but Jennifer has a certain creative spark, which does not go unnoticed by their new client who is relaunching one of the city’s swankiest hotels. This means that these two rivals, one a Christmas fiend, the other a self-described lone wolf, will have to work together on the firm’s biggest project to date.

The theme is the 12 Days of Christmas, but their inspiration leans more toward the romantic – the 12 Dates then. And for some reason instead of just thinking of clues in their heads or brain-storming at the office, they decide the only thing that makes sense is to hit the town and do the dates themselves. Strictly as professionals of course, just a couple of colleagues who realize that incorporating their date selfies into the pitch is a needless but brilliant way to expense wine tasting on company time. Who could have guessed that going on a bunch of romantic dates together could make you fall in love?

Script writers Christine Conradt and Jamie Pachino take the time to set each clue in a unique location of Chicago, all twelve in different historic districts so the scavenger hunters will have the opportunity to enjoy the whole city before eventually being led to the luxury hotel’s grand opening in its ballroom, all decked out for Christmas (where, incidentally, Jennifer and Aidan’s boss also awaits to announce the promotion). Unfortunately, the siren song of tax breaks and nearly year-round snow cried out to director Gary Yates, who filmed the thing in Winnipeg, Manitoba. So if Chicago looks good to you, fly to Canada instead.

Christmas with a Prince

Pediatric doctor Tasha Mason (Kaitlyn Leeb) is very dedicated to the little patients on her ward, so she’s quite put out when a wealthy playboy displaces some of the kids to make room for his own private convalescence after a ski accident leaves him with a broken leg. Imagine her surprise when the wealthy mystery patient turns out to be none other than her childhood boarding school crush, Prince Alexander (Nick Hounslow).

Dr. Mason’s little brother Jeff (Josh Dean) also works on the ward as a nurse, and he and Prince Alexander have always been close, particularly so in the last year after the death of Alexander’s brother, leaving him the sole heir to his kingdom (currently ruled by his disapproving father, played by Charles Shaunghnessy). Jeff is the uneasy monkey in the middle, but soon Prince Alexander is winning over the kids as well – and not just by throwing money around, but by playing and engaging with them. Think Tasha can resist? Not for long, that’s for sure.

But when Tasha tries to step into his world, she suffers a lot of pushback – the King isn’t thrilled, but a conniving Russian princess who’d like to land Alexander for herself even less so. But Dr. Tasha isn’t a pushover, or a quitter. And there’s no better proof than a sequel, which fans can watch at their leisure, possibly even back to back!

Christmas Catch

Mack (Emily Alatalo) is a police detective working for her “call me Captain” mother (Lauren Holly) in a small town precinct (quite probably its only one). Mack is notorious on the force, and particularly with her mother Captain, for being socially awkward and completely hopeless when it comes to dating. We are treated to several examples and yes, they are painful. But you know how it goes: when you’re least expecting it, you run into a handsome man, things just click, and the rest is history. With the right man, and Carson (Franco Lo Presti) certainly has Mr. Right chiseled down that perfect jawline, everything seems easy.

Except for when Special Agent Robertson (Genelle Williams) of the FBI shows up the next day, explaining that Carson is a suspected diamond thief (a 3 million dollar diamond reindeer to be exact) and needs to be surveilled – by none other than Mack and her partner (Andrew Bushell) of course. Why are the good ones always either gay or diamond thieves? Still crushing on the perp hard, Mack vows to remain impartial and professional, and even tries not to drool when surveillance just happens to include Carson in a barely-there towel. Things get sticker when Agent Robertson orders Mack to “pretend” to date Carson in order to get closer to him, win his trust, and have him confess. Can Mack possibly do her job without falling hopelessly in love?

No she can’t. But if you’ve always thought romantic Hallmark holiday movies could be improved with some sort of crime aspect, this one’s sure to be right up your alley.

Dashing Through The Snow

Ashley (Meghan Ory) is on her way home for the holidays when her flight is cancelled and the last rental car is rudely rented right from under her nose by a pushy, entitled nogoodnik named Dash (ugh) (Andrew W. Walker). Still, beggars can’t be choosers and Ashley’s desperate to get home in time for Christmas, so she accepts a ride from her brand new nemesis (stranger danger, Ashley!).

As if their first impression wasn’t bad enough, the two quickly find that they are complete opposites now stuck in a teeny tiny vehicle on a mad two-day dash to get from Sacramento to Seattle. Ashley is sunny and bubbly and despite Dash’s curmudgeonly attempts to rain on her parade, her brightness persists, and persists in annoying the heck out of him (honestly, she would be a lot to take during this type of road trip). Now, the sensible thing to do would be to spell each other in the driver’s seat while the other naps, eats, and plans their route. Are these two sensible? Of course not. But it wouldn’t be a holiday Hallmark movie if they weren’t stopping at diners to help decorate trees, or randomly adopting puppies from bikers, now would it? (Actually….)

And then there’s the tail. Yeah, did I mention the feds are after Ashley? That’s why she couldn’t get on her plane, she’s on the no-fly unbeknownst to her, suspected of being a home grown radicalized terrorist! Which seems like it must be a big mistake with some perfectly logical explanation, except…what’s in that big red box she’s been carrying around, and what is her rush to get to Seattle, exactly? So maybe our girl’s just a teeny bit suspicious. But what Ashley and Dash don’t know can’t hurt them, so they’re just obliviously driving along, snacking on pork rinds or whatever disgusting foods Americans eat in their cars, and falling just a bit in love. Or a lot in love, according to Ashley, who cries it to her mother when she finally gets to see her. In love! After a 36 hour car ride, during most of which at least one of them hated the other. For goodness sake, Ashley, have some self respect!

Cranberry Christmas

In a slight detour from the usual Hallmark formula, Dawn (Nikki DeLoach) and Gabe (Benjamin Ayres) are already married. In fact, they’re already separated. Well, they’re “taking some time apart” as Gabe stays on the cranberry farm , ensuring its proper management, and Dawn travels the world promoting their lifestyle brand and business, Cranberry Lane. Dawn returns home in time for the holidays to help out with the town’s annual Christmas festival, with a huge talk show host, Pamela (Marci T. House), in tow. She’s proposing to feature them on her show, a huge get for Cranberry Lane, obviously, but pretty awkward since the planned segments would focus on Dawn and Gabe as the perfect Christmas couple. They agree that for the business’ sake they will pose as a happy couple for as long as the TV show’s around, but nobody’s fooled into thinking it will be easy.

Honestly, it won’t be nearly as difficult as they think. There isn’t a lack of love between Dawn and Gabe, but their lives are taking them down different paths and they’ve been growing apart. Of course, acting like a cozy couple kind of gets their romantic juices flowing again. They’ve still got their issues but they seem willing to work on things – until Pamela throws a much bigger wrench into things. Their segments have gone so swimmingly (shall I say sleddingly since it’s Christmas?) that Pamela (think Oprah, she’s apparently that big) is offering them their own national TV show…which would require them to move to NYC, where it tapes. Gabe has recently poured more of himself into the farm, and bought more land, to expand. He’s committed at home, not interested in TV shows or moving. He’s actually ready to step away from Cranberry Lane altogether. Pamela is willing to take Dawn on her own, and it’s an amazing opportunity, and neither of them wants Gabe to stand in the way of her dreams.

Cranberry Christmas is refreshing for its variation on the Hallmark theme, and truly, the falling in love part is the easy part, isn’t it? It’s the staying in love that can be a challenge: growing together, sharing a life, making the compromises. Marriage is hard work, and this is a rare Hallmark romance that admits that love and commitment come with bumps in the road. Hallmark movies ask you to buy into a certain romantic fantasy, but a movie like this helps normalize the truth of real relationships. The beginning of a relationship is easy to get right; it’s the considerable territory between ‘I do’ and death parting you that really matters, and while it may not be the passionate, feet-sweeping good times of the falling in love part, the heart-warming, soul-expanding, truly knowing another person and relying on their steadfastness middle that makes love the most sought-after of things.

The Rooftop Christmas Tree

Up until yesterday, Sarah (Michelle Morgan) was a “big time,” “hot shot,” big city lawyer, but disillusioned by a legal but immoral (according to Sarah) eviction (at Christmas!), she quit her job, packed her bags, and returned home to Small Town, USA to start her own practice to avoid some of the law’s upsetting gray areas. Unfortunately it seems small towns have injustice as well; on her very first day, she encounters an arrogant line-cutter named John (Stephen Huszar), exactly the kind of person she was hoping to never meet again when she fled the big city. The line cutting just infuriates her; clearly Sarah has a very strong sense of right and wrong, and she’s not afraid to speak her mind!

Small Town, USA is apparently a one-judge town, a judge that Sarah’s known since childhood, a judge who fed her an awful lot of tuna salad sandwiches apparently (unnecessary detail!), a judge who recognizes her return for what it really is: a need for that one client who will restore her faith in the system, and in humanity.

Conveniently, that one client just happens to live across the street from her parents. Mr. Landis has been erecting a Christmas tree on his rooftop since Sarah was nine. No one knows why and Mr. Landis (Tim Reid) won’t tell. Sarah always admired it as a child but new neighbours aren’t as keen. For the last several years, a complaint means the city will force Mr. Landis to remove the tree, or face Christmas day in jail. Every year he chooses jail. Sarah is of course outraged to hear this, but unsurprised when she shows up to represent him in court and finds Arrogant John prosecuting the case.

And yet still they’ll fall in love by the end of the movie. I guess women always think they can change a man. They can’t, of course, not in real life, not really. But is it romantic to try? Some would say Sarah needs higher standards, but she’s already looking down on everyone from her high horse, so I’m not sure that’s a workable solution. Nor does it solve Mr. Landis’ problem, in case anyone still cares. Not to worry: due to some really spiffy timing, there’s going to be a Christmas miracle.

The only interesting thing in this movie is during one scene near the end when a bunch of people are pitching in on a construction project, I pitied the actors as they were clearly working in actual winter conditions, with a wet snow falling and a cold wind blowing it in their faces while they pretended to be cheerful about frozen manual labour. The wet, windy snow felt so familiar I wondered whether it had been filmed in our neck of the woods, and wouldn’t you know it had! (You know you’re Canadian when you recognize snow.)

This movie is baffling but relatively inoffensive, so have at it, or don’t, it’s really no thermal lining off my mittens either way.

Christmas Homecoming

Amanda (Julie Benz), a widowed army wife, is facing her second Christmas alone and still can’t bring herself to decorate for the season during which she lost her husband. Now she’s on the verge of losing her job at the local history museum too, unless her brilliant fundraising plan can save the day – and honestly what are the chances of that happening, and with such a tight deadline?

Good thing she’s recently taken on a tenant, Master Sergeant Jim Mullins (Michael Shanks), who’ll be staying just long enough to heal his broken leg. For reasons unknown to us, Jim is a very big fan of Christmas and the first thing he does is string up lights around his shabby little apartment, after which he immediately begins wildly overstepping. Perhaps he’s unused to idle hands, but he starts playing Mr. Fix It around the house without Amanda’s permission or knowledge, even tinkering with a vintage motorcycle he knows belonged to Amanda’s dead husband, which should have rendered it not only off-limits and sacrosanct. This is the same woman, after all, who still can’t delete her late husband’s last voice mail or throw out even his ugliest bowling shirt.

Slowly but surely, the two begin to heal together – and yes, to even the playing field, Jim does have something more to heal than just his dumb leg. With broken hearts on the mend, love is perhaps not as impossible as it once seemed, but widows are a tough nut to crack. It is much harder to move on from a love that never ran its course, and it’s hard to be compared to a sainted man who died a hero. And yet Jim decides to make things even harder on them by re-enlisting. Sure the retention bonus allows for a grand gesture, but do you think Amanda wants to risk her heart in Afghanistan again?

Hallmark is no stranger to depictions of Christmas for the military family but this year have specifically partnered with the United Service Organizations (USO), the nation’s leading organization to serve the men and women in the U.S. military and their families. This partnership aims to raise awareness about the needs of the military community, honouring the service and sacrifice of the Armed Forces, bringing cheer to military families and encouraging the American public to express gratitude for our men and women in uniform.

Candy Cane Christmas

Phoebe (Beverley Mitchell) and childhood bff Laurie (Benedicte Belizaire) co-own the Seeing Green florist shop where they go all out at Christmas. Phoebe is very attached to tradition and so adverse to change that Laurie’s slightly different twist on Christmas decorations gives her anxiety. Worse still, Candy Cane Lane, a street in her neighbourhood famous for its well-lit homes, won’t be happening this year for the first time Phoebe can remember – or possibly ever again thanks to dwindling interest. Laurie sees this as an opportunity for Phoebe to step outside of her stifling comfort zone and encourages her to try new things in attempt to fill these new voids.

That’s how Phoebe meets (well, re-meets) Eric (Mark Ghanimé), a very handsome veterinarian whose only flaw is having closed himself off from love after a bad break-up. Seriously, piercing green eyes AND he likes dogs? Take me now!

But no. Settle down, folks. This is a very respectable Hallmark holiday movie we’re talking about, and Eric is a true gentleman whose only known hobby is hanging out in a retirement residence with his aunt (Sean recognized it as local: this film was shot right here in our backyard). Although Hallmark guarantees a happy ending and true love forever, it can’t make it too easy on you, or it wouldn’t achieve its 91 minute runtime. A series of misunderstandings will do the trick, and string us along until it’s time to kiss and commit. Ah, Hallmark, you traditional old fool.