Tag Archives: Chris Hemsworth

12 Strong

In the days immediately following 9/11, George Bush believed that Osama Bin Laden was being hid by the Taliban in Afghanistan. He demanded that Afghanistan hand him over, which they refused to do without concrete proof that he was responsible. So because everybody’s blood was up and something had to be done, they declared war. 12 Strong is about the first 12 guys who were sent over there on a special mission that they apparently did well, and quickly, only no one ever gave them the thumbs up about it because it was classified so they got no credit. This movie is their reward, but not a very good one. I would have preferred a sundae or an iguana or that new sunblock that has glitter in it. Instead what we got is yet another war movie, one that does little to add anything new to the conversation or the genre, one that feels derivative of other work and repetitive even within itself. It’s kind of long and boring and just not very good, other than the acting. Since that’s all the review I think this movie deserves, I will now attempt to act it out for you (minus anything graphic, or racist, hopefully) so that you don’t have to sit through it yourself. Of course, you still have my permission to watch it you wish. Or if you must. Or you can watch it without my permission, as may already have done (sorry I’m so late. I really did drag my feet on this one AND MY INSTINCT WAS CORRECT!) – frankly, you guys have done an excellent job of watching movies without my hand-holding, and I’m not sure if I’ve ever really congratulated you about that.

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When I told Sean I’d watched 12 Strong, he asked “The one with the horses?” Yes, yes it is.

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But not that one. Although, if you have a good memory, you know that apes on horses really freak me out. This movie just has soldiers on horses because there weren’t any Jeeps in Afghanistan. Don’t quote me on that. I just made it up, but it does explain the horses.

Chris Hemsworth plays the main soldier guy, who is just moving into a new home when the first plane hits the towers. Sad moment. Cannot make fun of that.

Good job casting the right Hemsworth, and even better, casting that Hemsworth’s wife to play his wife.  I just had to google Elsa Pataky because she had an accent in the movie but it sure wasn’t American or Australian, and yup, turns out she’s Spanish, so that checks out. I clearly don’t know her from much else besides having married into the Hemsworth clan, and she’s clearly too busy pushing out blonde surfer babies to do much acting, other than the Fast & Furious franchise, which I will politely look the other way on.

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This is the real Hemsworth family, not the movie one. I’m 95% sure.

So being a proud American and a keen soldier, Hemsworth volunteers to do whatever is necessary, and so do Michael Shannon and Michael Pena.

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Once they’re over there, William Fichtner tells them they’re going to fight alongside the Northern Alliance leader, Dostum. I know the titles implies that there are 12 guys but I’ve only named 3 actors, so here’s the deal: the 12 get split into 2 groups, the brave and good and movie-worthy group goes to battle, and the other group stays behind in a fortified camp and they are just as important as the alpha group guys, just as good, even if they don’t really do anything. So Hemsworth’s group is a pack of 6, and they just focus on the most handsome 3, which just makes good sense.

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Do I look like the kind of man who gets left behind at base camp?

Anyway, then there’s like 2 hours of fighting.

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Well, no, okay, it wasn’t a dance battle. If there was a dance battle, do you think I’d be dissing this movie? No, there were your standard guns, guns, bullets, guns, rockets, explosions, guns, bullets, guns. The typical war boner stuff.

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Then an Afghani man drives a very hard sheep bargain

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The transaction was not cute in any way and upon reflection, I cannot for one bloody second remember why Michael Pena wanted a sheep so goddamned bad. Anyway, there was at least one truly horrific scene that I can’t make light about, and Dostum and Chris Hemsworth get all buddy-buddy when Dostum talks about his dead family. But then he gets enraged because some other American contingent is back his rival, so he abandons them, feeling betrayed.

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But then he comes back! And there’s more fighting.

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And an email from Donald Rumsfeld, being a dick (is that redundant?). Michael Shannon gets what is described as a “sucking chest wound” and they all act surprised that someone could get hurt out here (no sense of irony for all the Afghans who have visibly been blown to bits). Don’t worry, Michael Shannon definitely survives because he’s already fighting the next war, which is against books.

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Fahrenheit 451, starring Michael Shannon and Micheal B. Jordan, airs on HBO May 19th.

 

 

 

Then there’s some slow-motion explosions (did Michael Bay make a directing cameo?) and some very heroic music and other American propaganda bullshit.

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And then they all shake hands and touch peckers and go home, because JOB DONE. This movie has embarrassingly zero hindsight and very little perspective. This little top-secret mission comprised the first 23 days of the war in Afghanistan, and they really dropped some bombs and shook some shit up, but guess what? That war is ONGOING. As in, the longest war in United States history. But never mind that. Let’s focus on those first triumphant 3 weeks and let our chests swell with pride.

The end.

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Thor: Ragnarok

post_master-thor-960x540The Marvel Cinematic Universe is so bloated by this point that it’s a full-time job to keep up with what’s going on.  Thankfully, Thor: Ragnarok doesn’t get bogged down in what’s come before.  Instead, the third installment in the Thor franchise tells a self-contained story and shifts Thor’s segment of the universe from dreary fantasy mode to action-comedy mode.  From a cameo by Matt Damon that I totally missed, to a Taika-Waititi-voiced blue rock monster, to Hulk and Thor arguing over everything and anything, Ragnarok is the funniest apocalypse movie you will likely ever see (sorry, Zombieland!).

My only complaint, really, is that the plot got in the way of the fun.  Every time the scene shifted to the problems Cate Blanchett’s Hela was creating in Asgard, all I wanted was to get back to the wacky trash world where Thor and Hulk had crash-landed.  I guess this movie had to justify its existence by advancing the plot and having big stakes but I would have gladly spent the whole run time hanging out with my new favourite Avengers (who I am happy to report have now started their own spin-off team).

Anyone who has enjoyed Taika Waititi’s past work will not be disappointed by Thor: Ragnarok.  If you haven’t enjoyed Waititi’s work, you’re probably on the wrong site, and if you haven’t seen his other stuff, then do!!!  Start with Thor: Ragnarok and go from there.

As he always does, Waititi will introduce you to madcap supporting characters whose main purpose is to make you laugh, and even better, he will show us that Thor and Hulk have actual personalities.  Purists may take issue as those two characters are notoriously dull, but I thought it was a fantastic improvement that should be carried forward into the next 40 or 50 Marvel movies that apparently are still to come.  Comic book movies should be bright, colourful and fun, and Thor: Ragnarok is all of those things from start to finish.  Go see it!

 

Thor

thor-movie-theme-song-1I finally saw Thor and to be honest, I’m not entirely sure what happened. I know Thor got hit by Natalie Portman’s car a couple of times after being banished to Earth for being a dick. Then he learned a lesson and could pick up his hammer again, so he smashed a rainbow bridge to save a planet. But then he couldn’t see Natalie anymore because he wrecked the bridge.

Except I know he got back to Earth somehow in time to appear in the  Avengers but he didn’t bother to check in with Natalie. That doesn’t bode well for them and yet she’s in Thor: The Dark World so I guess she didn’t hold much of a grudge.

Thor felt different than the other Marvel movies, which is sort of a good thing except in being different it felt much less super-heroey than the others. Then again, that might be my anti-Thor bias showing. I never cared much for Thor in the comics. I always found him snooty and boring. He’s no Spider-Man, that’s for sure.

So while kudos may be due to Kenneth Branagh for trying to put a fantasy spin on Thor’s cinematic debut, I guess I would rather have seen him fight the Hulk than some random fire-breathing robot. The good news is that I might get my wish now that Taika Waititi has been handed the franchise’s reins!  November 2017 can’t come soon enough, as Thor: Ragnarok is arguably my most anticipated Marvel film yet.

While I’m waiting, I suppose I could take in the other Thor movie between now and then. After being underwhelmed by Thor, I’m in no real rush to take in Thor: The Dark World. I’m far more likely to rewatch Hunt for the Wilderpeople instead. Because unlike Thor, Ricky Baker is definitely my kind of superhero.

 

Ghostbusters

When I was a little girl, I had a Ghostbusters siren on the right handlebar of my bike. On the left, I had a Slimer horn. I was dedicated to kickin ass and bustin ghosts and doing both from the luxurious banana seat on my Blue Angel bike. But the boys? The boys always kristen-wiig-ghostbusters-2-16132-1468265440-1_dblbigthought I should be Janine, the secretary. There’s nothing wrong with being a secretary, but there’s a reason nobody plays secretary. It’s just sitting at a desk! I wanted the glory, dammit, not the paperwork.

So a word to all you “Ghostbros” out there: there’s a reason why they’re “ruining your childhood” by making this movie. It’s because it’s little fucks like you who ruined mine.

And while we’re on the subject, I don’t buy this “It’s about our childhood” argument anyway. No, it’s not. You’re sexist, magotty little misogynists and you’re too afraid to say it to my face because you know I’ll kick your ass. This movie does not have the ability to time travel back to your snot-nosed lame-ass childhood where your only friend was your Stay-Puft marshmallow man toy and make a mockery of it. You’re the one making a mockery of it, and I’m guessing you have been for about 35 years. This bizarre hatred for a movie you’ve never seen is sexism, pure and simple. Hollywood has been rebooting movies for years. No one cried to their mommy when they rebooted Batman. ghostbusters-iiiNobody worried that their childhood Batman was ruined. No one panics when they reboot James Bond every 10 years. As long as you replace a man with another man, everything’s cool. Look, I’m sorry adulthood isn’t working out for you. I’m sorry girls never took an interest. But hating this movie won’t make you cool. And if you are truly, truly worried that seeing a brand new Ghostbusters movie will somehow sully your memory of the first, here’s a thought: just don’t watch it. I know! It’s revolutionary! Don’t go to the movie (I’m sure you exercised this right when they made a sequel back in 1989, one that failed to live up to its predecessor, or to its sucessor). You don’t have to judge it without having seen it. You don’t have to out yourself as a coward and a woman-hater. You just have to opt not to see it. I mean, it’s a stupid move because this movie’s great, but I’m guessing you and stupid moves are well-acquainted.

I won’t bother you with a synopsis because I’m guessing you all know what Ghostbusters do. It’s pretty much just a new team who happen to be women, who happen to know a lot about the occult, who happen to be sciency enough to do something about it. The script is hella-funny. The ghostbusting is pretty badass. And there’s just enough spook to get your pulse racing in a few places. Plus Paul Feig is just the right guy to get the job done. I knew we were in good hands when I saw how reverently he treated Spy – this guy is just a fan of movies. He’s respectful, but he knows how to poke fun in just the right places. And he writes exceptionally well for women.

The ladies are superbly well-cast. Melissa McCarthy and Kristen Wiig are the most talented comediennes we have, but they play straight-ladies in this case. Ghostbusters is a coming out party for Kate McKinnon and Leslie Jones, and let me tell you, they have arrived. Matt was surprised by how much he liked Jones in this but for me, it was all about maxresdefaultMcKinnon. Her character is bizarre and oblivious but McKinnon somehow humanizes her and pulls off some really cheeky, sweet, inspired moments under Feig’s loose direction (being an SNL alum probably helps quite a bit – he’s a big fan of letting his cast improvise). We stayed right to the end of the credits to squeeze every bit of juice out of this thing, and were rewarded. In fact, the movie itself is crowded with little gifts, among them cameos from plenty of original Ghostbusters. Who was your favourite, Matt?

M: I’m always excited to see Bill Murray but Dan Aykroyd’s part was the funniest even though I didn’t recognize him at first.

It was really great seeing love and support from the 1980s cast. This movie isn’t about replacing an old favorite, it’s about updating a classic and introducing it to a whole new generation. Homage is paid. Respect given. Isn’t that enough? Sean, you’re the right age and sex to be outraged by the audacity – how do you feel?

S: It did not ruin my childhood or ruin my memories of the first one. It was definitely more fun than the sequel. It was an enjoyable movie that I can’t understand anyone hating. Just a good old summer blockbuster.

The first one was a bit of magic. It was different and fun and exciting. The 2016 Ghostbusters isn’t a new idea, it isn’t different, but it’s just as fun and exciting. I can’t imagine what more you’d want.