Tag Archives: blockbusters

Hey Everyone! I’m Sharing Some Spider-Man Memories

“Hey everyone.”  With those two simple words, the latest trailer for Captain America: Civil War reminded me that Spider-Man is my all-time favourite superhero, hands down, and made it clear that I have to drag Jay to yet another superhero movie.

My love of Spidey started as a six year old who could not stop watching the 1960s cartoon, the one where Spider-Man would swing across the same three weirdly coloured sky backgrounds wit60s spidey.jpgh no real need for anything to swing from (he swung across the Everglades at one point, above all the trees)!  I am humming the theme song right now and hopefully so are you.  I truly can’t imagine a better intro to a cartoon or a better gateway drug into the world of comic book consumerism.

Then came the comic books themselves.  I still remember getting my first Spider-Man comic like it was yesterday.  My parents bought it for me and it was, of course, a battle between Spidey and Doctor Octopus, where Spider-Man ends up saving Doc Ock at the end, because that’s what Spidey does.  Peter_Parker,_The_Spectacular_Spider-Man_Vol_1_79

From there, I was hooked.  As I got older and realized that comics cost money, I supported my habit with paper route earnings.  I wasted a bit of time buying Superman comics but quickly wised up and returned to Spider-Man.  Though not quickly enough, as by the time I started buying Todd McFarlane-era Spider-Man comics, it was the height of the comic book speculation boom and some of them cost $20 each (which was a lot to a paperboy).

Of course, the market crashed soon afterwards but by that time I had moved on to playing sports, though occasionally I still drew my own comics until I got suspended from high school for it14superman (seriously).

As a side note, my inker on that ill-fated high school comic strip ended up both rappelling down Toronto’s city hall in a Spider-Man costume and writing Spider-Man into Marvel’s recent reboot of Howard the Duck.  As for me, the closest I ever came to wearing a superhero costume was owning a pair of Superman underoos.  Underoos!  “Hey everyone.” And with that, the circle is closed.

 

Star Wars: The Force Awakens (An Extremely Non-Spoilerrific Review)

Sean’s from the 70s.  Jay is an 80s chick. Sean is kind of a nerd.  Jay, not so much.  Sean saw Star Wars: A New Hope (though he still just calls it, “Star Wars”) at least 20 times before his eighth birthday.  Jay had never seen any Star Wars movie until this past weekend.  So what did they think of Star Wars: The Force Awakens?

Sean: As a kid, I always loved Star Wars.  I’m at the younger end of the Star Wars generation since I never knew a world without it.  Too young to see the first two in theatres, I caught up by Return of the Jedi thanks to the miracle of VCRs and HBO showing Star Wars around the clock in 1983 (and I kept watching it over and over every chance I got).  Star Wars felt like it belonged to me since it was happening just as I was growing up and learning what movies were.  And because of my age I was still young enough to not be at all cynical about product placement or Ewoks by the time Return of the Jedi rolled around.  To my seven year old self, it was all positive that Return of the Jedi served firstly as a mechanism to manufacture more toys and second as a conclusion to my favourite movie series.

luke skywalker return of the jedi

My two favourites: Luke in his Jedi robe (though I kept losing the lightsaber)…

leia return of the jedi

…and Leia as a bounty hunter (though I always was looking for that goddamn helmet too)!

The only negative was that I had to convince my parents to buy all those action figures and vehicles, but fortunately I was a very spoiled kid so I got more than my share (but sadly, not the amazing Imperial Shuttle, though I’m over the disappointment, I swear).  It helped that I was willing to do pretty much anything to “earn” more toys, whether it was mowing the lawn or painting the deck or saving my proofs of purchase from other toys so I could send away for the Emperor!

The prequels were a whole other matter.  I was so disappointed to see how boring Darth Vader’s backstory was on screen, as opposed to how awesome it had been in my head, having patched it together through whatever references were offered by the original trilogy.  And I don’t think it was the 16 year gap in between, since even in university I was perfectly happy to watch the original trilogy over and over (and I wasn’t alone, my roommates and I would often spend Saturday afternoons watching all three back-to-back-to-back).   Anyway, even though I was still am mad about the prequels’ wasted potential, I watched all three, even seeing the last one in theatres.

Which leads us to Star Wars: The Force Awakens.  Having really enjoyed J.J. Abrams’ Star Trek reboot, and since chronologically we could sort of forget the prequels ever happened, I have had high hopes for The Force Awakens ever since it was announced.  And Jay was nice enough to track down tickets even though she could not have been less excited to see it.

Jay: The only exposure I’ve had to Star Wars was a set of sheets I inherited from my cousin Tim, who’s a decade or more older than I am.

The infamous Star Wars sheets. I also had a flannel blanket but we buried my dead dog in it.

The infamous Star Wars sheets. I also had a flannel blanket but we buried my dead dog in it.

I guess he grew out of his single bed so I got his sheets, and spent a good deal of my youth sleeping with Harrison Ford. Plus, I exist in the world. I haven’t seen the movies, but I’ve seen plenty of stuff that references them, so I almost didn’t have to. I can never remember if C-3PO is the big gold robot or the little blue and white one, but I know it’s a robot. It’s just that the Star Wars universe never appealed to me. Science fiction will always have to work harder to convince me, and so will movies with talking animals, green aliens, and make-believe weapons.

So no, I hadn’t seen Star Wars, and I really didn’t care to. My life felt perfectly complete without it, and to be honest, I think 2015 is already way too inundated with movies that are meant for young boys but consumed by grown men (I’m looking at you, Marvel). But I could see that this movie meant something to Sean. It was a revival of his childhood, a tribute to his youthful imagination, and a chance for the franchise’s redemption after the last trilogy sullied things up. Kevin Smith said he cried when he visited the set of the Millennium Falcon because it reminded him of that feeling he’d had for it as a child. And how many times do we really get to recapture those magical feelings once we’re grown up? Not too damn many. It did nothing for me, I wasn’t even curious about it, but I resolved to be by Sean’s side when the portal to his boyhood opened up on the big screen before him.

And you know what? I didn’t hate it. I was enchanted by John Boyega’s Finn and the arc of his character. I had fun slotting together the puzzle pieces of Star Wars trivia I’ve picked up over the years (mostly from The Simpsons, I think) and seeing how they translated 30 years later. I was charmed by Harrison Ford’s rapport with the furry beast Chewbacca. And I felt the momentum of the piece really drove me forward and kept .facebook_1450656563309me interested despite the fact that I was jumping in blind for movie #7. So I was feeling pretty juiced about it, squeezed Sean’s hand during all the parts I thought he must be loving, and had plenty of follow up questions for our car ride home. But you know what? When the credits rolled and I looked over at Sean expecting to see rapture, he shrugged his shoulders. It was okay, he thought, but not great. Not even as good as Creed – not even as good as “The Avengers” he said – “Wait- there was an Avengers movie this year, right?” He couldn’t even remember if there was an Avengers movie this year, but if there was, it was better than this.

Ladies and gentlemen: Sean’s lacklustre response FUCKING BROKE MY HEART. Here I had drummed it up as this Big Fucking Deal and it’s not even going to crack his top ten this year.

Sean: I had no idea Jay was so invested in this, for my sake.   And she’s invested in everything I’m interested in, she’s amazing like that.  I liked Star Wars: The Force Awakens.  My complaints about it are minor and spoilery so I won’t get into them here, but it’s a solid movie and objectively I would rank it third out of the Star Wars movies, behind A New Hope and The Empire Strikes Back (yes, ahead of Return of the Jedi as a standalone movie).  That seemed like a ringing endorsement but Jay was expecting more and after reading her thoughts above, I understand why.

let's blow this thing and go home

“You’re all clear, kid. Now let’s blow this thing and go home.” BEST. SCENE. EVER.

This should have been my thing, it should have taken me back to my childhood, it should have sucked me in and made me talk about it for days, and it didn’t.  As a gateway/jumping on point for the next generation of fans/consumers, The Force Awakens works really well.  As fan service, it ticks all the boxes and I don’t think that anyone who anticipated like I did will leave the theatre disappointed, exactly.  But you know what?   This all felt like something I’ve seen before (twice) and I’ve seen it BETTER before (twice).  I’m not trying to be a contrarian asshole (just a regular asshole) when I say that if J.J. Abrams was shooting for greatness, he missed the mark here.  Paying tribute to the feelings I had as a kid is not enough to give me those feelings all over again.  And if you pay tribute by imitating something beloved, the fact the script includes ironic acknowledgements of the imitation does not help make the imitation great.  It only tells me that the imitation was a conscious decision and you went this way rather than coming up with something new.  That’s not reassuring to me in any way and it didn’t invoke nostalgia within your movie.  It just made me wish I was watching the original trilogy and that took me completely out of what was happening on-screen in yours.

second death star explodes

Not quite as epic but still awesome, and the afterparty made it a classic (original footage of the afterparty not found and there will be no Hayden Christensen cameo here).

Maybe it wouldn’t have been enough for The Force Awakens to take a new path.  Maybe my expectations were too high.  Because again, The Force Awakens is a good movie and I enjoyed the ride, but I couldn’t truly love it when it felt so much like a remake.  To quote Jimmy Johnson for the first (and hopefully last) time in my life, “Do you want to be safe and good, or do you want to take a chance and be great?”  The Force Awakens is safe and good, but it’s not the great movie I was hoping for, and that’s why I can’t put it in my top ten for the year.

I give Star Wars: The Force Awakens a score of seven Kessel Runs out of ten.  Seeing that score is as painful for me, Jay, as it is for you.

Jay: What the fuck’s a Kessel Run?

Sean: Oh Jay, we absolutely have to watch the original trilogy.  Something tells me I still hold all those magical feelings from my youth, but the path to them is through the greatness of Episodes IV, V and VI rather than trying to recapture those feelings through something “new”.  There will always be room for new Star Wars stories, but for me I don’t think the originals will ever be topped.

Jay: I think you of all people should be a little more open-minded about sequels. You are, after all, husband #2, and you’d better hope I don’t court warm fuzzy feelings toward “the husband of my youth.”

 

Creed

This is shaping up to be a rough movie season for Jay.  First, she got dragged to SPECTRE (which by all accounts is a spectacular movie).   Second, she’s been dreading Star Wars: The Force Awakens since it was a twinkle in J.J. Abrams’ eye.  And third, a whole other Sean-approved franchise makes a return and potentially gets rebooted into a whole new series of movies.  Dun Na NAAAAAA, Dun Na NAAAAAA!

That’s right, Rocky is back again, for the seventh time.  It seemed over after IV, V, and VI, but some studio exec decided we could handle more!  And it was clearly the right decision because I think MGM/Warner Brothers now has a whole new franchise on its hands, featuring Michael B. Jordan as Adonis Creed (Apollo Creed’s son).

I have always loved this franchise.  From the moment I saw Rocky III, I was hooked (yes, I started with III and have never regretted it – as recently discussed in my defence of SPECTRE, plot and character are pretty much unnecessary in franchises and here’s more proof that’s a good thing).  Based on my love for the franchise, I had high hopes for this movie but I was also nervous at how this would all turn out.  After seeing Creed, I am happy to report that this franchise’s record is still unblemished as long as we agree that Rocky V never happened.

One of my favourite things about Rocky VI (a.k.a. Rocky Balboa) was how much love it showed to the franchise as a whole.  Creed takes the same approach.  There are a number of nods to the past and they’re great to see.  The best part is that Rocky, as trainer, takes all that history and imbues Adonis with the style of boxing we’ve grown to love in these movies, namely trading head shots until both boxers’ faces look like ground beef.  Head trauma be damned, these boxers just have so much heart that they have to leave it all in the ring.  And do they ever!

As for the cast, Michael B. Jordan is great as Creed and Stallone is better than ever as Rocky.  The two characters come together naturally and it’s a great relationship to see play out, as uncle and nephew take on the world together and give us some classic Rocky moments along the way.  Especially Stallone, who really plays the old man well the whole way through (although at this point he’s almost 70 so it may not even be acting).  Either way there are some very funny moments to be found as the two leads interact with each other.
CARL

Overall, the only way this movie could have been any better is if they had worked in some Carl Weathers flashbacks where he got his stew on. I can see how that was tricky to work in to Creed since Apollo died before Adonis was born, but still, it would have been a nice touch.

Rocky-III

Want to know who won this fight?  Creed has the answer!

Other than that one shortcoming, Creed is perfect.  It delivers a great story, feels like a natural extension of the Rocky franchise, gives us a ton of nice call-backs to past events, and even answers some burning questions (including who wins the fight at the end of Rocky III).  Those fan-service moments were definitely my favourite aspect of the movie and they added so much to it.  They’re not just winks and nods, they are tools used successfully to remind us of Rocky’s mindset as he tries to pass on his winning ways to a new contender.

As the credits rolled, I reminisced about all the other great Rocky moments (see my list HERE but be warned, it contains tons of spoilers) and at the same time was excited for Creed II.  And mark it down, there will be a Creed II.  The seeds are sown here for at least two more movies and I hope they come to pass, because Creed is not just a great addition to the Rocky franchise, it is an excellent movie in its own right.

Creed scores a knockout: ten triumphant underdogs out of ten.

 

Star Wars: The Force Awakens

I’m late to the party but the trailers for Star Wars: The Force Awakens have been so good. I cannot wait to see this movie but I will not be paying hundreds of dollars for an opening night ticket (at least, that is what I keep trying to convince myself).  Be strong, Sean!

Since watching the official full length trailers and then the slightly-different-but-really-almost-identical TV spots, I have seen a ton of speculation about who’s who and who’s related to who and I don’t know what else.  Thankfully these trailers have no answers.  I like that I have no real idea what is going on.  Too many trailers nowadays are just a shortened version of the movie, spoiling everything.  I’m glad that for The Force Awakens, Disney seems to have actively avoided spoilers to the point of everything being mysterious.  It’s good.  It’s also clearly driving fanboys insane, which only adds to my satisfaction – is that terrible of me?

I’m an original trilogy guy.  I hated the prequels.  Jay says that’s because I wasn’t six years old when they came out and she’s right.  Despite me being even farther from the age of six than I was in 1999, this trailer captures my imagination again and reminds me .  I really like the old school ships and the design of the robots (especially the little R2-D2-like orange ball).   I’m so relieved to see the blocky X-Wings and the busted-up Millennium
Falcon instead of the way-too-slick prequel ships.  I especially liked the speeder rolling by the crashed Star Destroyer.  What a great image.

And best of all, the trailer makes me want to watch the movie!  I need to find out what has happened.  I need to see why Han Solo has to explain that the old stories are all true when really, it hasn’t been THAT long, has it?  And why is Leia crying?  And who is that creepy Vader-like guy with the crazy lightsaber?  But I guess I’m old enough that I can manage to wait.  Especially with so many other movies to watch before then!

Mission: Impossible – Rogue Nation

Oh, Tom Cruise. How did you become such an Action Hero? I know! It’s because you pump your arms so much when you run! And for Mission Impossible: Rogue Nation, you upped the ante and taught your running technique to your co-stars! When you and your (female) British Intelligence counterpart run side by side, you look like twins! Superfast, Olympic calibre twins!

By now, we know that the “Mission: Impossible” title is a misnomer. Because as confirmed in this movie, the Impossible Mission Force has a 100% success rate! I think we need to start a petition to change the name of this franchise to “Mission Difficult”, especially since a byproduct would be that Tom Cruise couldn’t make the same joke in his promos for the now-inevitable sixth movie, i.e., “This isn’t Mission Difficult…”. This time that quote referred to him hanging off a plane, which i heard about more than probably any single stunt ever. And honestly if there hadn’t been so much hype I might have forgotten that scene altogether by now, because it has nothing whatsoever to do with the rest of this movie!  So to me it just came off as Tom Cruise trying too hard to prove he is an Action Hero, and set that tone for the rest of the movie (and it’s the opening sequence).

Despite all that, I enoyed Mission: Impossible – Rogue Nation. It’s well executed, keeps moving, and doesn’t have any glaring plot holes or overly ridiculous contrivances (as long as you accept that Ethan and Luther and Benji and Jeremy Renner all can immediately do anything needed to bring a plan into effect, and I’ll give them that one here). It’s a decent summer movie. Nothing more, nothing less. But if you’re at or near your limit for Tom Cruise tolerance, you might want to skip this one, because in Mission: Impossible – Rogue Nation, he is at his Tom Cruiseiest!

I give Mission: Impossible – Rogue Nation seven rubber masked impersonations out of ten.

 

San Andreas – not the Rock’s fault!

I just liked the title, it’s not a knock on this movie.  San Andreas was actually surprisingly enjoyable.  I am biased because as you may know I like when things blow up.  Well, the sheer amount of destruction on screen here probably tops 2012 (the movie not the year).  Which of course was centred around the Mayan apocalypse.  This is just two little states getting smashed, but my god, so much smash!

I go into these movies expecting cliches and this movie has all of them.  Including one I could have done without, the scuzzy new boyfriend of the ex of the male lead.  And he is super scuzzy, Mr. Fantastic he is not.  I felt like he was included just so we could get behind some of the disaster, like maybe if he dies it will be easier to forget the thousands more that are swept away with him.  You be the judge I guess.  For me, I always just assume everyone else died at the end of these movies, even though they tell us in cliched news footage that most were okay.  In San Andreas, it did not seem like anyone except the Rock and his family were walking away at the end.  The other CG rag dolls just added to the triumph.

I liked it.  Every ludicrous minute.  Critics drive me nuts when they give a movie like this a one star review.  You know what?  This is not Oscar material.  We came here to see some shit get torn up.  And San Andreas delivers to a fault!!!!

I give it a score of 31,250 atom bombs out of 40,000.

Captain America: The Winter Soldier

Captain-America-The-Winter-Soldier-HD-Wallpaper1Maybe my expectations were too high.  Which is a bit weird to say because Captain America: The Winter Soldier is a comic book movie, so basically I should have known what I was going to get.  And as a comic book movie, it does its job.  It gives us lots of really fast and strong heroes who jump out of planes and off buildings, endless bad guys with unlimited bullets who shoot at those heroes for half the movie, and a head bad guy with a mask and metal arm who may not even be the mastermind behind all this mayhem.  What it does not give us, and why I was ultimately let down, is any real change to the formula that we have seen from Marvel in its ten (ten!) movies and counting.  It’s all the same and it’s getting a little tired.

The problem is, I’m a comic book guy and an action movie guy.  I should have enjoyed this movie a lot more than I did.  I’m still excited to see Avengers 2 and Guardians of the Galaxy 2.  But now I’m a lot less excited.  I wonder, am I just going to get a rehash of what I’ve seen before like I did in Captain America 2, a story that really begins at the same place it started without advancing the greater plot I thought was underlying these movies in the Marvel Universe?  Before watching this movie I had felt that maybe I should go back and watch the Captain America movies as well as the two Thor movies, but now I feel confident I don’t need to and certainly don’t have any desire to since this movie was so forgettable and so self-contained.

shield punch

Is this just a middling installment in the Marvel movie juggernaut?  Or is it a sign that we’ve used up all the good ideas for now and it’s time to wait for the inevitable reboots of all these characters, since their origins are the only stories from which Hollywood can consistently make decent movies?  I guess we’ll have a better idea in just a few months because Avengers: Age of Ultron opens May 1 and Ant-Man follows shortly after.  My gut says making a movie about Ant-Man is overkill at this point, and then I look and see that there are 16 more Marvel-related movies (including Fox and Sony ones) scheduled to come out between now and 2019.  That’s way too many.  One a year might be too many.  The worst part is, I know there are better movies to be made that have been passed over in favour of these big-budget, low-risk, no-art movies.  I would like to have seen those and 18 more Marvel movies, plus whatever DC is doing, is a poor trade and a loss for all of us.

Big picture aside, I’m still not satisfied with what I was given here.  This movie is a tolerable distraction but leaves you with nothing memorable.  It gets five indestructible shields out of ten.

Home Alone

I thought I was too old to see this movie in the theatre. Now I have probably watched it ten times in my 30s (all by choice). It is somehow a sweet movie despite little Kevin nearly killing poor Harry and Marv (according to some doctor on the internet, they would have died several times over in real life from the injuries Kevin gives them). It is somehow a tale of a mother’s love for her son even though Kevin’s parents are totally neglectful.  After all, if they had just sat in coach instead of abandoning their kids there, Kevin’s parents would have clued into the fact that they were missing their son (and as an added bonus they could have prevented their other kids from terrorizing the rest of the passengers on the plane). It is a story of an old man saving the day on Christmas Eve, but also apparently taking great pleasure in scaring the neighbourhood kids the rest of the year. And be sure not to think too hard about how Harry and Marv ever got away with any of their alleged string of burglaries, when every step of the way they get thoroughly out-schemed (as well as savagely beaten) by a ten year old.

So how have I watched this so often and enjoyed it every time? Because this movie just works. It hits all the right crazy notes. It captures the magic of being a kid at Christmas. It doesn’t worry about justifying its ridiculous premise or anything else along the way. It takes pleasure in ramping up the craziness at every opportunity. It is truly joyful, a live action cartoon, a John Hughes caper to end all John Hughes capers. For accuracy’s sake, I checked the back of the DVD case to be sure that the late great Mr. Hughes had, in fact, written this movie but I was sure he had. It has his fingerprints all over it and that’s a wonderful thing.

Hands down, this is my favourite Christmas movie, for what it is and for what it captures. By the way, don’t bother with any of the terrible sequels, just watch this one three or four times and you’ll be far better off.

Ten wet bandits out of ten.

Guardians of the Galaxy

GOTG-posterSince the DVD release for Guardians of the Galaxy is next week, it’s the second best time to review the movie (and I missed the first best because this site didn’t exist in August).  If you read my Frozen review you already have a hint at how much I love this movie and I wanted to share that with you.

Judging by the fact that this movie is the highest grossing one of 2014, I’m guessing a lot of you have already seen it.  If you haven’t, what are you waiting for?  It’s fantastic.  It’s big and loud and mostly dumb, but it’s also funny and charming and heartwarming, with a lot of standout performances.  Chris Pratt is awesome but to me the best part of the movie was Groot, and Vin Diesel deserves a ton of credit for his performance.  He only had one line (basically) to say, and yet he really does make it mean so much more than I expected, he does somehow convey something along with it.  So I was able to believe without question that Rocket really could understand what Groot was saying, because it seemed that the words “I am Groot” weren’t really as important as the sentiment that was attached.  Going in, I knew the basics of the characters (though never read that comic) and was skeptical of the concept, but coming out I was satisfied.  It totally worked and that has to be because of Vin Diesel.  And having that character be a REAL character, not just CGI, helped me invest in the movie.  Get ready to laugh out loud at Groot’s little smile after he impales about 30 bad guy foot soldiers at once, and feel a little sniffly at the climax when Groot’s words change just enough to sum up the evolution of these five outcasts from Groot and four selfish assholes/criminals to one kick-ass superhero team that can overcome anything (spoiler alert: they win in the end).

At this point comic adaptions are pretty played out (with a ton more to come) but this is one of the best there is and I wish I didn’t have to wait three years for a sequel (and I’m sure Marvel wishes it was coming out sooner too, but this movie was in no way a surefire hit).  It’s a nice changeup from the superhero team movies we’ve already seen in that it doesn’t take an hour to get started (I’m looking at you, Avengers), takes a tongue in cheek approach that matches the characters perfectly, and is such a fun journey, and it fully deserves its rating of 21 space guns out of 10.

Interstellar

I didn’t understand all of Interstellar and it wasn’t my fault.

intChristopher Nolan was so impressed with composer Hans Zimmer’s slightly over-bearing score for Batman Begins that the two have been practically inseparable ever since (with the exception of The Prestige). Zimmer’s work on Inception and The Dark Knight trilogy (usually) compliment Nolan’s story and images nicely, adding drama and suspense in all the right places. The only trouble is, when Nolan cranks the volume up to 11 and the music really starts to swell, it can be nearly impossible to make out some of the dialogue. It doesn’t help that the director loves to have his actors mumble and whisper their lines (sometimes even from behind a Bane mask).

This is even truer of Interstellar, with the roar of space shuttles and pickup trucks, dust storms, and Zimmer’s score render the dialogue completely inaudible in several places. What’s worse is this is not a movie where you can really afford to miss anything. Nolan packs as much information, theorizing, and heart-to-hearts as he possibly can into Interstellar’s nearly three-hour running time and missing even a minute is missing a lot. So, SPEAK UP, will you, Coop? And turn the music down.

As a fan of Christopher Nolan since Memento, I had been looking forward to this movie for months so I was a little disappointed when it got off to what I thought was a bit of a rough start. Matthew McConaughey, who’s been on a surprisingly long winning streak lately, plays Coop, a corn farmer who should have been an astronaut and almost got to be one once. But we don’t need astronauts anymore.

We spent so much money and resources on the space race and arms race that we have run out of food. This is an interesting vision of the not-so-distant future but we are brought up to speed on what’s been going on in some uncharacteristically (for Nolan) clumsily written scenes. Coop soon discovers that he has been “chosen” to lead a team through a wormhole into another solar system to find another planet for us to live (and ruin). Nolan rushes through all of this with plot conveniences, clumsy exposition, and lazy writing, as if he’s as eager as we are to just move this story into outer space as fast as possible.

The film really gets off the ground once the shuttle takes off. The images of space travel are unlike anything I’ve ever seen in a movie and decisions these characters will have to make are sure to make for passionate discussions during the ride home from the theater. What significance do we as a species have in an infinite universe? What does it mean to “save the human race?”. Should we follow scientific data or our heart when deciding how close we want to live to a black hole?

Nolan’s always been very good at this, even when making superhero movies. The questions he raises about human nature have made for some of the best post-movie discussions I’ve ever had. This is no surprise. What surprised me most about Interstellar were the scenes of Coop receiving transmissions from his children who are still stuck on Earth, surprisingly moving from a filmmaker who usually prefers to mess with your head than aim for the heart.

In Interstellar, Christopher Nolan gets the chance to show us new aspects of his talent that are pleasant surprises. I still think he’s at his best when he raises troubling questions about the monster inside all of us and I am not sure how I feel about this new Look to the Heavens and Love Conquers All side of him. But whether or not its director has gone soft on us, Interstellar is well worth watching.

 

 

This asshole not enough for you? Read Jay’s review over here.