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River

Of all the films we saw at the 2015 Whistler Film Festival, River was my favourite, and apparently, I’m not alone.   When the bulk of WFF’s awards were handed out yesterday, River won the Borsos Competion for Best Canadian Feature Film!

As well, writer/director Jamie M. Dagg was honoured twice in connection with River, for Best Director and Best Screenplay (naturally).  River’s lead, Rossif Sutherland (Donald’s son and Kiefer’s half-brother) also received an honourable mention in the Best Performance category.  And when the People’s Choice Award is announced tomorrow, I will be rooting for River to win that too, because it’s awesome.

What was it about this movie that grabbed me?  There’s so much there to love.  It’s a Canadian-Laos co-production, the first of its kind and the first western movie to be filmed in the southeast Asian country of Laos (if you’re rough on your geography, Laos is nestled between China, Vietnam, Cambodia,  Thailand and Myanmar).  It’s hard to call anything we see onscreen beautiful, exactly, but the surroundings almost become a character of their own.  The title, though generic, is fitting because the seemingly omnipresent water is an obstacle that our protagonist grapples with again and again.

The movie starts in a frenzied emergency room and the tension only builds from there.   Every sight and every sound tightened the knot in my stomach as I watched the action unfold from there.  The cinematography is fantastic, the editing is tight, the score is amazing, and Rossif Sutherland is a revelation as Dr. John Lake.  Dr. Lake is one of the doctors in that frenzied opening scene, and the outcome results in him being asked to take some time away.  After a night of drinking at a vacation spot in south Laos, Dr. Lake witnesses a sexual assault and from there everything goes to hell.

Rossif commands our attention right away.  He’s got more than a little Jack Bauer in him, frenetic, unstoppable, and big enough to have eaten Kiefer whole.  But Rossif is clearly set on making his own name rather than relying on his lineage, and in River he delivers a star-making performance.  From the start, Dr. Lake is not a super likable guy, but Rossif makes us root for him anyway. We’re with him all the way through his journey and Rossif owns every single frame.

At all times, Rossif is an overpowering presence in the best of ways, and it is clear that the foundation for his stellar performance is Jamie Dagg’s work behind-the-scenes.  It’s hard to believe this is a Canadian movie and even harder to believe this is Jamie’s first feature film.  The action scenes, and there are many, flow naturally, are perfectly staged and suck the viewer right in.  Despite the fact we know in our gut that this can’t end well, we follow Rossif eagerly, because he and River are so compelling.  And just when you think it can’t get any better/worse, Dagg’s script delivers a fantastic payoff that elevates Dr. Lake and this movie to a whole new level, which did not even seem possible because what came before was already so great.

During the Q&A, we were told that this movie is being given a wide release in the spring of 2016.  How wide seems yet to be determined, but this is a movie you need to track down and experience.  Because River will take you on a wild ride that you won’t soon forget.   Don’t miss it!

Thoughts and Themes from Whistler Film Festival

Whistler Film Festival’s slogan is “Inspiring and Connecting Stories that Matter”, which is so generic I had to look it up even though it is attached to the pre-movie montage at every screening and we’ve seen ten movies in the last four days. But in the spirit of WFF’s slogan, here are some thoughts and themes inspired by our time here at the festival.

1. Consistently great Canadian movies

At least half of the movies we saw were Canadian or co-Canadian productions, and they were consistently good.  Canadian content rules have conditioned me to see Canadian movies as filler and nothing more, but I need to get over that notion and Born to be Blue, How to Plan an Orgy in a Small Town, The Legend of Barney Thomson, and my favourite of the festival, River, are helping me ease into that new mindset.

2. Real-life storm porn

It’s a good thing we brought an umbrella.  The local weather forecast called for 110 inches of snow this week.  I didn’t bring my ruler, and most of that snow had turned into rain by the time it reached the village (which is 5,000 feet below the mountain peaks) but I think for once thwitnere meteorologists got it right.  Even the rain was pleasant, though, and the thick, fluffy
snow capped off the idyllic experience in this beautiful mountain town (or more accurately, “resort municipality”, because it doesn’t seem that anyone actually lives here).

3. Technical difficulties

From long, unmoving lines in an empty 8 theatre cinema, to lines that were permitted to mhqdefaulterge when they should have been kept separate, to triple viewings of the same commercial, to cancelled screenings, to reserving more than half the seats in a theatre for patrons who never showed, the Whistler Film Festival was an utter mess.  This topic deserves its own article, so stay tuned!

4. Australians

There must be more Australians in Whistler than anywhere outside Australia.  It’s absolutely insane that their accent here is more common than ours.  Whether you’re in the gondolas, hotels, theatres, coffee shops, pizza places, box offices, restaurants, equipment rental places, or grocery stores, in Whistler there is no escape from talk of dingoes eating babies.

5. Uncircumcised penises and other gratuitous nudity

I lost count of the number of penises I saw this weekend.  It was a lot.  And I think there might have been even more times when I thought, that woman is only naked because the director/screenwriter/executive producer wanted the excuse.  omg-gross-roger-rabbit-censored-1

Then again, this whole art instead of porn approach is one I can get on board with!

That’s all I’ve got for now but we have a five hour plane ride coming up so that will give us lots of time to come up with more to say.

Flashback Friday – Rocky Edition

One of the things I loved most about Creed (as mentioned in my review) was how nostalgic and referential (even reverential) it was about the previous Rocky movies.  I’m still thinking about the references I caught and wanted to spend a little more time with them here.

Lots of spoilers follow, so with that said, once you’ve seen the movie come inside and let me know what you thought!

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Creed

This is shaping up to be a rough movie season for Jay.  First, she got dragged to SPECTRE (which by all accounts is a spectacular movie).   Second, she’s been dreading Star Wars: The Force Awakens since it was a twinkle in J.J. Abrams’ eye.  And third, a whole other Sean-approved franchise makes a return and potentially gets rebooted into a whole new series of movies.  Dun Na NAAAAAA, Dun Na NAAAAAA!

That’s right, Rocky is back again, for the seventh time.  It seemed over after IV, V, and VI, but some studio exec decided we could handle more!  And it was clearly the right decision because I think MGM/Warner Brothers now has a whole new franchise on its hands, featuring Michael B. Jordan as Adonis Creed (Apollo Creed’s son).

I have always loved this franchise.  From the moment I saw Rocky III, I was hooked (yes, I started with III and have never regretted it – as recently discussed in my defence of SPECTRE, plot and character are pretty much unnecessary in franchises and here’s more proof that’s a good thing).  Based on my love for the franchise, I had high hopes for this movie but I was also nervous at how this would all turn out.  After seeing Creed, I am happy to report that this franchise’s record is still unblemished as long as we agree that Rocky V never happened.

One of my favourite things about Rocky VI (a.k.a. Rocky Balboa) was how much love it showed to the franchise as a whole.  Creed takes the same approach.  There are a number of nods to the past and they’re great to see.  The best part is that Rocky, as trainer, takes all that history and imbues Adonis with the style of boxing we’ve grown to love in these movies, namely trading head shots until both boxers’ faces look like ground beef.  Head trauma be damned, these boxers just have so much heart that they have to leave it all in the ring.  And do they ever!

As for the cast, Michael B. Jordan is great as Creed and Stallone is better than ever as Rocky.  The two characters come together naturally and it’s a great relationship to see play out, as uncle and nephew take on the world together and give us some classic Rocky moments along the way.  Especially Stallone, who really plays the old man well the whole way through (although at this point he’s almost 70 so it may not even be acting).  Either way there are some very funny moments to be found as the two leads interact with each other.
CARL

Overall, the only way this movie could have been any better is if they had worked in some Carl Weathers flashbacks where he got his stew on. I can see how that was tricky to work in to Creed since Apollo died before Adonis was born, but still, it would have been a nice touch.

Rocky-III

Want to know who won this fight?  Creed has the answer!

Other than that one shortcoming, Creed is perfect.  It delivers a great story, feels like a natural extension of the Rocky franchise, gives us a ton of nice call-backs to past events, and even answers some burning questions (including who wins the fight at the end of Rocky III).  Those fan-service moments were definitely my favourite aspect of the movie and they added so much to it.  They’re not just winks and nods, they are tools used successfully to remind us of Rocky’s mindset as he tries to pass on his winning ways to a new contender.

As the credits rolled, I reminisced about all the other great Rocky moments (see my list HERE but be warned, it contains tons of spoilers) and at the same time was excited for Creed II.  And mark it down, there will be a Creed II.  The seeds are sown here for at least two more movies and I hope they come to pass, because Creed is not just a great addition to the Rocky franchise, it is an excellent movie in its own right.

Creed scores a knockout: ten triumphant underdogs out of ten.

 

In Defense of SPECTRE: A Review For the BEST of Us.

You may have read Matt’s review of SPECTRE.  He seemed to like it but still called it the “dullest, most phoned-in Bond movie” since Casino Royale.  That’s a bit ambiguous but I think he liked SPECTRE and Casino Royale and just hated everything that came between Sir Sean Connery and Dr. Daniel Craig.

Sir Sean Connery

Real knight.

Daniel Craig

Not a real doctor. As far as I know.

You may also have read Jay’s review of SPECTRE.  You probably should read it just for context.

Jay and I have been together for over six years now.  She’s the smartest person I’ve ever met and that’s one of the things I love about her.  But it also drives me crazy because I have never been able to prove her wrong.  Until now.

Jay is right that she was never going to like this movie.  She hates everything I like on principle.  But that doesn’t make it bad.  Obviously I have fantastic taste in movies.  Exhibit A: The Rock.  Exhibit B: Transformers.  Exhibit C: Bad Boys.  Not coincidentally, those are all Michael Bay movies and two of them turned into franchises precisely becnicolas cage the rockause they were so good (the Rock probably would have been a franchise as well if not for the curse of Nicholas Cage).  Because people loved them.  You don’t get a franchise any other way, and everyone knows that sequels always live up to the original movie.  That’s just a fact.

Score: SEAN 1, JAY 0

Jay also hates franchises on principle.  But franchises make action movies better!  With franchises, we don’t have to worry about plot, or character development, or other boring things like that.   We can get straight to the action!  So when we open with the awesome Day of the Dead sequence, we don’t have to have title cards or anything to let us know that the guy who pulls off the mask is the world’s best spy, because the preceding five decades of Bond movies have already set that up.  Thank you, franchises, for simplifying our lives.

Score: SEAN 2, JAY 0

And okay, the helicopter sequence in SPECTRE is terrible.  Absolutely terrible.  But to say it’s worse than a bucket of army guys?   That’s just hyperbole.  And that’s a logical fallacy. So therefore Jay’s dislike of the helicopter sequence(s) is invalid.

Score:   SEAN 3, JAY 0

Jay also hated the train sequence.  Because it got destroyed.  But that’s actually entirely realistic when you consider who was doing the destruction.  Dave Bautista a.k.a. Drax the Destroyer.  Just look at how strong he is in the WWE (six time champion) or in Guardians of the Galaxy (where he singlehandedly fought a guy who later survived a spaceship crash).  That train was not only real, it was probably very well built, maybe even German.  It just didn’t matter because of how hard Bautista can punch.  If you want some sort of arthouse surrealism that’s fine, Jay, we can go to the Bytowne this weekend and watch a movie where two people can’t get out of a shed.  But don’t blame SPECTRE for your weird preferences.

Score: SEAN 4, JAY 0

Another criticism Jay made was that James Bond had different jackets all the time.  Well, that’s the whole point!  He’s not just a spy, he’s a fashionable guy with a watch that blows up and a car with an ejector seat.  Obviously he also has some sort of flying or floating wardrobe machine as well.  They probably covered that in one of the earlier Bond movies, so there was just no need to explain it this time.  Again, thank you franchises!

Score: SEAN 5, JAY 0

I think I’ve proven my point.  I’ll even give Jay the sockless loafers, Christoph Waltz in general, and the weirdness/creepiness/wasted potential of the whole Monica Bellucci thing, since I’m feeling generous.

Score: SEAN 5, JAY 3

And as for Michael Bay, you already have all the proof you need (The Rock, Transformers, Bad Boys) to rest assured that he’s Hollywood’s greatest living director.

Case closed.

Winner:  SEAN

 

HOLD THE FREAKIN PHONE, MISTER!!!

It seems our math doesn’t quite agree. Over at MY post, there’s a lot more nodding going on. I think we can count Mark, Joel, the other J, and Hammy as all #TeamJay.

The Witch

Let’s get it out of the way right up front: The Witch will make your skin crawl. If you like horror movies then mark your calendars and track this down when it comes out next February!

We jumped at the chance to see the Witch at NHFF last weekend, where it won Best Feature (the festival’s top prize).  The Witch has also screened at Sundance and a few other festivals, but the NHFF screening was the last one prior to release, so if you haven’t been lucky enough to see it yet then you have to wait until February.  I got the sense this screening only happened because director Robert Eggers is a New Hampshirite, particularly because at the distributor’s request, the balcony of the Music Hall was blocked off in order to keep the screening as small as possible (only around 400 people ended up being let in).

The Witch has gathered significant acclaim everywhere it has screened, and all those accolades are well-deserved.  In addition to Best Feature at NHFF, Mr. Eggers has also been awarded the Directing Award (Dramatic) at Sundance and the Sutherland Award (for best first feature) at the London Film Festival.  I hope that acclaim helps secure a wide release for this movie.  It truly is worth watching even if horror movies are not your usual fare.  Because this is not your typical horror movie.  It is so much more.

What sets the Witch apart is the unique journey that we are taken on.  One of the most memorable aspects for me is how completely authentic the Witch feels in every aspect, from dialogue to sets to costumes to the woods themselves (even though, to Mr. Eggers’ stated regret, for financial reasons he had to film in Ontario rather than New Hampshire).  This level of authenticity and the care taken in crafting this movie clearly demonstrates Mr. Eggers’ deep love of New England’s lore, history and folk tales.  In applying that love to the horror genre, he has come up with something unique and captivating.  I was drawn in to this film’s world and that is an impressive feat when I am a polar opposite to the isolated 17th century pioneer family who are the Witch’s protagonists.  The loneliness and eeriness of the family farm and the surrounding woods are themes of the movie that we are made aware of instantly by Mr. Eggers, and in every shot the suspense and tension builds.  The music is particularly noteworthy, as again and again the score completes these scenes and tells us that worse things lie ahead (and oh my god, do they ever).

I don’t want to spoil anything about this movie so I’m not going to get into the plot at all.  It’s one of the creepiest movies I have ever seen, and I did not see the ending coming at all.   The climactic scenes in particular kept me on the edge of my seat and gave me even more of a payoff than I could have hoped for.  I hope all of you are able to see this because it’s a truly incredible movie.

The Witch gets a score of ten old-timey brooms out of ten.

Star Wars: The Force Awakens

I’m late to the party but the trailers for Star Wars: The Force Awakens have been so good. I cannot wait to see this movie but I will not be paying hundreds of dollars for an opening night ticket (at least, that is what I keep trying to convince myself).  Be strong, Sean!

Since watching the official full length trailers and then the slightly-different-but-really-almost-identical TV spots, I have seen a ton of speculation about who’s who and who’s related to who and I don’t know what else.  Thankfully these trailers have no answers.  I like that I have no real idea what is going on.  Too many trailers nowadays are just a shortened version of the movie, spoiling everything.  I’m glad that for The Force Awakens, Disney seems to have actively avoided spoilers to the point of everything being mysterious.  It’s good.  It’s also clearly driving fanboys insane, which only adds to my satisfaction – is that terrible of me?

I’m an original trilogy guy.  I hated the prequels.  Jay says that’s because I wasn’t six years old when they came out and she’s right.  Despite me being even farther from the age of six than I was in 1999, this trailer captures my imagination again and reminds me .  I really like the old school ships and the design of the robots (especially the little R2-D2-like orange ball).   I’m so relieved to see the blocky X-Wings and the busted-up Millennium
Falcon instead of the way-too-slick prequel ships.  I especially liked the speeder rolling by the crashed Star Destroyer.  What a great image.

And best of all, the trailer makes me want to watch the movie!  I need to find out what has happened.  I need to see why Han Solo has to explain that the old stories are all true when really, it hasn’t been THAT long, has it?  And why is Leia crying?  And who is that creepy Vader-like guy with the crazy lightsaber?  But I guess I’m old enough that I can manage to wait.  Especially with so many other movies to watch before then!

Experimenter

As you may have noticed, we recently caught The Stanford Prison Experiment in a Bytowne double-bill.  As you also may have noticed, we are at the New Hampshire Film Festival this weekend taking in a ton of films and discovering we may not be festival-ed out yet!  It helps that the NHFF, in its 15 year, is a complete change of pace from the frenzied, big city, line-up centric, atmosphere of TIFF.  Here, you show up ten minutes before each movie and walk right in, and the program/map included with your pass (which I’ve looked at about a thousand times already) makes clear that at most it will be an eight minute walk between theatres, and so far we haven’t even had to go that far to catch four movies yesterday.

One of those four movies was Experimenter, which tells the story of Stanley Milgram, who will be familiar to anyone who has taken a post-secondary science course or two.  Dr. Milgram was the genius behind the obedience experiment.  To refresh your memory, or bring you up to speed, the experiment on its face purported to test the effect of negative reinforcement on learning.  Two subjects came in together, with one being randomly assigned the role of teacher and the other being the student.  Put in adjacent rooms, the teacher spoke through a one-way microphone and gave multiple choice questions to the student, who then got an electric shock for every wrong answer, with the strength of the shock increasing every time.  To give the teacher a taste of the effect, the lowest-level shock (of 45V) was given to the teacher before the test began.  Every teacher thought even that low-level shock was painful.  Throughout the test, the teachers could hear the student through the wall, howling in pain and begging to stop.  Though all teachers were visibly uncomfortable with the students’ anguish, 65% of them proceeded all the way through the test, with the last shock being administered to an unresponsive student (as a lack of response was considered a wrong response).  The teachers were never forced to administer a shock though they were told it was a necessary part of the experiment and asked to keep going.  And they did, even though the last shock was 450V!

Then the curtain was pulled back.  This was not a test of the student, it was a test of the teacher.  The student was always the same person, i.e., one of the experimenters.  He was not being shocked but instead had been recorded making anguished noises. The experiment was designed to examine why humans are so willing to give in to authority, as demonstrated particularly by the Holocaust.

It was a controversial study at the time and still remains so to this day.  For me, I think it’s fascinating and necessary.  The deception has to happen in order to get past the natural instinct that we all have, namely that if we were put in that scenario we would not shock the person.  But over and over this experiment and its successors have proven that more than half of us are lying to ourselves.

Experimenter is worth seeing for that experiment alone.  It’s a brilliant illustration of our latent defects and brings to light the evil even “good” (/normal) people are capable of, and what we need to fight against when we are subjected to authority, in order to keep our humanity.  That experiment is rightly where Experimenter puts its focus, but unlike The Stanford Prison Experiment, Experimenter looks at a lot of Dr. Milgram’s other work, which was equally brilliant (Six Degrees of Separation!).  That extra material was welcome to me but it’s just a taste of it, as there simply isn’t enough time to give the other experiments much attention.  Still, I think their inclusion was a good choice in order to show us Dr. Milgram was not a one hit wonder, and also give us a sense of the extent to which the obedience experiment monopolized Dr. Milgram’s professional and personal life despite his best efforts to move on.

I had some issues with the manner in which this story is delivered to us, though.  There are quite a few uneven parts of Experimenter, and some distracting choices made here in bringing the story to screen.  Two items stood out the most to me.

First, Dr. Milgrom speaks directly to us, which I think sped up the delivery of a lot of material to us but took me out of the cinematic experience and turned me into a student rather than a moviegoer.  Perhaps that was the intention but I think it detracted from the experience for me.

Second, there are several scenes with roughed-in backgrounds that clash directly with our foreground characters (e.g., a visit to a mentor’s house where our protagonists sit on furniture that has inexplicably been placed in front of a black and white 2D living room backdrop).  I could not figure out why this was happening during the movie and trying to figure out the reason distracted me throughout the movie (and that was not the only scene that had me thinking similar thoughts).  Afterward, Jay mentioned that maybe it was roughed in for the time being with the intention of being replaced, and I hope that is the case.

Despite those minor issues, this movie is so worthwhile.  I think you will find it fascinating and it does a great job of capturing the effect of the obedience experiment on everyone that it touched, whether directly or indirectly. and as a bonus gives us a bit of insight into a brilliant scientist who opened our eyes to a truth that is hard to for us accept, but an integral part of our nature that we need to know about in order to resist.

I give the Experimenter seven dangerous shocks out of ten.

The Visit

Can we please put an end to the “found footage” genre?  It worked in the Blair Witch Project but since then it just comes off as a distraction and a crutch.  The Visit is the worst example I’ve seen because it tries to add a new wrinkle, i.e., that the 15 year old protagonist wants to make a documentary for her mom.

Except it’s an absolutely idiotic wrinkle because guess what?  We don’t see the finished product here [SPOILER ALERT #1] even though she survives!  [END SPOILER ALERT #1] It makes no sense at all for her to make comments in the movie like “oh, this would be a good opening shot”, or leave in her warm-up interview questions, or present her filming chronologically rather than in the order she’s talking about in the film, and while at the same time leaving no doubt that she has taken the time to do quite a bit of editing because there are two cameras on the go and we cut back and forth between them as we would if we were watching a regular movie.  So if this child prodigy is so serious about her craft, why didn’t she complete the movie before letting us (and presumably her mom) see it?

Plus, at one point [SPOILER ALERT #2] the crazy old grandma (who is supposedly out of her mind at the time) picks up the camera, moves it upstairs, drops it so we (and, when they review the footage the next day, the kids in the movie) can see perfectly her threatening knife work that is being performed 20 feet away from the camera, then she picks the camera back up and puts it where she found it, then presumably she goes back to being out of her mind.  [END SPOILER ALERT #2]

So what the hell, M. Night Shyamalan?  What is the point?   All any of this pretense did was take me completely out of the movie and make me madder at you than I was after seeing The Last Airbender at the drive in.  And I don’t know whether the Lady in the Water references were intentional but either way it was a terrible idea to go there.

There is nothing to recommend about this movie at all.  It is not new.  It is not smart.  It is not scary.  It is not entertaining in any way.  Jamie knew the “twist” about one minute into the movie.  The protagonists are annoying caricatures (terrible 12 year old white rapper and pretentious 15 year old kid filmmaker) who further took me out of the movie because if anything I was rooting for them to die.  And then when we finally get to the part where everything comes to light, it’s over in 30 seconds and I think it would have been entirely unsatisfying even if I had cared about the kids’ survival.

The Visit is a terrible movie.  It is among M. Night Shyamalan’s worst, and at this point those depths ought to be very hard for him to re-achieve (and this is coming from a guy who hasn’t seen The Happening or After Earth).  Is there any way we can convince him to just call it a day?

This is a big fat zero for me.  I absolutely despised it and I want an hour and a half of my life back.

Straight Outta Compton

Finally!  It’s hard to say there was a downside to TIFF but it monopolized my movie-watching for its entire 11 days.  And since Jay and I were busy before that doing Amazing Races and Oddball Festivals and other summertime stuff, I didn’t get to see Straight Outta Compton until yesterday.  Which was making me itch a little because I had heard really good things, and I am happy to report that those good things were accurate.  Straight Outta Compton is a very enjoyable history lesson/tribute to some of hip-hop’s founding fathers, most notably Eazy-E.

Having been a 12 year old small-town Canadian kid whDr.DreTheChronic.jpgen N.W.A. broke, they were a little fuzzy to me at the time. But now I’m older and wiser, and since turning 13 I got into mid-90s hip-hop, Ice Cube made a lot of movies, and as my record collection grew I got Straight Outta Compton and The Chronic (and All Eyez on Me), so this movie brought N.W.A. into sharper focus.  It’s really staggering to think of how much talent was in this group and how soon it all ended.  It’s  also staggering to think about how much more to the story there is in the Aftermath, which gets hinted at in the end, and which was a nice touch.

I thought this movie flowed really well and was grounded enough in reality to feel authentic.  Again, since I was 12 at the time, I don’t know much about Eazy-E aside that he died from AIDS when AIDS was just becoming real for me because Magic Johnson had it.  So it was really neat to see him be the focus of this movie along with Ice Cube and Dr. Dre.  I expect that DJ Yella and MC Ren had more to do with the group than just being faces in the background but if you are fans of theirs, you will have to wait for their version of this story to get greenlit in order to learn anything about them.  Fortunately for me, I am a Dr. Dre fan primarily and Straight Outta Compton paid lots of respect to his genius.

It helped that O’Shea Jackson Jr. looks so much like his father, but a great casting job was done with the other roles as well.  Even cameos like Snoop Dogg and Tupac work, especially because the voices are eerily similar.  I felt like maybe there was some auto-tune trickery at play but whatever was done, it works to immerse you in this world if you are at all familiar with it.  And Suge Knight is well portrayed too, he’s a dead ringer for the real thing and comes off as bad as he should.  As Jay said while we were watching it, whoever thought it was a good idea to trust that guy deserved what they got.

If you like hip-hop at all, this is a must see.  And even if you don’t, this story is one that may grab you regardless.  It’s an enjoyable movie that captures a lot of N.W.A.’s ups and downs, and is more or less accurate as far as I can remember!  For that, Straight Outta Compton gets eight police brutality charges out of ten.