Tag Archives: Paul Rudd

Between Two Ferns: The Movie

Zach Galifianakis is our tour guide as we enjoy a behind the scenes look at the set of his wildly successful talk show, Between Two Ferns. It’s completely fake of course. And wonderful.

Zach’s “show” is a series of web videos you can find literally anywhere on the internet but most of all on Funny or Die. It looks like a bit of amateur public access television that somehow manages to book very high profile celebrities and seat them betwixt the eponymous two potted ferns. He has interviewed the biggest names: Brad Pitt, Justin Bieber, even Obama, but the thing that makes people seek out his videos is that he uses it as an excuse to insult celebrities to their face. He uses his own name but the interviewer character is extremely antagonistic and recklessly inappropriate. As Will Ferrell states, we’re laughing at him, not with him.

The movie’s premise, which is as thin as they come, is just Zach hitting the road in order to film 10 rapid-succession shows in order to achieve his ultimate goal of a network late night show. The plot, if you want to call it that, is flimsy because it’s just a vehicle for random acts of bizarre humour. You either like it or you don’t. It’s on Netflix so it’s low risk, but this is not going to win over any new fans and isn’t trying to. It’s just a 10 course dinner rather than its usual light snack. Can you take that much fern? Can anyone?

“People find you unpleasant,” this according to David Letterman, and he’s putting it lightly. This version of Zach Galifianakis is an asshole, but that’s the fun of his little show: it subverts the usual softball style of celebrity interviews. It looks Jon Hamm straight in the eye and asks whether Bradley Cooper’s success “will open doors for other hot idiots?” If you think it must be hard to get those insults out while remaining deadpan, stay tuned through the credits for proof.

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Avengers: Endgame

Avengers: Endgame is three hours of payoff for anyone who liked the MCU’s 21 other films to date. If you loved them, all the better – Endgame will fill your geeky little heart with joy. And if you couldn’t stand them? Then stay far, far away from this one as it is everything you hated about the other films times 3,000.

Without getting into details, and in the interest of avoiding spoilers, I think it’s safe to say that after Thanos turned half the universe into dust at the end of Avengers: Infinity War, the survivors are set on undoing Thanos’ finger snap. Other than that, I’m going to let you go in blind like I did, because it’s always best that way, isn’t it?

Despite being somewhat disappointed by Infinity War’s ending because it felt inevitable that it would be undone, I was still excited going into Endgame and I was not let down. For superhero fans, Endgame is three hours of greatness. So many story arcs are wrapped up in this film and each feels like a fitting conclusion to everything we’ve seen so far. Directors Anthony and Joe Russo have been here before (also directing Infinity War, Captain America: The Winter Soldier, and Captain America: Civil War) and it shows, as they expertly manage the on-screen action. I’d say this is their best work.

We can debate that, and we can also debate whether or not Endgame is the best of the MCU movies (it’s definitely in the running). But I am confident in saying that Endgame is hands-down the most remarkable entry in the MCU and the most stunning superhero achievement so far. Endgame is a three hour film that is over in a snap, it’s a perfect capper to the last ten years of Marvel films, and it contains some of the greatest moments in the entire series, especially for the MCU’s big three, Captain America (Chris Evans), Iron Man (Robert Downey Jr.), and Thor (Chris Hemsworth).

I loved Endgame. It is far better than it needed to be, far better than I expected it to be, and an absolute must-see for every superhero fan.

The Catcher Was A Spy

Mo Berg was a real-life baseball player, a queer, an intellect, and a spy. In the off-season, he worked for the Office of Strategic Services. When the Americans get an inkling that the Germans may be working on a nuclear bomb, they sent Berg overseas to find the brilliant physicist, Werner Heisenberg.

If Heisenberg is indeed working on a bomb, then he must be executed for the cause, right? But we don’t want to sacrifice a perfectly good brain if we don’t have to, and Heisenberg (of the famed Heisenberg principle, in fact) is the second most sciency scientist in the world (sucks to be Einstein’s contemporary – must be a little like being my sister, I assume).

Paul Rudd stars as our dashing but enigmatic hero. He does indeed play catcher behind MV5BNDYyNjMxNDUwOF5BMl5BanBnXkFtZTgwNTUwNDgyNDM@._V1_SX1500_CR0,0,1500,999_AL_the plate, and if he plays it anywhere else, well, the movie’s inconclusive about that. In fact, Berg was so secretive, he was destined to be a spy. Baseball was just a funny pit stop along the way – but while he may have been a third string catcher, he was a first string spy. Just perhaps not a first rate choice for biopic.

Now, understand that Paul Rudd is adorable as always and totally up to the task. He’s propped up by able performances by Jeff Daniels, Paul Giamatti, Tom Wilkinson, Mark Strong, and Guy Pearce. But the script lets them all down by failing the man himself. He is no doubt an interesting man, but if The Catcher Was A Spy is a weak spy thriller, it’s also a diluted character study because the writer just won’t stick his neck out. Berg risked his life for his country, but between screen writer Robert Rodat and director Ben Lewin, those boys won’t risk accidentally making a good movie. Instead, they play it safe, and frankly, dry. Mo Berg was clearly a curious and compelling guy. The movie has none of that, no quirk, no zing, no point, really. End title cards have to deliver the punch, and I didn’t come here to read, y’all.

 

Ant-Man and the Wasp

ant man and the waspThe very definition of superhero fatigue is seeing the latest Marvel instalment and having nothing to say. Not a speck of inspiration. Is that Ant-Man’s fault? Only partially. It’s very by-the-numbers, it doesn’t add anything to the ongoing MCU saga, and it’s hard to go back in time prior to Avengers: Infinity War, when we know half of these people will soon be dust (and also, soon after that, not dust anymore so the MCU can keep churning out sequels).

But also, when we’ve had a run of Marvel movies with spectacular visuals and fresh takes on flagship heroes (Thor: Ragnarok), timely and thoughtful takes on nationalism with a fully realized villain (Black Panther), and massive, galaxy spanning tales crammed with practically every hero there is (Infinity War), Ant-Man feels so small. While that’s entirely fitting for Ant-Man, it is a drastic change of pace from those three prior MCU films in particular, and the one-upping arms race that has been the MCU since the start.

Jay said some time ago (maybe on the site, maybe just to me) that the coming-of-age moment for superhero movies was when subgenres started popping up – superhero satire (Deadpool), superhero western (Logan), even superhero rom-com (this movie!). So maybe it’s time to get past this shared universe thing and evaluate Ant-Man as an actual movie. And on its own, it’s a team effort featuring a lot of memorable characters, a nice will-they, won’t-they featuring charismatic leads (and equals), and an entertaining way to spend two hours at the movies.

Overall, though, it’s a good thing we have a break in the MCU schedule until next spring, because I badly need one. Of course, you can be sure that I’ll be in line when the next superhero movie comes out, dragging Jay along like always.  What can I say? I’m addicted, always have been, but it’s to the point where I need something stronger to feel as good about these films as I did in the early days.

 

Marvel’s 10th Anniversary: A Yearbook

I feel a little bit dirty even saying this, but Marvel Studios has recently celebrated its 10 year anniversary, which began with Iron Man back in 2008 and culminated with Avengers: Infinity War only recently. The Marvel Cinematic Universe has comprised 19 films in the past decade, which has made it the highest-grossing film franchise, bar none.

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For those of you who maybe got a little lost along the way:

Phase One – Iron Man (2008), The Incredible Hulk (2008), Iron Man 2 (2010), Thor (2011), Captain America: The First Avenger (2011), and Marvel’s The Avengers (2012)

Phase Two – Iron Man 3 (2013), Thor: The Dark World (2013), Captain America: The Winter Soldier (2014), Guardians of the Galaxy (2014), Ant-Man (2015), Avengers: Age of Ultron (2015)

Phase Three – Captain America: Civil War (2016), Doctor Strange (2016), Guardians of the Galaxy Vol. 2 (2017), Spider-Man: Homecoming (2017), Thor: Ragnarok (2017), Black Panther (2018), Avengers: Infinity War (2018)

Nineteen! Anyway, Marvel thinks 15 billion dollars is worth celebrating, so they’ve gathered all the actors responsible for our comic book fetish into this class picture, which you’ll need a magnifying glass in order to appreciate (luckily, with not one but TWO Sherlock Holmes among the cast [Robert Downey, Jr and Benedict Cumberbatch] those should be easy to get your hands on).

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In order to do a little celebrating of our own, the 3 Assholes got together to vote on yearbook superlatives for our favourite super heroes.

Best Eyes:

besteyesHey, we all picked from the same movie!

 

Best Dressed:
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 Class Clown:
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Most Athletic:
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I wondered who really had the edge here, so I took to Twitter to find out what popular opinion is. Out of 41 people surveyed, an overwhelming 76% agree with Matt. 12% side with Jay. Nobody sided with Sean, as usual. And the rest wrote in Black Widow, Spider-Man & Black Panther.
Quietest:
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By unanimous decision, and likely unsurprisingly, we’ve got Groot!
Cutest Couple:
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Most Ambitious:
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We probably should just concede the point to Matt, as Thanos clearly wants to rule the entire universe – but Nebula wants Thanos, so isn’t that one better?
Teacher’s Pet:
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Matt went with the ultimate brown-noser, Sean went with the know-it-all, and I went with the guy who seems like he’s still living in his parents’ basement, working on his 3rd PhD just to avoid the real world for another decade.
Best Smile:
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Honestly Matt, if Googles Images is to be believed, Black Widow has NEVER smiled!
Best person to be stranded with on a desert island:
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Sean says: “Because he’s a magician! He could get me anything i wanted!”
Biggest Gossip:
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Most likely to be found in the library:
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 Biggest Drama King/Queen:
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Who’s the most fun at recess:
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Most likely to have perfect attendance:
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We all know Captain America’s a real goody two-shoes, but I think War Machine is just a little insecure, and he wants it more. Poor Rhodey.
Most likely to get the teacher off topic:

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 Best bromance:
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Worst driver:
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Sean, I have a feeling  you’re being very literal with your pick. Too soon? Matt’s vote is actually for “the driver in the first scene in Iron Man that gets Tony captured.” And I went with Hulk because they don’t let people drive if they have seizures…surely whatever Bruce has is worse.
Most Likely to be catfished:
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Biggest Flirt:
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Most likely to be late to graduation:
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I realize that his chronic lateness is part of Peter’s charm, but may I remind you that a) it takes time to look as good as Valkyrie does and b) she woke up hungover.
Most likely to star on a reality show:
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Life of the party:
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Ned & his party hat!
Biggest Nerd:
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Most likely to own too many cats:
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He just seems a little lonely to me.
Best Hair:
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Really, guys?
Most changed since freshman year:
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Talk about a glow-up!
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I’m definitely into the haircut. Thanks, Taika!
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I was feeling more inclined to remind us of this.
And finally, which character in the MCU would we personally most like to eat lunch with:
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There’s little doubt you’ll find we go a lot wrong, so be sure to correct us in the comments!

 

Mute

muteFor me, the most memorable scene in Mute was a few-second long callback to director Duncan Jones’ debut, a marvelous little movie called Moon, starring Sam Rockwell, that you should track down immediately if you haven’t seen it yet.  Apparently, Mute is intended to be the second entry in a very loose trilogy, an approach that Netflix seems to be very keen on at the moment (as evidenced by The Cloverfield Paradox along with Mute).  Come to think of it, we saw this same thing happen with Split not so long ago, where two movies really have nothing to do with one another except that they happen in the same “shared universe”, with that link often seeming to constitute a big reveal.

I have asked before and, thanks to Mute, have to ask again: why is it becoming a thing to tie movies together in this way?  What is the point, when Mute is a totally separate story not at all influenced by the events in Moon (and vice versa)?  Why does it matter that these movies occur in the same world at the same time if the events of one film do not impact the other in any way?  Why are we even mentioning this link and including a scene with Rockwell in Mute (other than the fact that he is so hot right now)? sohotrightnow Are people being drawn to Mute because it’s related to Moon?  Did anyone choose to watch Mute because of that link who otherwise would not have?  Is Rockwell such a big box office draw that his inclusion got Mute off the ground?  I have a hard time believing this one little throwaway scene helped Mute and yet, why else even bother?

Really, the only benefit of Rockwell’s inclusion was that it made this review easier to write, because Mute is otherwise forgettable even as you are watching it.  Visually, it is for the most part a shameless ripoff of Blade Runner only it’s bereft of any philosophical discussions about anything meaningful, with the only takeway being that parents should not make friends with pedophiles, a point which, much like the movie itself, did not really need to be made.

I Could Never Be Your Woman

This was such a weird movie I’ve waited two weeks to write the review and still haven’t found the angle. Not that it’s urgent: it’s from 2007, so you’re not exactly waiting on the edge of your seat to hear my proclamation. You’ve maybe even already seen it, but then again, probably not. It didn’t exactly make a big splash in the land of movies.

Here’s an interesting thing: it’s a film by Amy Heckerling, the woman who wrote and directed Clueless. This movie is about a woman, Rosie (Michelle Pfeiffer), who writes a MV5BMTk3NDc3ODk2M15BMl5BanBnXkFtZTYwNDc3NDI3._V1_TV show that looks and sounds a lot like Clueless. It’s about the very coolest of high school students, and stars adults who don’t quite pull off their roles. Among them – Stacey Dash, a crazy lady who was 28 when she played Dionne in Clueless and 40 when she reprised the role of too cool for school adolescent in this film. Paul Rudd, only a couple of years younger, turns up in this one too, playing a teenager on set and the role of younger suitor to Rosie, who is mortified. And, of course, flattered, and maybe interested.

Not that Rosie has a lot of spare time to consider younger lovers. She’s trying hard to save her show, and to co-parent with her youth-obsessed ex-husband (Jon Lovitz), and to parent her wise-beyond-her-years actual teenage daughter Izzie (Saoirse Ronan in her film debut – yeah, this kid was always going to be a star).

Anyway, there’s three paragraphs to distract from the fact that I still can’t quite make a pronouncement. The truth is, there’s some juicy satire here. It has lots to say about a woman’s insecurities, and generational differences in falling love, and the impossible standards of show business. But for every great little quirk (many provided by Ronan – her character parodies songs sort of a la Weird Al, but with a feminist twist, likely years beyond her grasp) there’s a lot of rom-com cliches to wade through. But there’s the added bonus of Tracey Ullman as a personified Mother Nature, guiding us through the dark forest of female self-esteem. Heckerling clearly has a lot to say and I bet this film was quite personal to her, but she spirals out of control a few times. In the end, if you’re a sucker for Paul Rudd (and let’s be honest: who isn’t?) or if you’re curious how a little girl with a strong Irish lilt fares blasting out the angry lyrics of a certain Canadian songstress, go ahead and look this one up.