Author Archives: Jay

Patti Cake$

Patricia, aka Patti Cake$, aka Killa P, is a wannabe rapper who’s finding it hard to escape the shitty confines of New Jersey. She’s only 23 but is already feeling like a failure. She works 2 jobs just to keep drowning in debt from her Nan’s medical bills. Her mother, a washed-up, alcoholic, hasbeen singer, is rife with jealousy rather than support. And the local rap community sees her as a non-starter and a bit of a joke. She’s got one friend, a pharmacist named Jheri, who believes in her dreams even as he pursues his own. But it’s only when they meet the mysterious Basterd, master of sick beats, that the music starts to really come together.

Patti (Danielle Macdonald) is an interesting character; her complexity means it takes a little convincing, but hanging in there pays off. Macdonald fills the character up the way MV5BZjc5YzhkOTQtZWY1ZS00OTJkLWE2MTctMmU4NTdlM2YyNmQwXkEyXkFqcGdeQXVyNjk1Njg5NTA@._V1_Beyonce fills out a bodysuit. She’s just spectacular in this: spectacular, spectacular. You can’t make a movie like this without the perfect lead, and Danielle Macdonald is this movie’s soul mate, its one and only. But the rest of the cast falls into place perfectly too. Siddharth Dhananjay as Jheri is Patti’s perfect partner; perhaps an unlikely duo, but if the rap game is going to turn a cold shoulder on a white girl from Jersey, so too will it be tough for a brown boy pharmacist. But disenfranchised is disenfranchised and director Geremy Jasper paints an unflinching portrait. Meanwhile, Mamoudou Athie had already won my heart in Unicorn Store, so seeing him again here as Basterd solidifies his probable and swift rise to fame. Bridget Everett, Amy Schumer’s right hand man of comedy, rounds out the cast of Patti’s desperate mother, and strikes the right, harsh notes.

This is a classic underdog story that works its way through some familiar turns of plot. And sometimes it’s trying too hard. And  yet I found there was very little I could not forgive this film. That’s how much it spoke to me, how very enchanted I was by Patti and her world. And if you like slightly offbeat films with offbeat characters, this is a fun indulgence.

My Christmas Love

Cynthia goes home for Christmas, her first one since her mother’s death, and soon to be her sister Janet’s wedding. A hopeless romantic but newly single once again, Cynthia elects to bring her best guy friend slash coworker along with her, as her plus one and human shield. Of course, Cynthia’s hometown is peppered with ex-boyfriends, so that gets uncomfortable rather fast.

MV5BNjkyYTJhMjUtNWQ3OS00YmE0LWFhZjItOWQ0NmFiMGE0Y2VhL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyODM4MjYxMA@@._V1_SY1000_CR0,0,630,1000_AL_Also uncomfortable: a singing telegram lady in a bonnet shows up daily to her door, singing the appropriate verse of The 12 Days of Christmas, and leaving behind the corresponding gift: two turtle doves, a partridge, a pear tree, etc etc. The problem is, the gifts are anonymous. It’s a mystery. A Christery, if you will. A Christmas mystery. And some pretty lame gifts that come with unwanted responsibilities. But Cynthia thinks it’s romantic, because she’s an idiot in a holiday movie and I guess she has to go along with it. I mean, do you realize how bird-heavy that song is? I did the math: it’s 22 birds by the end of the 12 days. That’s a lot of bird poop, and up to a 20 year commitment! Hope she likes omelettes, because birds are truly a gift that keeps on giving.

Anyway, it’s hard to properly invest in the love life of a moron. Does she even deserve happiness, let alone true love? Not from where I’m sitting. And yes, I’m sitting on the Judgy McBench. So what.

The only earthly to watch this movie is for the love interest. There are many love interests, of course, but only one worth my time. I would have much rathered a silver fox special where we just watch him Bob Ross it up, and cut out all those lords a leaping.
My Christmas Love is forgettable. Know how I know. Because I just watched this movie, and wrote the review, and published it, and only after all that do I see I’ve already reviewed it. And according to that review, I watched it 2 years ago, at work, on Christmas day. And though my rage forks into different directions, their tone is much the same. It hasn’t improved with age.

Teacher of The Year

Amazon tempted me into this one with the promise of some pretty funny dudes: Keegan-Michael Key, and the Sklar Brothers, who I didn’t even know acted. Turns out, they don’t. But they do do their stand-up act in front of a camera in “character” as a couple of funny brothers. Actually they play high school counselors – their job is to help kids get into college and they are spectacularly bad at it. Keegan-Michael Key teacher-of-the-year-movieplays the principal and he’s pretty darn at that too. But Matt Letscher plays the titular “Teacher of the Year” and though his character has the bonafide ribbon, you kind of have to take their word for it that he’s good at his job. Although we see quite a lot of him in the classroom, he rarely seems to be more than competent, and sometimes quite a bit less. Even so, this Teacher of the Year is being lured out of teacher. And if this is the best they have, they cannot afford to lose him. The rest of the school seems to be populated by teachers who are either oblivious or crazy with jealousy. It’s a sad state of affairs.

Anyway, as I should have guessed from a movie that’s hired stand-up comedians rather than actors, it’s hella-funny in some very small, contained parts, and mostly not at all funny in all the others. It’s sort of a mockumentary and sort of just a failed movie.

The Little Mermaid

This year for Halloween, Gertie dressed up as Ariel from The Little Mermaid.

DSC_0028 (2).JPG

As you can see, she absolutely killed it, even if she did completely hate the wig. But her very convincing Ariel did reveal one shocking fact: Sean had never seen The Little Mermaid. So of course I needed to remedy that oversight, which means we both watched it and to be honest, I have some concerns.

First, was this movie always so racist? I mean, Sebastian (the crab) has an accent that he shouldn’t have. I mean, I’ll describe it as “Caribbean” …possibly Jamaican. The story seems to take place off the coast of some European country, probably Denmark. That’s a pretty far swim for a crab. Voiced by Samuel E. Wright, a black man born in South Carolina, I obviously have to question Sebastian’s provenance. And why does the only “black” (I mean actually he’s red) character in the film sing mermaidracist2about how good it is to be unemployed underwater? He literally calls the land lubbers slaves. But excuse me, there is one other black character, a “black fish” who sings. She is literally panned to for less than a second – blink and you’ll miss her.

So of course while I’m researching this, I’ve come across some other interesting food for thought.

  1. Flounder is not actually a flounder. I mean, I realize I’m not actually a Jay Flounder-The-Little-Mermaideither but I find this way more misleading in a children’s movie [possibly my name is also confusing to children: my adorable and super-smart niece Ella, a year and a half old, isFlounder-31-2-640__14096.1414776694.600.600 still refusing to say my one-syllable name and says instead “I no can do that” just to prove that she’s perfectly capable of complex sentences and is just  happiest when she’s spiting me].
  2. How did Flounder get the statue of Eric into Ariel’s grotto? This is Sean’s question of course. Flounder is an overweight fish with tiny little fins for arms. The statue is more than human-sized and made of concrete. What the heck?
  3. Ursula is a Cecaelia (half human, half octopus)…but is she actually an octopus? Ursula_transparentShe technically only has 6 tentacles (it was cheaper than animating 8) but since she has 2 arms, I guess we’ll call it a draw. Octopus tentacles are distributed as 6 arms and 2 legs, but whatever. The team at Disney created Ursula with a drag queen named Divine in mind; unfortunately, 5524736bbf741a40e9bac73206a516b2--phil-morris-john-watersDivine died before voice recording. I kind of love Ursula though. I love that she flaunts her curves and is always wearing a perfectly made up face. She’s got a soft spot for her pets (or sidekicks? henchmen?) Flotsam and Jetsam and a penchant for musical numbers and dramatics. My god, is Ursula ME? I do look hot in purple.
  4. Why doesn’t Eric’s dog Max talk? Most of the characters in this movie are animals and they all talk (and sing and dance) except for poor Max. And while I’m at it, why doesn’t Ariel write? She has no voice with which to enchant Eric so she should just write him a damn letter instead of pathetically miming things and letting a crab try to establish a sense of intimacy. We know she CAN write – she signs her damn name to Ursula’s contract. So she’s just being obstinate.
  5. Okay, Ariel is worse than just obstinate. She’s kind of a bitch. Granted she’s only 16 so probably can’t help it, but damn, why do we even like this girl? She’s chronically late and disrespectful of everyone else. She shames Flounder into doing naughty things. And then she pathetically throws herself at practically the only man she’s ever seen and falls in love with him for no reason whatsoever and even mutilates her own body in order to earn his acceptance. Plus she likes puffy sleeves.
  6. It seems like Ursula actually tried to murder Ariel right off the bat. Their deal is: Ariel gives up her voice to become a human. She becomes human on the spot, and the spot, let’s remember, is miles underwater. She no longer has a tail so she can’t swim, and hello, nor can she breathe. Neither she nor Ursula knew that Flounder and Sebastian were conveniently hiding nearby, so ostensibly Ariel should have drowned on the spot. Good thing her fat fish friend saved her life and got no thanks at all!

Paul Newman, 1925-2008

Paul Newman was a Hollywood legend who, let’s face it, deserved a whole post to himself.

Born in 1925 in Shaker Heights, Ohio, second son to Arthur and Theresa who ran a sporting goods store. His first role was at the age of 7; he played a court jester in a school production of Robin Hood. By 10 he was performing at the Cleveland Play 220px-Paul_Newman_1954.JPGHouse and was part of the Curtain Pullers children’s theatre program. He was briefly at Ohio University but war intervened (well, war, and the fact that he dented the president’s car with a beer keg). He enrolled at the Navy pilot training program at Yale but was kicked out when his colourblindness was discovered. He went on to serve in the Navy as a radioman and rear gunner. He likely would have died in the war but for the fact that on the day his unit was attacked and killed by a kamikaze pilot, his own pilot was grounded due to an ear infection. Back home, he completed his degree in drama and economics. He toured with summer stock theatre programs before putting in a year at the Yale School of Drama, which he ultimately left to go to NYC to study acting under Lee Strasberg at the famous Actors Studio.

He moved to Staten Island in 1951 with his first wife, Jackie Witte. He made his Broadway debut by 1953 in Picnic. His first credited role had come a year earlier, for a 1952 television episode of Tales of Tomorrow entitled “Ice From Space” which Paul-Newman-1112x1500obviously sounds like something I need to see. In 1954 he appeared in a screen test with James Dean for East of Eden, testing for the part of Aron Trask, the fraternal twin of Dean’s character, Cal. Dean won his part but Newman lost out to Richard Davalos. Even though it wasn’t successful, it would be fateful. That same year, Newman co-starred with Eva Marie Saint and Frank Sinatra in a live (and in colour!) television broadcast of Our Town – Newman was a last-minute replacement for none other than James Dean. Newman’s name would often come up for Dean’s roles. The roles of Billy the Kid in The Left Handed Gun and Rocky in Somebody Up There Likes Me were both ear-marked for Dean but went to Newman after James Dean died in a car crash. Although Newman’s first film for Hollywood was in 1954 for The Silver Chalice, it was a flop and he often talked about his dislike for it (he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it!). But just two years later Somebody Up There Likes Me was earning him acclaim and in 1958 he earned his first Oscar nomination, for Cat on a Hot Tin Roof. Also that year he starred in The Long, Hot  Summer with Joanne Woodward for which he won Best Actor at Cannes but perhaps more importantly, he won the heart of the woman he would love for the rest of his life.

Of course, Newman was still married at the time. He and Jackie had by this time had 3 kids: Scott, Stephanie, and Susan. Scott appeared in a few movies, including The Towering Inferno, but died in 1978 of a drug overdose. Newman started the Scott Newman Center for drug abuse prevention in his memory. Susan also stayed in the family business; she’s a documentary filmmaker with Broadway and movie credits – she had a starring role in the Beatles movie I Wanna Hold Your Hand, and had a small role oppose her dad in Slap Shot. But back to Woodward: they’d first met in 1953 but reconnected in ’57 on the set of The Long, Hot Summer. He divorced Jackie and married Joanne immediately. As glamourous as they were, they were among the first big Hollywood couples to move away from L.A.; they made their home in Westport, Connecticut. They stayed married for 50 years, until his death in 2008, and three daughters together, Elinor, Melissa, and Claire. Newman was of course famous for his devotion to his family, and you are undoubtedly familiar with his quip about his own fidelity: “Why go out for a hamburger when you have steak at home?”

In 1982, he and writer A. E. Hotchner founded Newman’s Own. It started with the salad dressing of course but the grand expanded to include pasta sauce, lemonade, wine, and more. But the most remarkable thing about the highly successful company is that Newman committed that all proceeds, after taxes, would be donated to charity. To date, the company has donated $500 million. Among the recipients of his philanthropy: protection for the first amendment; land conservation; religious 518ef81826479c420eb517da72e3ad1b1c7f16b0organizations; scholarships; theatre endeavors; a residential camp which he co-founded called Hole in the Wall Gang Camp, named for the gang in Butch Cassidy and the Sundance Kid naturally where 13 000 kids are served free of charge every year; and another of his bright ideas, the Committee Encouraging Corporate Philanthropy, which encourages CEOs of big companies to commit to charities – now responsible for $10 billion in corporate giving annually. Jeezum. So it’s not exactly surprising that Givingback.org would name him the Most Generous Celebrity of 2008; even since his death his foundations continue to generate good around the world.

Paul Newman was also a bit of a political activist. His support for Eugene McCarthy and his opposition to the Vietnam war meant he was #19 on Richard Nixon’s enemies list, which Newman often listed as his greatest accomplishment. Paul Newman supported gay rights, and gun control, and here’s a little factoid for you: he was at the very first Earth Day event, back in 1970.

Tireless, apparently, you may also remember that Paul Newman was a race car driver. He got into while training at the Watkins Glen Racing School for the film Winning, which came out in 1969. His first professional race was in 1972 at the Thompson International Speedway, where he entered as P.L. Newman, hoping not to attract Hollywood’s attention. He won four national championships at the Sports Car Club of America and came in 2nd at the 1979 24 Hours of Le Man, driving a Porsche 935. At the age of 70, he became the oldest driver to be part of a winning team in a major sanctioned race when he won at the 1995 24 Hours of Daytona; he would race in that again at the age of 80. The last work he ever did in Hollywood was to voice a race car named Doc in Pixar’s Cars; in fact, he’s received a credit for this year’s sequel, Cars 3, as well.

Paul Newman is one of only four actors ( with Laurence Olivier, Michael Caine, and Jack Nicholson) to have been nominated for an Academy Award in five different decades. 

1958: nominated for Best Actor for Cat On A Hot Tin Roof; lost to David Niven for Separate Tables

1961: nominated for Best Actor for The Hustler; lost to Maximilian Schell for Judgment at Nuremberg

1963: nominated for Best Actor for Hud; lost to Sidney Poitier for Lilies of the Field

1967: nominated for Best Actor for Cool Hand Luke; lost to Rod Steiger for In the Heat of the Night

1968: nominated for Best Picture for Rachel, Rachel, his directorial debut, which starred Joanne; he lost to John Woolf for Oliver!

1981: nominated for Best Actor for Absence of Malice; lost to Henry Fonda for On Golden Pond

1982: nominated for Best Actor for The Verdict; lost to Ben Kingsley for Gandhi

1986: WON Best Actor for The Color of Money

1994: nominated for Best Actor for Nobody’s Fool; lost to Tom Hanks for Forrest Gump

2002: nominated for Best Supporting Actor for Road to Perdition; lost to Chris Cooper for Adaptation

[Note: received an Honorary Award in 1986 for his “many and memorable and compelling screen performances” and the Jean Hersholt Humanitarian Award for his charity work in 1994.]

Paul Newman was known for his piercing blue eyes and his sense of humour. His likeness was the inspiration for the 1959 illustration of the Green Lantern. Early in his career he was often mistaken for Marlon Brando, and he obligingly signed autographs as him whenever asked. He was Jake Gyllenhaal’s godfather. When he lost $50 to Jackie Gleason in a pool game, he paid him in pennies. Turned down the lead role in Ben-Hur because he “didn’t have the legs to wear a tunic.” Turned down Dirty Harry for being “too right-wing.” Was in an epic, years-long prank war with Robert Redford. He could play blues and jazz piano. He’s been on a US postage stamp. Although Paul Newman was the actor other actors looked up to, he was also a man of many diverse interests.

Paul Newman died of lung cancer in September 2008, with family by his side.

Woodshock

In the wake of her mother’s death, Theresa’s grief manifests itself in complicated ways. Her fragile emotional state is pushed off a cliff thanks to some powerful drugs she can’t help but mess with. The result? A film that is haunting, surreal, and hypnotic.

Brought to you by first time directors Kate and Laura Mulleavy, whose names  you may be more familiar with as the sisters behind the clothing and fashion accessories _DSC8956R3label, Rodarte. They’re not the only designers to make the leap to film: Tom Ford made the jump rather successfully not to mention stylishly with A Single Man, and Nocturnal Animals. As for the Mulleavy effort, I’m less convinced. In parts it is absolutely stunning to look at, and they certainly have an eye for what lingerie will best highlight the nipples of the film’s star, Kirsten Dunst. But it’s not quite enough, and perhaps not enough by a long shot.

I will give them this: they create a dreamy, half-conscious state where we’re not entirely sure what’s ‘real’ and what isn’t. The mood is heavy and stays that way. Woodshock is visually assured but that’s the only assurance you’ll get. Everything else is a negotiation game you’ll have to play with yourself, because neither the film nor the filmmakers (some of whom were in attendance at its New Hampshire Film Festival screening) are providing answers or even clues.

The story is as gauzy and ethereal as Rodarte’s 2018 spring collection. Woodshock is high on visual impact but the plot, which probably is a misnomer here, is more like aKIM_0049 series of impressions – you get whiffs of what might be going on, and if you’re nose is good and you’re super motivated, you might even convince yourself the story has bones. But if you’re the kind of movie-goer who likes things like Neon Demon where themes are explored and drama runs high if not in any specific direction, you might count yourself a fan of Woodshock. Crazier things have happened.

Marjorie Prime

In the future, grief will be obsolete. If you are missing your partner of 50 years, all you’ll have to do is invest in a good hologram, tell it some personal stories, and all of a sudden you’ll have a spouse 2.0 sitting on your plastic-encased sofa, reminiscing about all the good times you shared. Is it a little creepy? Depends who you ask. Certainly when elderly Marjorie (Lois Smith) chooses to see her departed husband Walter as the handsome, middle-aged man she first met (Jon Hamm), her daughter Tess (Geena Davis) thinks it’s a little weird. Tess doesn’t want anything to do with her hologram Daddy but Marjorie is quite enamoured with him.

screen-shot-2016-09-12-at-7-29-47-pmThe film makes you think about memory, and what that means, and how it is shared, and if it is real. And it makes you think about humanity and what makes us truly ourselves, and if we can separate ourselves from memory, or if indeed that’s all we are is our memories. And it makes you think about love: can it be recreated, does it live on after death, does it exist independently outside a couple, is it found in the details or does it truly live in our hearts? So if you’re in the mood for a talky, thinky piece with very little action, Marjorie Prime may just be the film for you. Based on a play, most of the film takes place within just one room. But within that room, the acting is superb. Lois Smith is a phenom. Jon Hamm, Geena Davis, and Tim Robbins orbit around her, fueling her sun.

The movie feels haunting and intriguing, and maybe it isn’t fair to say this, but it raises such interesting ethics that I almost wanted more from it, more cud to chew on. At times the film feels a little redundant: you have to feed the hologram in order to make it more believable, more “real.” But no matter how many perspectives you feed it, it will always be missing its own. These “primes” strikes me as an excellent opportunity for Sean to finally construct a Jay he’s always dreamed of: one that doesn’t talk back, who doesn’t know sarcasm, who doesn’t remember the time he told a naughty story about her in front of his mother. But the thing is, if Sean invested in this Jay Prime because he missed her, what good would she be if she didn’t roll her eyes at him?

Even with its faults, I enjoyed Marjorie Prime, for the watching and the thinking it inspired afterward. Watch it, and tell us what you think: would you be comforted by a hologram of your mother or your spouse or even your dead dog?

Autumn Dreams

The fall harvest complete, farmer’s daughter Anabelle elopes with hired hand Ben, and she does it without parental consent which means she must be 18 rather than the 13 she looks. But her father screeches up to the chapel in his antique pickup truck and orders an immediate annulment. Ben, a good guy, “understands.”

Cut to 15 years later: Anabelle runs the farm now – heck, she’s up to her elbows in farming, which is what prohibits her from wearing her engagement ring from Joe. She MV5BM2M5MzYwYTctMWUzNC00MGU0LWIyNTUtMTA4ZDlhNmU1MjAxXkEyXkFqcGdeQXVyMzQ2MzE5ODA@._V1_SX1499_CR0,0,1499,999_AL_and Ben haven’t seen each other since their unconsummated wedding night. But just as she’s agreeing to marry Joe in one month’s time, she gets big city divorce papers. Wahhh? Oh that’s right, there was a clerical error and it turn out she and Ben are still technically married. So she lies to her fiance, or, lies more to him, and flies to NYC where she gets into various big city hi-jinks such as: elevators! bumping into people! the lack of roosters!

Turns out Ben is getting married even sooner than she is – this Saturday! In the courtroom, however, it seems there are some unresolved resentments, and a lady judge is a real hardass about granting divorces so bingo bango they’ve got a whole week to NOT fall in love all over again.

Autumn Dreams is 80% stock footage and 20% painfully predictable plot points. The things the writer failed to research include but are not limited to: research itself, crops, stocks, courtrooms, chauffeurs, New York City, food trucks, anything and everything to do with the law, grants, farming in general, life in general. It’s not even that autumnal, if truth be told, and that might be its greatest mistake of all. If you’re looking for some real fall coziness, I can’t believe I’m saying this, but October Kiss is like a chunky sweater to Autumn Dreams’ ratty tshirt.

 

The Archer

Lauren is a nice kid, a good student, a champion archer whose post-medal celebrations turn sour and result in her arrest. The judge has all the reasons in the world to go easy on this first-time offender, not to mention the extenuating circumstances that all but exonerate her, but instead he throws the book at her. Off she goes to an open-ended sentence at a “reform school” that looks and feels a lot more like a sadistic prison.

There she finds dozens of girls just like herself, imprisoned for very minor offenses. But it’s their jailers that cause the most concern: there are no checks on their behaviour. They can get anyway with anything, and do. But the cruelty, humiliation, MV5BNDU1ZWYyN2UtNGY5MS00NjE2LTk1N2ItNGE5MDcxZmEzMTY3XkEyXkFqcGdeQXVyNDM4NTU5Njc@._V1_SX1776_CR0,0,1776,778_AL_and sexual perversion isn’t just for kicks, it’s also serving a purpose. Because every time a girl fights back, her sentence is extended. And that’s very good news when you’re running a corrupt, for-profit scheme.

So one day Lauren (Bailey Noble) and her new friend Rebecca (Jeanine Mason) decide to make a break for it. No one has ever escaped successfully, but desperation drives their attempt. But to protect the prison’s ugly secrets, its warden will literally hunt them like animals to make sure he doesn’t get exposed.

This film has an incredibly strong female in its lead, and Noble was the perfect choice to play her. She’s got grit and determination but we still believe her as a somewhat naive high school student. Their flight into hills is tense and taut film making, and though the prisoner on the run thing’s been done before, this one is a fresh enough take to grab and hold your attention.

The Archer is inspired by the 2011 conviction of two judges in Pennsylvania when a federal investigation uncovered millions of dollars in kickbacks for their sentencing teenagers to a for-profit youth detention centre.

Civil Rights & The Cinema

Viola Desmond’s name may not be as well-known as Rosa Parks’, but she took her stand against segregation nearly a decade before Parks refused to give up her seat on the bus.

Viola Davis was born in 1914, one of ten children to a white mother and black father in Halifax, Nova Scotia. Growing up, she noticed an absence of hair and skin-care CNSPhoto-PARDONoptions for women of colour and decided she would be the woman to correct this. But her skin colour prevented her from beautician training at home, so she went off to Montreal and then to New York to complete her education. Returning to Halifax, she opened her own hair salon, where she would tend to a young Gwen Jenkins, later to be the first black nurse in Nova Scotia. And she didn’t stop there. She went on to found The Desmond School of Beauty Culture so black women could train closer to home. Students were taught how to open their own businesses, providing jobs for other black women in their communities. Then she started her own line of beauty products, Vi’s Beauty Products, which she sold herself.

It was on just such a work trip when she found herself in New Glasgow, Nova Scotia, in 1946. Her car had broken down and was going to be in the shop overnight, so to kill time she went to see The Dark Mirror at the Roseland Film Theatre. At the box office, she asked for a main floor ticket and then took her seat, only to be told by the manager she did not have a ticket for that seat. She went back to the ticket booth but they refused to sell her a different ticket, claiming it was against their policiy to to sell a main floor seat to a black person. Desmond returned to her original seat with her original ticket, refusing to sit in the balcony designated for black patrons. She was forcibly removed from the theatre, arrested with enough violence to cause injury to her hip. She was jailed overnight without access to a lawyer or bail.

This was a private movie theatre and its segregation practises went against the law in Nova Scotia so Desmond was actually charged with tax evasion, believe it or not, for the one-cent difference in tax between the slightly cheaper balcony ticket she was sold and the main floor seat she actually occupied. One cent. She was fined $20 plus $6 in court costs; she paid and went home to Halifax. But her Minister really didn’t like how things went, and encouraged her to fight the charge. Carrie Best broke the story in Nova Scotia’s first black-owned and published newspaper, The Clarion. Best had previously written about The Roseland Theatre and was happy to take up the cause. So too was Desmond’s Baptist church and the Nova Scotia Association for the Advancement of Coloured People. Sadly, her lawyer made some bad decisions and they ultimately lost the case.

In 2010, Mayann Francis, the Lieutenant Governor of Nova Scotia, invoked the Royal Prerogative to grant Desmond a posthumous free pardon – the first to be granted in Canada. It’s different from a regular pardon because it is based on innocence and recognizes that the conviction was in error. Francis was emotional as she signed the document: “”Here I am, 64 years later – a black woman giving freedom to another black woman.” The government of Nova Scotia followed up with an apology, acknowledging she was rightfully resisting racial discrimination.

So that’s how one small act of defiance in a rural movie theatre galvanized the Canadian civil rights movement, and it’s why Ms. Desmond will be featured on Canadian currency next year when her face graces our $10 bill. Thank you, Viola Desmond.