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Hollywood Doppelgängers

Hollywood has absolutely no faith in audiences. If they think you liked something, they’re so overanxious to play it safe that they’ll sell it to you twice. We’ve had twin movies as far back as memory serves: movies that have near-identical plots and are essentially the same right down to their release dates. Wyatt Earp & Tombstone. Dante’s Peak & Volcano. Armageddon & Deep Impact. Antz & A Bug’s Life. Infamous & Capote. And on and on. The interesting thing though is that we don’t just have twin movies, we have twin stars too. Hollywood thinks we like familiar things. Familiar faces. And of course, plastic surgeons can only make so many noses. Everyone wants the Liv Tyler lips and the Salma Hayek tits. We can’t be surprised when they come off the assembly line looking a little too similar.

javier-bardem-jeffrey-dean-morganJavier Bardem and Jeffrey Dean Morgan: are they actually the same person?

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Amy Adams and Isla Fisher: they don’t just look alike, they sound alike too!

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Will Arnett and Patrick Wilson: even losing hair at the same rate!

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Jessica Chastain and Bryce Dallas Howard: sharing the same bottle of Miss Clairol since 2001.

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Jesse Plemmons and Matt Damon: even their accents are the same!

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Henry Cavill and Matt Bomer: yup, that’s two different people. Same damn jaw.

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Paz Vega and Penelope Cruz: they usually say that a woman this stunning “broke the mold” but that’s clearly not the case.

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Elijah Wood and Daniel Radcliffe: these two look so alike it’s creepy. Watch this face meld of the two of them and you won’t be able to distinguish one face from the other.

Who are your favourite Hollywood twins?

 

2016: Year of the Fabulous Ladies

Goodness me, this year is flying by, and looking back at some of my favourite films, I’m seeing a trend. A trend toward women of a certain age. Over 50, let’s say; the women who have often been ignored by Hollywood (more than half of all female characters are well under 40, which is not true of men). And yet here they are, fierce and fabulous. I’m resisting calling them “older women” (perhaps it’s time for a new word?) because they are so much more than merely older. These are terrific women giving voice to characters that are rarely seen, and heard even less (women are given less and less dialogue as they age whereas middle-aged men get more).

Aging is a sin in Hollywood. You go from playing the ingénue to someone’s mom, and then you drop off the face of the earth unless you’re Betty White. Which you’re not. Hollywood casts young women into older roles – Angelina Jolie once played Colin Farrell’s mother. She is one year older than he is. Amy Poehler played Rachel McAdams’ mother in Mean Girls despite only a 7 year age difference. Sally Field played Tom Hanks’ mother with just a decade between them – and having previously played his love interest! Toni Collette, aged 33, played Paul Dano’s mother when he was 22 (in Little Miss Sunshine). Laura Dern is just 9 years senior to her “daughter” Reese Witherspoon in Wild. Winona Ryder is just 5 years older than her Star Trek on-screen son, Zachary Quinto. That would be like Jonah Hill playing Miles Teller’s dad instead of his high school classmate. WTF?

All too many once-great actresses were abandoned by Hollywood when they hit 40. Where is Angela Bassett? Geena Davis? Joan Allen? Janet McTeer? We can’t save them all, but we vote with our dollars, by making sure that films like these find their audience:

Florence Foster Jenkins – Meryl Streep turns in an endearingly cringe-worthy performance. When she turned 40, she was offered THREE witch parts in the same year. THREE! She turned them all down.  “I just had a political sort of reaction against the concept of old women being 23F3E33000000578-2869426-image-a-28_1418262921292demonized and age being this horrifying, scary thing. I just didn’t like that. I didn’t like it when I was a little girl, I don’t like it now.”

Grandma – Lily Tomlin proves Grandmas come in all sorts of salty sizes. She’s as edgy and witty as ever. “I’ve been offered lots of [roles as] people’s grandmothers that are just the butt of a joke. Doddering with a track suit on. The object of humor, just as women or gay people were the object of humor through ridicule in earlier movies. That was an accepted target, use of someone of that age or that lifestyle.”

Eye in the Sky – Helen Mirren shows nerves of steel as the powerful head of a military operation. Mirren has called Hollywood’s ageist double standard “fucking outrageous.” “Even Shakespeare did that to us. As you get older, even the Shakespeare roles become [less substantial for older women] — that’s why we have to start stealing the men’s roles — doing like I did in “The Tempest,” [by changing the role of Prospero to] Prospera. And it’s great that a lot of women are doing Hamlet, doing “Henry V,” and I’m sure there will be a female Othello soon. And I love that. I think it’s absolutely great because, you know, why not?”

Youth – Jane Fonda has a small but scene-stealing role in this movie about finding meaning in your later years. “Ageism is alive and well. It is okay for men to get older, because men become more desirable by being powerful. With women, it’s all about how we look. Men are very visual, they want young women. So, for us, it’s all about trying to stay young. I need to work, so I had some plastic surgery. It’s not like it’s too much, it’s not like you can’t see my wrinkles, right? But I think it probably bought me a decade of work.”

Lady in the Van – Maggie Smith gives life and dignity to a mysterious woman living in her van. “I’m always older than God in these parts now.” She played Wendy’s 92 year old grandmother in Steven Spielberg’s Hook and “I’ve been that ever since. They don’t need to make me up any more, I’m afraid. I’ve caught up with myself.”

I’ll See You In My Dreams – Blythe Danner tackles widowhood, retirement, and loneliness. “I remember Leslie Caron years ago saying she left Hollywood when she was 30 or 35 because that’s when roles disappear. That’s not the case anymore, there are better, three-dimensional roles for women of all ages. I’m 71 and I’ve been working more now and getting better roles than I did when I was younger.”

mary-todd-sally-field-lincolnHello My Name Is Doris – a riotous movie starring Sally Field, her first starring role in nearly 20 years. “They don’t write roles for women… and they certainly don’t write roles for women of age and women of color,” said Field. “Since the industry is run by men, men have a tendency to want to make stories about themselves and things they identify with. Then it becomes a self-fulfilling prophecy.”

Suicide Squad [spoilers included]

A hot mess. That’s what it is.

Margot Robbie as Harley Quinn is just about the only reason to watch this thing, and honestly, I’d like to break up with the rest of the movie and do the post-break-up thing where I cut the rest of the cast out of all the pictures and just make a glorious 18 minute movie out of just the Robbie footage. I’d be happier with that. Not super happy. I still thought the Quinn character was too loosely drawn and scantly introduced. Like, I totally buy that a patient could brainwash her into being evil. But there is no amount of SUICIDE SQUADbrainwashing on the planet that could induce me to speak with a Jersey accent randomly. Or to replace my PhD-level vocabulary with baby talk. That shit is bananas.

I don’t know much about this Suicide Squad outside of what the movie told me, and what the movie told me was downright confusing. Supposedly they’re super-villains, mostly sprung from tremendous prison sentences. Yet assembled they’re pretty…meek. And reserved. And obedient. I thought we’d get to see them just going apeshit in Gotham, unleashing all kinds of gleeful hell, but instead they thoughtfully fight a super bland villain that I felt mislead about in the marketing campaign.

The only thing I really connected to in the movie was the music. I assume that the money they saved on Tom Hardy backing out was funneled directly to the music budget. We don’t know for sure why Hardy left – some say for reshoots for The Revenant, some say he just didn’t like the script (although I expect most of the big stars signed on without seeing a script). I think he was supposed to be the most vanilla cracker out there, Rick Flag, and I can’t imagine him being happy with that crummy role. While I appreciated the music (great big pop anthems that helped perk me back up – my patience and attention floundered considerably, and often), I can also see how it was a cop out. First off: you aren’t Guardians of the Galaxy. Music had a purpose and is part of the universe. In Suicide Squad it just felt they were using music to distract us from the fact that they didn’t know how else to finish a scene. Or begin the next one.

Being part of the Suicide Squad must be a lot like being part of Taylor Swift’s squad. I mean, can you name anyone in it besides Taylor Swift? Harley Quinn is obviously the Taylor Swift here, and Will Smith is The Duff (designated ugly fat friend) – he’s nice to b936730e4fcc67ae733b48c1a797dc91fff102d1have around mostly just to prop her up. Smith didn’t annoy me as much as I feared (this movie has so many bigger problems), but Robbie is the true star. She plays Quinn not with a truly villainous heart, but with a completely troubled one – with loads of vulnerability. When the witch tempts her with a vision, her true heart’s desire is revealed to be…a banal suburban existence, completely with a husband and an infant. Clearly the good Doctor is still buried within her, and is peaking through. Or maybe it’s the baby in her belly poking mama in utero. Because she must be pregnant, right? Why else would the Joker so doggedly rescue her? He’s not exactly the kind of guy who’s all about love, honour, and commitment. But what if she’s his baby mama? Why else would he be seen lying in a womb made out of knives, skirted with baby clothes? It must have been some bad-guy baby shower!

Speaking of the Joker…what the fuck? I’m not in love with Jared Leto’s portrayal, and I’m not certain about David Ayer’s intention. Who is this Joker? Chris Nolan’s Joker was so demented there’s no way he could be in a relationship. You cannot picture Heath Ledger’s Joker having a Netflix and chill night with his girlfriend. So this Joker’s…I’m not sure. Down to earth just seems wrong. But he’s not as twisted. He’s more human, in a hipster’s SUICIDE SQUADironic conception of a Latino gangster-cum-circus clown hybrid kind of way. We didn’t see much of him so it’s hard to tell, but he also didn’t seem as evilly inventive as I’ve come to expect in a Joker. So he’s possessive and he’s got some hacker friends. Big deal. I’m sorry that so many of Leto’s scenes ended up on the cutting room floor because I found him to be the second most compelling character in the bunch, and he’s not even on the squad! He’s the Calvin Harris of the bunch. Or the Tom Hiddleston, I suppose, just trying to steal Taylor Swift away all for himself. Fuck the squad.

And let’s be honest: this movie couldn’t handle the squad. It didn’t know what to do with them. The introductions were wildly variable, and, spoiler alert: the character who noticeably didn’t get one DIES. Yeah, that’s right, Ayer. Your shit is weak. You clearly couldn’t cook up a fun and deliciously depraved story for these fuckers so you gave us this watered down jumble instead. You should have saved it for someone who had the cojones. I think a satisfactory Joker-Quinn story could have been told here instead. DC jumped the gun with Suicide Squad – too many unknown characters, too little for them to do, too little story to make us care. But watching ‘Mister J’ change diapers for little Joker Junior in Arkham? Now that I’d be down for.

 

 

Check out more Suicide Squad discussion on our podcast:

Indignation

Indignation is a film that demands for you to digest it.  Feeling more like a novel than a typical movie (fitting since it’s based on a book), Indignation is a story about star-crossed young lovers that’s not quite a love story.  It’s also very slow and very talky, which is apt because that mirrors freshman Marcus’ approach to life.  Marcus is a wanna-be lawyer who decides to leave Newark to attend school in Ohio.   And not just anindignation-sundance-review-logan-lermany school in any Ohio, this is a Christian school in 1951 Ohio, where attending chapel services is a required part of the curriculum.

That requirement does not sit well with Marcus, because he’s not only from a Jewish family, he’s also an atheist.  Needless to say, he’s quite indignant about this whole thing, and he takes it so personally that you have to wonder why he thought attending this little Christian school was a good idea.  Perhaps it was the only school that offered him a scholarship?  Or maybe he just wanted to get as far away from the family butcher shop as possible.

Whatever brought him there, and despite his strenuous objection to the religious curriculum, he quickly warms to the school when he sees Olivia in his history class, and from there, a romance blooms.  Sort of.

This is going to sound very weird comi8-indignation-_05_2016-10_17_22ng from me, but I could have used a lot more romance than Indignation delivered.  I liked watching Marcus and Olivia deal with their issues.  It was a lot more real than what we usually get from romantic movies.  But too often, just as it was getting interesting between the pair, we’d cut to some other aspect of Marcus’ college life, seeing him ask important-sounding questions in class or arguing with the Dean or quarrelling with his two roommates.  Many of these other scenes halted the movie’s momentum without adding anything important, and as a result ended up feeling like unnecessary filler.

For anyone who has read the book (Jay?), I’d be interested in hearing whether you were more engaged by the parts of the movie that are just about Marcus, or whether they felt extraneous to you as well.

Even with that uneven momentum, there was a lot to like about Indignation and I would recommend it.  I particularly liked the film’s structure and the way the story was told.  Though it started slow, before too long Indignation engaged me and made me curious about where we would end up, especially once Marcus and Olivia met each other. I just wish the movie had been more focused on the two of them, but in the end, I got enough of their story to ensure that Indignation stuck in my head and made me think about fate and love and starry nights.

 

Fantasia Film Festival

The Fantasia International Film Festival is in its 20th year as one of Canada’s most notable and exciting film events. It’s a genre festival, emphasizing imaginative movies, spotlighting alternative cinema not normally screened in North America alongside more mainstream offerings. Quentin Tarantino has called it “The most important and prestigious genre film festival on this continent” and it hosted the North American premiere of his Inglorious Basterds.

Fantasia seems to grow in size and stature every year, attracting more movies worth celebrating and more audience members to do the celebrating, plus tonnes of industry representatives to really get the party started. James Gunn, director of Guardians of the Galaxy, has said “Fantasia remains to this day one of my very favorite film festivals in the world” and it’s not hard to see why with its lively downtown Montreal location and appreciative audience members from all over the world. Edgar Wright, director of Shaun of the Dead, says “I promise to make many more genre films just so I can get invited back” but you don’t actually have to come bearing a film – they’ll let you in for the cost of a reasonably-priced ticket!

You can buy tickets here, but I must warn you: choosing from among this year’s stellar line-up isn’t going to be easy.

before-i-wakeFantasia favourite Mike Flanagan (his debut Absentia premiered at Fantasia!) is welcomed back enthusiastically with a special screening of his eerie and poetic horror/fantasy Before I Wake, starring Jacob Tremblay (the cute kid from Room) as a troubled orphan whose dreams spill out into the real-world while he sleeps – as do his nightmares. Also starring Kate Bosworth, Thomas Jane, and Annabeth Gish.

Another frequent Fantasia face, Jackie Chan, has a movie making its North American premiere: Renny Harlin’s Skiptrace, in which Chan is a detective from Hong Kong teamed up with a degenerate American gambler (Johnny Knozville) to fight a Chinese criminal.

Leonard Nimoy’s son Adam presents For The Love of Spock, a documentary love-of-spock-croppedthat gives an intimate look at his late father and the iconic character he’s known for, just in time for Star Trek’s 50th anniversary.

Kevin Smith is presenting his uniquely Quebec-centric comedy Yoga Hosers, the second in the indie filmmaker’s “True North” trilogy centered around outrageously kooky and inventively hallucinatory happenings in our beautiful land.

There’s so much more happening than I can list here, so please visit the website for movie and ticket info and consider a trip to lovely Montreal for a film festival you’ll quickly become addicted to. Fantasia International Film Festival runs July 14-August 2 2016.

A Birthday Salute to the Bikini

The bikini turned 70 this week. It was apparently born when a a WW2-era fabric shortage led designers to reimagine styles with a little less substance to them. The French took over, and inspired by seeing women on beaches rolling up their swimwear for better tans, Louis Réard called his lingerie-inspired concoction “the bikini” and unveiled it on July 5, 1946, just five days after he first testing of a nuclear device was held in Bikini Atoll, and likening it to an ‘explosive commercial and cultural reaction’. It was.

To celebrate, I’m putting together a little list of even littler swimsuits from our favourite movie scenes. This isn’t going to be exhaustive by a long shot so if I’ve missed your favourite bikini scene, please let us know.

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Blake Lively is swimming bikini-clad in a theatre near you in a thriller called The Shallows. She worked out extra hard so she’d look good clinging to this buoy but apparently also remained appetizing to the shark. Jessica Alba put her bikini body on the map in a movie called Into The Blue. A stunt double filmed images.jpgscenes for her behind her back, forcing Alba to keep the bikini thing going for far longer than she was comfortable with. The gimmick worked though, and her bikini isuntitled.png what people remember most about the movie. Kate Bosworth made her bikini mark in Blue Crush, a movie about “girl surfers” with an impressive amount of wardrobe changes. Bosworth wasn’t the only one turning heads – her whole crew, including Michelle Rodriguez and Sanoe Lake, looked equally fabulous wearing not very much.

A bikini often signals The Temptress and I’m not sure if there’s recently beenthe-other-woman-kate-upton.jpg a better example than Kate Upton bouncing around in The Other Woman. Who else are you going to get M0000733.jpgo make Cameron Diaz, an honest-to-god-Charlie’s-Angel, to feel vulnerable? (Sidebar: who among us could forget when a 40&fab Demi Moore strutted around in her bikini, putting those Angels to shame?) Meanwhile, Brooklyn Decker was on hand to heat things up in Just Go With Itarticle-1355072-0D122FC5000005DC-386_634x394 and did a mighty fine job of it until her co-star Jennifer Aniston took off her own clothes revealing that “sneaky hot Jennifer-Aniston-Just-Gobody” (and then had a coconut-bikini-off with Nicole Kidman, just to keep things classy). And I can hardly write a bikini post without mention of Bunny Lebowski (Tara62 Reid) in her lime green bikini (and matching scrunchie!) asking for her toes to be blown on. The 90s were a fabulous time. Just two years later, another bikini was making an impression on me: Virginie The-BeachLedoyen was looking fine in Danny Boyle’s The Beach. Oh to be the sand upon which she lays. The bikini, by the way, has a great built-in sand disposal unit. It has nowhere to hide! And how can we forget Salma Hayek revealing herself to 489973English-speaking audiences in a daring little bikini (boldly accessorized) in From Dusk Till Dawn. She owned that thing like she owned us. Also 389b5cae16b185ee11268ffa8a31d494sealing sex symbol status in bikinis: Angelina Jolie in Tomb Raider. Not that her usual Lara Croft attire left much to the imagination, but fan boys like skin and she was prepared to flash it, as long as she could still strap onuntitled.png her weaponry. Margot Robbie, however, didn’t need knives, because she’s got killer curves and puts them to devious use in Focus.

Of course, bikinis weren’t always so itsy-bitsy. When Annette Funicello first hopped her way on to beach blankets, her bikini was anything but skimpy. It still infuriated Disney (she was a annette-funicello_l.jpgMousketeer, the epitome of wholesomeness) so you could say that it was her rather dowdy swimsuit that helped pave the way for newer generations of Disney stars gone sexy, like Selena Gomez in Spring Breakers.

Also on the bikini shit list: Raquel Welch, who inspired a untitled.pngpin-up-worthy movie poster for One Million Years B.C. in which she wore a bikini made of animal skin, infuriating PETA. Sorry PETA, but I think it’s clear that Raquel wins.

062510-Pam-400Another dubious choice for bikini material: Pam Grier’s crocheted bikini. I don’t want to think about what it looks like if you get it wet, but here’s the thing about Pam Grier: she makes everything look cool. And speaking of bikinis you wouldn’t want to get wet, how about that m6etal slave bikini that Leia wears in Star Wars at the insistence of creepo Jabba the Hutt? Metal rusts when it gets wet, and would also probably weigh you down if there was enough of it (which there isn’t). Carrie Fisher actually had two bikinis – a real metal one she wore while lying around and a lighter-fabric replica when she needed to move around. Either way the bikini was Jabba’s undoing – didn’t she choke him out with her own chains?

u4ggTHBThis list wouldn’t exist without Bo Derek. She has proven over and over to be a perfect ’10’ and has more bikini looks than I can count. I might be slightly partial to this one. Brigitte Bardot has also earned herself multiple entries onto this list and actually starred in a movie called The Girl in the Bikini, although she’d popularized maxresdefaultthe look as far back as 1956 in …And God Created Woman. No matter when or where, she’s always doing it justice.

And finally: Every Bond Girl Ever.

Y7_rAER3svlqH58kuaB7Ima-1sEOko2WnZcwZIJGa2cGloria Hendry is to be applauded not just for sporting a bikini while kicking ass in Live or Let Die, but for successfully accessorizing it with a machine gun. She’s tough and fit but proves she’s also sassy and feminine in her swimwear. James Bond never stood a chance.

Halle Berry turned his head in this orange number from Die Another Day, now an iconic Bond Girl look, with a knife strapped to her thigh. This particular bikini was of course a Halle-Berry-bikini-Bond-Girlsend-up to an earlier Bond Girl: Ursula Andress 40 years prior in Dr. No. She too appeared from the sea in bikinis_01.jpgnothing but a bikini and a blade. The copycats don’t end there: you may remember that Heather Graham sported a similar look in Austin Powers: The Spy Who Shagged Me. 6657c5216cf680dee58ba019435713a1

And just so as not to end this post on Heather Graham:

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Claudine Auger from 1965’s Thunderball in a black and white bikini and an even nicer acce2DAA8CD500000578-3284481-image-a-77_1445591635869ssory: Sean Connery.

Mie Hama from 1967’s You Only Live Twice in a familiar-looking white bikini.

 

2D35473F00000578-3284481-Named_after_her_birthplace_luxury_jewellers_Tiffany_Co_Tiffany_C-m-14_1445597551114Diamond-smuggling bad girl in a hot bikini: Tiffany Case (Jill St John) from 1971’s Diamonds Are Forever.

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Britt Ekland as Mary Goodnight in a very 1970s print bikini in The Man With The Golden Gun (1974).

 

2D3C037400000578-3284481-image-a-21_1445598307023Caroline Munro throws a kimono over her bikini in 1977’s The Spy Who Loved Me.

And here’s Caterina Murino riding a horse in a bikini (no mention of chafing) in Casino Royale – a sequined La Perla bikini. You know, La Perla, the lingerie store. In case you had any illusions. They no longer have this for sale, but they do have it, along with Daniel Craig’s tiny trunks, on display in their Beverly Hills location.fhd006VLR_Caterina_Murino_001

The Vegas Chronicles: Independence Day

Being Canadian, we tend not to celebrate the 4th of July. This 4th, however, we happen to be in Vegas, which tends to celebrate everything. And it just so happens that tonight we’re at the Cosmopolitan hotel for their “dive-in” movie night, where you can watch movies on a giant screen from the comfort of their swimming pool (a necessity when the dry desert heat’s been sweltering around the 115-degree mark).

You probably know that there’s an Independence Day sequel in theatres right now, but tonight we’re kicking it old school and watching the original which independence-daycame out – gulp – 20 years ago. 20 years! To put that in context, filming at LAX was delayed because of a threat from the Unabomber. The Unabomber! And re-shoots were done on the day the OJ Simpson verdict was announced. And it was referenced in Aileen Wuornos’s (Monster) last words, as she was executed.  That’s a long time ago. So long that the movie held two weird records: first, a record for most special effects shots that has since been pulverized a billion times, and second, for most miniature models to appear in one film. That second one really dates it for you, because CGI was so expensive and so primitive that models were still the way to go. A tiny 1\12 White House was built (about 10 feet by 5 feet) just so they could blow it up. And now because of advances in technology, this record will probably stand forever.

The hype for this movie was huge. HUGE. So big it intimidated Steven Spielberg into cancelling his plans to make War of the Worlds (obviously it turned into a 9 year delay rather than an outright cancellation, but still). They spent $24 million dollars on advertising alone, but when it opened it smashed all the records (most of which were held by 1993’s Jurassic Park). It made Will INDEPENDENCE-DAY3-thumb-615x461-92206Smith into a movie star, but he was not the first choice or even the 10th to play the role of Steven Hiller. Smith was a last minute replacement for when Kirk Cameron dropped out. You read that right: Kirk Cameron. Bruce Willis, David Duchovny, Pauley Shore, Mel Gibson, Eddie Murphy, Charlie Sheen, and Yakov Smirnoff all passed on the role. Yakov Smirnoff, guys. Will Smith was lower on the list than Yakov Smirnoff. Although, there’s clearly a screw loose in the casting department – Kevin Spacey was passed over in favour of Bill Pullman since Spacey lacked movie-star potential, they thought.

The new movie has a budget of $200 million, compared to the original’s being “just” $75M. Even with all that money, they still couldn’t afford to get Will Jeff-Goldblum-and-Liam-Hemsworth-in-Independence-Day-ResurgenceSmith back  (he demanded $50M) so the sequel will be Smithless. It’ll also be Mae Whitmanless. She played the president’s daughter in the first and her role has be recast. She’s been largely silent about being replaced but both fans and Mae’s friend Anna Kendrick have been outspoken about her perhaps not being “conventionally pretty” enough for the part. Perhaps she could call up Kevin Spacey for some consolation pie? Or better yet, Susan Sarandon, who was offered a substantial part but turned it down, having found the script to be “incomprehensible.”

Anyway. The Assholes are still in Vegas, and still watching movies, even on vacation. It’s a tough life, but someone’s gotta live it.

 

 

 

Follow us on Twitter (@assholemovies) to see what a dive-in movie on the Vegas strip looks like.

 

 

 

 

 

 

 

That Awkward Moment

Last night at the BET Awards, Michael B. Jordan won best actor for Creed. Last night during the BET Awards I watched a movie starring Michael B. Jordan called That Awkward Moment, a mistitled piece of cinema if I’ve ever seen one because at 1h34m, you can pack in hundreds of awkward moments, and they did.

That Awkward Moment stars two promising young actors, and Zac Efron. Miles Teller and Michael B. Jordan have been in dozens of movies between them these past two or three years, some exceptional, some exceptionally bad. And I get it: you’re young, new to Hollywood, new to money. Make bank! Dolla dolla dolla bills, y’all. I get it. But there’s a limit, I think, to what an audience will tolerate before turning its back, and Miles Teller is dangerously close.

Miles Teller just starred in the Oscar-nominated Whiplash in 2014, so how can he have already wracked up so much ill-will? Well, besides this movie, he’s starred in 3 increasingly apathetic Brody-Whiplash-1200Divergent movies, the critically-panned Fantastic Four, and an embarrassingly poor attempt at comedy called Get A Job. He’s been in 8 films since Whiplash and not one of them reminds us that this kid had a good thing going. He’s got a new one coming out with Jonah Hill called War Dogs and we’re all hoping it’ll be a return to form, probably no one more so than his agent, because while they’re both earning money, Teller is decided not earning praise (or success at the box office), and Hollywood has a pretty short memory for little movies like Whiplash.

Michael B. Jordan, you may note, also has that Fantastic Four atrocity under his own belt. And he’s also got a really great indie movie to his name in Fruitvale Station. If you haven’t seen it, you really must. It was robbed at the Oscars and was nominated for nothing but it was one of fruitvale-station-main1the best in 2013, recounting the true story and final hours of a young man who is erroneously gunned down by police. Jordan, who’d mostly done TV up until then  (I knew him as a kid on The Wire but he was also in Friday Night Lights and Parenthood), really proved himself on screen but has had only a small handful of films since then, unlike his frequent co-star, Miles Teller. In fact, the only one  he did without him is the only one worth mentioning: Creed. Reunited with Fruitvale Station’s writer\director Ryan Coogler, Creed was an enormous success. It honoured the Rocky legacy while establishing its own dynasty. It had important champions in Sylvester Stallone and Carl Weathers but quickly won over audiences everywhere. It’s rumoured that Jordan will be joining the cast of Marvel’s Black Panther movie, but that’s all he’s got on the horizon. Besides War Dogs, Miles Teller has another one in the bank, something in post-production and 2 in pre-production. So tell me: what the hell is the difference? Two handsome young dudes with great roles in their back pockets. One is working back to back to back, and the other very little.

So I’ll ask again: what is the difference? Because I can see one glaring difference, and I hate how it sounds. I hate it.

Never Work With Children

Never work with animals or children.” – W.C. Fields.

Both kids and animals can be scene-stealing and unpredictable. They’re threats on set – not just because a tantrum might hold up filming, but because the ability of a child to do good work is pretty damaging to ego-driven actors. I know for a fact that a child could not do my job. Could a kid do yours?  It was a little controversial when 9 year old cutie pie Jacob Tremblay failed to receive Jacob-Tremblay-Spirit-Awards-2016an Oscar nomination for his work in Room, but the truth is, the members of the Academy will always be reluctant to admit than a 9 year old may have out-acted Leonardo DiCaprio. Patty Duke was 16 when she won for The Miracle Worker. Keisha Castle-Hughes was just 13 when she was nominated for Whale Rider; same for Saoirse Ronan for Atonement. Quvenzhané Wallis was 9 when she was nominated for Beasts of the Southern Wild but the title of youngest nominee goes to Justin Henry who was 7 when he filmed Kramer Vs Kramer, and 8 when he attended the ceremony.

Shirley Temple: Shirley started acting when she was just 3 and broke out in the movie Bright Eyes, a film written as a vehicle for her talents. She received a special Juvenile Academy Award in 1935, at the age of 7 and remained the top shirley-temple-2box-office draw for four years running in the late 1930s, with hits like Curly Top and Heidi defining her career. Her wholesome image led to merchandising opportunities and soon she had a line of clothing, dolls and dishes, which doubled what she made in movies. She was tabloid fodder too: in American people gossiped about whether her curls were real, often tugging on her hair in person. Abroad it was thought that she was not a child at all, but a 30 year old dwarf, and even the Vatican set about confirming it. At the top of her fame she even got to meet the Roosevelts at the White House, but her popularity decreased sharply when she hit puberty, a fate all too many child stars know, but her agent didn’t see it coming and actually turned down the part of Dorothy in The Wizard of Oz (Judy Garland would snap it up). Several films made while she was a teenager flopped and she was retired completely at the ripe old age of 22.

Macauley Culkin:Little Mac started acting at the age of 4. John Hughes discovered him for the John Candy film Uncle Buck but it was his next film, Home Alone, that would make Culkin a star. He hosted SNL at the age of 11, starred in Michael Jackson’s music video for Black or White (and also in maxresdefaultMichael Jackson’s trial for sexual molestation), and followed up with a successful sequel, and memorable roles in My Girl, Richie Rich, and The Good Son. But guess what? Puberty! Macauley Culkin retired from acting at age 14 and nobody heard much from him except for the occasional arrest for drugs. He’s since popped back up doing very sporadic work and performing in a comedic rock band called Pizza Underground (he has previously stormed off a stage during a kazoo solo, which is not weird at all), and looking so haggard at times that fans worry he’s dying. So far, still alive.

Jodie Foster: Jodie started her career as a child model at the age of 3 (she was the Coppertone girl) and made the leap into acting a couple of years later. Her breakthrough was of course in Martin Scorsese’s Taxi Driver, in which she Jodie Foster Winner Of Palme D Or At The Cannes Festival For The Role In The Movie Taxi Driverportrayed a child prostitute. The role earned her her first Oscar nomination. She followed that up with successful turns in Freaky Friday and Bugsy Malone, making her a bona fide teen idol and the first on this list to continue working into her teens, and of course beyond. She interrupted her successful career to attend (and graduate) Yale, and though she loved her time as a student, she knew she wanted to pursue acting as a career. [Sidebar: during that time she was stalked by John Hinckley, who later attempted to assassinate Ronald Reagon in a bid to impress her.] Roles as an adult were sparse at first but she broke through for a second time playing a rape survivor in The Accused, and this time she won her Academy Award. She followed that up with The Silence of the Lambs, a wise choice that cemented her as a star, and then turned director with Little Man Tate. Her career has had some ups and downs but she’s worked consistently and just got her star on the walk of fame earlier this year, having directed George Clooney and Julia Roberts in Money Monster.

Haley Joel Osment: He got his acting start in a commerciGTY_haley_joel_osment_1_kab_140916_16x9_992al for Pizza Hut and achieved fame by the age of 11 , thanks to a starring role in M. Night Shyamalan’s The Sixth Sense that garnered him an Oscar nomination (though he’d also appeared in Forrest Gump). He capitalized on his fame with follow-up roles in Pay It Forward and AI: Artificial haley-joel-osmentt-forrest-gump-today-150809_882bcb0edac984d7a624db306093e62b_today-inline-largeIntelligence, earning him praise and Roger Ebert’s assessment that he was one of the finest working actors of the time. But you know what happens next: puberty, and its accompanying acting slump. He went dormant for a while, except for the obligatory child actor DUI, but is now back at it, acting in films that nobody sees.

River Phoenix: Like many, River got his start in commercials but you all know his claim to fame: Stand By Me.  He’d grown up in a weird family and never attended school, but he was gifted when it came to acting. Stand By Me made him a household name and got him on the cover of Teen Beat and its ilk, but his next few roles were duds. Sidney Lumet’s Running on Empty would earn him an Oscar nomination though and put him back on the map. His role river24opposite Keanu Reeves in My Own Private Idaho established him as an edgy heartthrob with leading man potential, but immersing himself in intense roles was taking its toll, as were his struggles with addictions. River had turned to acting in a bid to support his family but music was his first love, and he started playing in a band. He even got to play with his friend Flea (of the Red Hot Chili Peppers), which is what his siblings were there to see that night at the Viper Room. Flea was onstage playing with Johnny Depp when River was outside dying on the sidewalk. His brother Joaquin dialed 911 while his sister Rain gave him mouth to mouth. He was rushed to the hospital but died, of a drug overdose, at the age of 23. Fans were shocked – he’d had a squeaky-clean image until then (“the vegan James Dean” they called him) and the press loved the story, so much so that they broadcast Joaquin’s 911 call and snuck into the funeral home to snap pics of him in his casket. He was slated to start filming Interview With the Vampire just 2 weeks after his death – Christian Slater replaced him, and donated his salary to two of Phoenix’s favourite causes, Earth Save and Earth Trust.

2b9e3a72f7f47cedcfbd61d1ba1ca0ddAbigail Breslin: A familiar refrain: she began appearing in commercials at the age of 3. Her first film role was with Joaquin Phoenix in Signs, but of course what you really know her from is putting the sunshine into Little Miss Sunshine, for which she received an Academy Award nomination. She later teamed up with another onAbigail-breslin-attends-the-fox-fx-summer-2015-tca-party-in-west-hollywood_1 this list, Jodie Foster, for Nim’s Island, and had a fun and memorable role in Zombieland. She also took on Broadway, playing that role that Patty Duke made famous in The Miracle Worker, and acted opposite powerhouses Julia Roberts and Meryl Streep in August: Osage County.

Tatum O’Neal: She is the youngest person to have ever won an Academy Award, for starring opposite her father Ryan in Paper Moon. Did it fuck her up? Of course it did. She had a tempestuous, abusive relationship with her 1393376798_1512567_tatum-o-neal-zoomfather, which culminated in her getting molested by his drug dealer. She went on to star in The Bad News Bears and Little Darlings, and even became Michael Jackson’s first girlfriend, but she couldn’t hold on. Drugs derailed her. She made her one-time husband, volatile tennis star John McEnroe, look like the stable one in the relationship. She’s a millionaire smoking crack in her Manhattan apartment, unable to stop even when her behaviour was destroying her relationship with her own kids. Let’s hope the cycle does not repeat.

Anna Paquin: Anna is the second-youngest Oscar winner, for her role in The AnnaPaquinPiano, with her only previous credit playing a skunk in a school play. Did it fuck her up? Looks like no. She continued with moderate success as a child actress while also attending school, including one year at Columbia before roles in Almost Famous and the X-Men franchise helped her to transition into acting as a young adult. Then she hit it out of the park with her first role in television, starring in True Blood where she not only earned professional acclaim, she also met her husband, co-star Stephen Moyer. She has children who love her, step-children who tolerate her, and is managing to live scandal-free.

Judith Barsi: Perhaps not a household name, her biggest on-screen credit was Jaws 4: The Revenge, but she also provided voicework for some of my favourite 80s animated films, The Land Before Time and All Dogs Go To Heaven. By the time she was in grade 4 she was pulling in six figures, Screen-Shot-2014-08-30-at-15_32_31supporting her parents and paying their mortgage. This made her father increasingly volatile, and his abuse made Judith act out, pulling out her own eyelashes as well as her cat’s whiskers. Judith’s mother planned on leaving him but never got around to it – he shot his wife and 10 year old daughter in the head as they slept, then soaked them in gasoline and burned them before later killing himself.

Drew Barrymore: Her first job was at 11 months old – she auditioned for a dog food commercial and landed the part when the dog bit her and she didn’t cry. Drew made her debut on film at the age of 5 but was 7 when she achieved stardom, starring in Spielberg’s E.T., and becoming the youngest SNL host that year. Crazy fame and permissive parenting meant she was smoking 5e49df114616b1b0fcfc816b66c83c63.jpgcigarettes at Studio 54 at the age of 9, drinking at age 11, and baby’s first snort of coke by 13. It’s not a joke – the poor dear was in rehab at 14 and spent 18 months in a facility for the mentally ill. She attempted suicide and went back to rehab, and it wasn’t until she lived with David Crosby and his wife that she was able to turn things around, suing for emancipation at the age of 15. The rockiness continued though. She posed nude with her fiancé at the age of 17, and then again for Playboy (her godfather, Steven Spielberg, gifted her with a quilt to “cover herself up” and her Playboy photos doctored by his art department so she appeared fully clothed). Eventually she straightened herself out and went on to act, produce, and start a loving and stable family of her own.

Jake Lloyd: Jake had appeared in Jingle All The Way and Apollo 11 before star-wars-actor-jake-lloyd-s-tragic-hollywood-story-just-got-even-worse-jake-lloyd-as-you-474872appearing in the 1999 Star Wars prequel, but you can bet it was being hand-picked by George Lucas to be the young Anakin Skywalker that was his claim to fame. Citing bullying and exhaustion, he retired from acting in 2001 and we didn’t hear much from him, other than appearances at comic book festivals, until he was arrested in 2015 for reckless driving and resisting arrest. He’d been off his meds for schizophrenia and had also recently attacked his mother so Lloyd is currently in a mental health institution seeking treatment.

Danny Lloyd: On a happier note, another Lloyd is living a different kind of life.what-ever-happened-to-little-danny-from-the-shining-one-of-the-scariest-horror-films-of-546885 You may remember young Danny as Jack Nicholson’s co-star in The Shining. He was chosen for his excellent attention span and managed to film the whole thing without ever realizing he was doing a horror film. Having hit this height so early on, he retired from acting at the age of 9 and today is a biology professor in Kentucky.

The Witness

Bill Genovese was 16 years old when his big sister Kitty was stabbed to death in Queens, New York. Her 1964 murder shocked and scared the nation as news got out that 38 of Kitty’s neighbors watched and did nothing to intervene as the 28 year-old screamed for help and fought for her life.

It’s actually a horrifying image that has always stuck with me ever since I first read about it in Social Psych. How could 38 people watch from their apartment windows as their neighbor was in such immediate danger? This question inspired a new subfield of social psych research and was one of the main reasons why I continued to study (and pursue a career in) psychology. It inspired Bill Genovese to enlist in the Marines when the Vietnam War began because he vowed to never be the guy standing by and doing nothing. And I just found out that it’s a fucking lie.

Obviously and tragically, some of what I learned about Kitty Genovese in college was true. Yes, she was brutally murdered by a stranger outside her building as she screamed for help. Yes, police later interviewed 38 witnesses to the attack. But the claims that 38 people knew what was going on and (shockingly) even that no one tried to help her are erroneous products of some sensationalist and irresponsible journalism published in the New York Times.

The Witness follows Bill Genovese over a ten-year period as he attempts to separate fact from urban myth in the death of his sister. For forty years, the Genovese family believed the same fiction that I did. What that must have been like, to not only lose a daughter and sister to such a brutal attack but to believe that her own neighbors stood by and did nothing, I can only imagine. For a long time, the subject of Kitty’s death (even her life) was too painful for them to even talk about. Until one day Bill can’t take the silence anymore and starts looking for answers.

Sure, the Genovese case received national attention which may have brought about some real positive changes. And, no, that may not have happened had the story been reported as it actually happened. But The Witness makes a fairly strong case that the truth- in journalism as well as in healing from personal trauma- is always important. At some point while watching this documentary, you’ll probably start to wonder if Bill’s obsession with finding the truth is getting a little unhealthy. But by digging deeper into the details of his sister’s life and death, he’ll come to feel closer to her than ever and he honours her memory by reminding all who see it that Kitty was so much more than the last 30 minutes of her life.

 

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