Tag Archives: awards

This Magnificent Cake!

There’s a definite trend toward using gimmicks to give depth to films, and it’s particularly prevalent in animated movies.  These days, almost everything is available in 3D, and often for new releases it’s hard to find a screening that’s NOT in 3D.  This Magnificent Cake! (Ce Magnifique Gateau!) is not in 3D but in no danger whatsoever of feeling two dimensional.  ThereCMG_concert is so much texture here, you’ll want to pet the screen.

The texture comes from the animators’ use of felt and yarn for basically everything you will see on screen.  Co-creators Emma de Swaef and Marc James Roels have ensured that the characters, the animals, and even the water are fuzzy.  All the texture will captivate you throughout the film’s short 45 minute run time.  Every frame is packed with a ton of details and textures for the viewer to notice and absorb.  So even if you are lost in the narrative, which will happen due to its nature, you never mind all that much and are happy to just absorb what’s on screen.  The animation is incredible, and I would say that the visuals are the main reason that This Magnificent Cake! was the Grand Prize Winner (Best Feature) at the 2018 Ottawa Inter
national Animation Festival

The narrative is easy to get lost in because it’s left to the viewer to determine what is real and what is a dream or a hallucination.  This Magnificent Cake! features five interconnected episodes that revolve around Belgium’s colonization of Africa in the late 19th century.  The episodes begin and end abruptly and usually the next in the sequence starts soon after the previous one ended, but tells the story from a different perspective.  Most of the episodes unfold in Africa, but there is also some Belgium backstory as well as some bonding to take place during the several months (?) it took to travel by steamer from Europe to the colony.  How many of these events were imagined is hard to say (intentionally, I’m sure) but I “felt” at least half of it only happened in the characters’ minds, which hopefully includes a particularly memorable snail adoption by a lonely colonist.

This Magnificent Cake! is a unique experience that may leave you scratching your head when it ends, but your eyes will thank you for taking the trip.


Oscar Nominations 2018

Since we got 18 hours’ worth of snow and freezing rain between Monday afternoon and Tuesday morning, Jay and I both got to stay home and watch Andy Serkis and Tiffany Haddish announce the 2018 Oscar Nominees.

Our instant reaction after the presentation finished?  Quite positive, I’d say.  The Academy seems to have included everyone who ought to be a contender for these awards, save for James Franco but there’s an understandable reason for that (#metoo).  The only real disappointment was that Wonder Woman didn’t get any nominations at all, which seems like a significant omission for a movie that is fifth on Rotten Tomatoes’ best of 2017 list, particularly when the terrible Suicide Squad got nominated for (and won!) an Oscar in 2017.

Even though Wonder Woman didn’t get any nominations, it was both satisfying and encouraging to see Jordan Peele’s Get Out and Greta Gerwig’s Lady Bird get the recognition they both deserve.  Hopefully, their success will lead to other quality passion projects like those getting a green light and finding their audiences too.

Here’s the full list of nominations along with links to the ones we’ve reviewed (we got most of them and will be working on the rest between now and March 4th).

Did you spot any glaring omissions by the Academy?  If so, let us know in the comments!


Call Me By Your Name

Darkest Hour


Get Out

Lady Bird

Phantom Thread

The Post

The Shape of Water

Three Billboards Outside Ebbing, Missouri



Christopher Nolan — Dunkirk

Jordan Peele — Get Out

Greta Gerwig — Lady Bird

Paul Thomas Anderson — Phantom Thread

Guillermo del Toro — The Shape of Water



The Big Sick — Emily V. Gordon, Kumail Nanjiani

Get Out — Jordan Peele

Lady Bird — Greta Gerwig

The Shape of Water — Guillermo del Toro, Vanessa Taylor

Three Billboards Outside Ebbing, Missouri — Martin McDonagh



Call Me By Your Name — James Ivory

The Disaster Artist — Scott Neustadter, Michael H. Weber

Logan — Scott Frank, James Mangold, Michael Green

Molly’s Game — Aaron Sorkin

Mudbound — Virgil Williams, Dee Rees



Timothée Chalamet — Call Me By Your Name

Daniel Day Lewis — Phantom Thread

Daniel Kaluuya — Get Out

Gary Oldman — Darkest Hour

Denzel Washington — Roman J. Israel, Esq.



Sally Hawkins — The Shape of Water

Frances McDormand — Three Billboards Outside Ebbing, Missouri

Margot Robbie — I, Tonya

Saoirse Ronan — Lady Bird

Meryl Streep — The Post



Willem Dafoe — The Florida Project

Woody Harrelson — Three Billboards Outside Ebbing, Missouri

Richard Jenkins — The Shape of Water

Christopher Plummer — All the Money in the World

Sam Rockwell — Three Billboards Outside Ebbing, Missouri



Mary J. Blige — Mudbound

Allison Janney — I, Tonya

Lesley Manville — Phantom Thread

Laurie Metcalf — Lady Bird

Octavia Spencer — The Shape of Water



Abacus: Small Enough to Jail — Steve James, Mark Mitten, Julie Goldman

Faces Places — Agnès Varda, JR and Rosalie Varda

Icarus — Bryan Fogel, Dan Cogan

Last Men in Aleppo — Feras Fayyad, Kareem Abeed, Søren Steen Jespersen

Strong Island — Yance Ford, Joslyn Barnes



Edith + Eddie — Laura Checkoway, Thomas Lee Wright

Heaven is a Traffic Jam on the 405 — Frank Stiefel

Heroin(e) — Elaine McMilion Sheldon, Kerrin Sheldon

Knife Skills — Thomas Lennon

Traffic Stop — Kate Davis, David Heilbroner



DeKalb Elementary — Reed Van Dyk

The Eleven O’Clock — Derin Seale, Josh Lawson

My Nephew Emmett — Kevin Wilson Jr.

The Silent Child — Chris Overton, Rachel Shenton

Watu Wote / All of Us — Katja Benrath, Tobias Rosen



The Boss Baby — Tom McGrath, Ramsey Naito

The Breadwinner — Nora Twomey, Anthony Leo

Coco — Lee Unkrich, Darla K. Anderson

Ferdinand — Carlos Saldanha

Loving Vincent — Dorota Kobiela, Hugh Welchman, Ivan Mactaggart



Dear Basketball — Glen Keane, Kobe Bryant

Garden Party — Victor Claire, Gabriel Grapperon

Lou — Dave Mullins, Dana Murray

Negative Space — Max Porter, Ru Kuwahata

Revolting Rhymes — Jakob Schuh, Jan Lachauer



A Fantastic Woman — Sebastián Lelio, Chile

The Insult — Ziad Doueiri, Lebanon

Loveless — Andrey Zvyagintsev, Russia

On Body and Soul — Ildikó Enyedi, Hungary

The Square — Ruben Östlund, Sweden



Blade Runner 2049 — Roger A. Deakins

Darkest Hour — Bruno Delbonnel

Dunkirk — Hoyte van Hoytema

Mudbound — Rachel Morrison

The Shape of Water — Dan Laustsen



Beauty and the Beast — Sarah Greenwood, Katie Spencer

Blade Runner 2049 — Dennis Gassner, Alessandra Querzola

Darkest Hour – Sarah Greenwood, Katie Spencer

Dunkirk — Nathan Crowley, Gary Fettis

The Shape of Water — Paul Denham Austerberry, Shane Vieau, Jeff Melvin



Blade Runner 2049

Guardians of the Galaxy Vol. 2

Kong: Skull Island

Star Wars: The Last Jedi

War for the Planet of the Apes



Baby Driver — Paul Machliss, Jonathan Amos

Dunkirk — Lee Smith

I, Tonya — Tatiana S. Riegel

The Shape of Water — Sidney Wolinsky

Three Billboards Outside Ebbing, Missouri — Jon Gregory



Beauty and the Beast — Jacqueline Durran

Darkest Hour — Jacqueline Durran

Phantom Thread — Mark Bridges

The Shape of Water — Luis Sequeira

Victoria & Abdul — Consolata Boyle



Darkest Hour — Kazuhiro Tsuji, David Malinowski, Lucy Sibbick

Victoria & Abdul — Daniel Phillips, Lou Sheppard

Wonder — Arden Tuiten



Dunkirk — Hans Zimmer

Phantom Thread — Jonny Greenwood

The Shape of Water — Alexandre Desplat

Star Wars: The Last Jedi — John Williams

Three Billboards Outside Ebbing, Missouri — Carter Burwell



“Mighty River” — Mudbound, Mary J. Blige, Raphael Saadiq, Taura Stinson

“Mystery of Love” — Call Me By Your Name, Sufjan Stevens

“Remember Me” — Coco, Kristen Anderson-Lopez, Robert Lopez

“Stand Up for Something” — Marshall, Diane Warren, Lonnie R. Lynn

“This is Me” — The Greatest Showman, Benj Pasek, Justin Paul



Baby Driver — Julian Slater

Blade Runner 2049 — Mark Mangini, Theo Green

Dunkirk — Richard King, Alex Gibson

The Shape of Water — Nathan Robitaille, Nelson Ferreira

Star Wars: The Last Jedi — Matthew Wood, Ren Klyce



Baby Driver — Julian Slater, Tim Cavagin, Mary H. Ellis

Blade Runner 2049— Ron Bartlett, Doug Hemphill, Mac Ruth

Dunkirk — Mark Weingarten, Gregg Landaker, Gary A. Rizzo

The Shape of Water — Christian Cooke, Bran Zoern, Glen Gauthier

Star Wars: The Last Jedi — David Parker, Michael Semanick, Ren Klyce, Stuart Wilson

Cannes Snobbery

Some people think that Netflix is saving the movie industry. Others think it’s killing it. I think neither is true, that all Netflix is is the future. Or rather, Netflix is now. The movie industry is changing and has changed. Some directors insist that their art can only be experienced on a big screen, others are embracing the flexibility that comes with a Netflix carte blanche. But Cannes, a major French film festival, has inserted itself into the discourse, reluctantly agreeing to include two Netflix titles in this year’s lineup, but insisting that next year’s rules will be different and only movies intended for a theatrical release will earn slots in their programming.

Amazon also earned boos from critics at its Cannes screening, this despite the fact that Amazon does partner up to bring some of its titles to the cinema, like last year’s Oscar contender, Manchester By The Sea. This year Amazon brought Wonderstruck to Cannes by the acclaimed director of Carol, Todd Haynes. Of Amazon, Haynes noted “The film division at Amazon is made up of true cineastes who love movies and really want to try and provide opportunity for independent film visions to find their footing in a vastly shifting market. They love cinema.”

Netflix makes movies and series for its at-home audience who pay a subscription fee that includes original content. At TIFF 2016, I saw 2 Netflix films (Mascots and Blue Jay) and found them to be just as worthy as any other content on offer. At this year’s Oscars, Netflix garnered a nomination for Ava DuVernay’s documentary 13th, and a win for its short documentary, The White Helmets. Traditional or not, Netflix movies do hold up.

Cannes jury president Pedro Almodovar doesn’t like it and made his position clear with this opening statement: “I personally do not conceive, not only the Palme d’Or, any other prize being given to a film and not being able to see this film on a big screen. The size [of the screen] should not be smaller than the chair on which you’re sitting. It should not be part of your everyday setting. You must feel small and humble in front of the image that’s here.” Fellow jury member Will Smith clashed with him on this, defending the streaming service “In my house, Netflix has been nothing but an absolute benefit. They get to see films they absolutely wouldn’t have seen. Netflix brings a great connectivity. There are movies that are not on a screen within 8,000 miles of them. They get to find those artists.” And that’s true: Netflix is a boon to indie gems and hard-to-find documentaries. It also allows people who find the cost of theatre-going restrictive to watch movies at home for a reasonable price. Of course, Netflix just so happens to be the distributor of Smith’s next big-budget movie, Bright.

And that’s the thing about Netflix today: it’s going after the big guns. For its first-ever Cannes screening, Netflix chose Okja, a film by the South Korean director of Snowpiercer, Bong Joon-ho. Okja stars Tilda Swinton, Paul Dano, Lily Collins, and Jake Gyllenhaal. It’s no slouch. Of the controversy, Joon-ho was  typically humble: “I’m just happy he will watch this movie tonight. He can say anything—I’m fine. I loved working with Netflix. They gave me great support — the budget for this film is considerable. Giving such a budget to a director isn’t very common.” And Swinton was also quick to make light of the situation, saying “The truth is, we didn’t actually come here for prizes.” Okja received a four-minute standing ovation after its screening.

Later this festival, Netflix will screen the second of its two titles, Noah Baumback’s The Meyerowitz Stories, about a fractured family reuniting, starring Dustin Hoffman, Emma Thompson, Candice Bergen, Ben Stiller, and Netflix darling Adam Sandler.




Eat Like an Oscar Winner

Sean and I are tragically removed from our friends this Oscar broadcast as we’ll be in Philadelphia for some odd reason, and it’s too darn bad because I would rock the shit out of this year’s Oscar menu.

694999267AP00011_89th_AnnuaThe “official” Oscars after-party happens at the Governors Ball, with a menu created by Wolfgang Puck. His Oscar staples include black truffle chicken pot pie, his famous baked mac and cheese, and smoked salmon served on an Oscar-shaped cracker.

This year he’s also serving new items such as Moroccan-spiced Wagyu short rib topped with a Parmesan funnel cake (yeah, you read that right); taro root tacos with shrimp, mango, avocado and chipotle aioli (I might consider caviar tacos myself); gnochetti with braised mushrooms and cashew cream; and lobster corn dogs (um, excuse me?).

Then there’s gold-dusted truffle popcorn, red velvet waffles, caramel cappuccino Oscar 694999267AP00007_89th_Annualollipops, and chocolate bonbons in classic “movie theatre flavours” such as Sour Patch Kids, Red Hots, and Goobers.

And don’t forget the champagne. Cases and cases of champagne, plus Francis Ford Coppola wine, natch.

Of course there are dozens of competing after-parties, and Oscar winners will likely make appearances at several over the course of the night, with the women likely making pit stops to change gowns (not into something more comfortable, mind you, but into something that hasn’t been photographed obsessively just three hours prior).

The decadence extends to the famed Oscar “swag bags” that the nominees receive (mind you these only go to the celebrity nominees in acting categories. An Editor doesn’t warrant one). What’s in the bag (theme: “Everyone Wins!”) this year?

  • 1487363798668a week’s stay at the Golden Door, a resort spa with an art collection, in-room massages, meditation pathways, citrus trees, and a “pain empowerment” “experience” that makes me want to punch someone in the teeth
  • personalized sommelier service, plus a boutique bottle of champagne hand-selected for each nominee
  • limited edition bling: designed for the nominees by Namira Monaco, they’ll receive a pendant and brooch in the Pole Star Constellation
  • a vaporizer
  • a box of Dandi patches, which you wear in your armpits to prevent sweat stains from getting on your nice clothes – probably comes in handy since most celebs just “borrow” their frocks from designers
  • a 3-night stay in an 18-bedroom California mansion that’s worth $40K
  • sweet cheeks cellulite massage pad – apparently you sit on it for 30 minutes a day and the cellulite just packs a bag and leaves voluntarily
  • a Hawaiian vacation on Kauai’s sunny South Shore
  • personalized crayons including a gold one inscribed with the nominee’s name
  • CPR lessons
  • Canadian maple syrup
  • a 10 month supply of Opal apples, which apparently never go brown

SAG Awards

The 2017 awards season heats up as the SAG awards declare its winners.

hidden-figures-d2253fe9-c421-4a79-bce3-f3a344eae3aeOutstanding performance by a cast was won by Hidden Figures, edging out fellow nominees Captain Fantastic, Fences, Moonlight, and Manchester By the Sea, which was the most-nominated movie at the SAG awards but won absolutely nothing.



23rd Annual Screen Actors Guild Awards - Arrivals

The 23rd Annual Screen Actors Guild Awards, Arrivals, Los Angeles, USA - 29 Jan 2017rs_634x1024-170129170349-634-2017-sag-awards-kristen-dunstrs_634x1024-170129151155-634-glen-powell-cm-12917

Denzel Washington took home his first SAG award for his work in Fences, which denzel-washington-7d58843b-c112-4664-9626-c3247cc5cbf3means Casey Affleck for Manchester By The Sea got shut out, as well as Andrew Garfield for Hacksaw Ridge, Ryan Gosling for La La Land, and Viggo Mortensen for Captain Fantastic. This is a rare exception in the Casey Affleck train. Do you think it’s likely to be repeated?




Emma Stone’s performance in La La Land topped Amy Adams for Arrival, Emily Blunt forEmma Stone The Girl on the Train, Natalie Portman for Jackie and Meryl Streep for Florence Foster Jenkins. This makes her the frontrunner for the Oscar, with Isabelle Huppert and Natalie Portman possible upsets.




viola-davis-23699bb3-331e-456a-b72f-4cd76124e741Viola Davis won  for supporting actress for Fences over Naomie Harris for Moonlight, Nicole Kidman for Lion, Octavia Spencer for Hidden Figures, and Michelle Williams for Manchester By The Sea. She’ll be pretty unstoppable come Oscar time. I applaud her bold performance even though I radically disagree with her presence in the supporting category at all.

The 23rd Annual Screen Actors Guild Awards - Red Carpet



Mahershala Ali took the supporting actor trophy for Moonlight, besting Jeff Bridges for mahershala-ali-694ef816-f229-4b29-a4ef-756b3ffc8d94Hell or High Water, Hugh Grant for Florence Foster Jenkins, Lucas Hedges for Manchester By The Sea, and Dev Patel for Lion. This is the right move and I hope it repeats itself.




Hacksaw Ridge won outstanding performance by a stunt ensemble in a motion picture over fellow nominees Captain America: Civil War, Doctor Strange, Jason Bourne, and Nocturnal Animals.



Lily Tomlin received the SAG Lifetime Achievement lily-tomlin-30c3e284-59c0-4c49-bfc0-7888e8f6bc1dAward, presented by Dolly Parton and Jane Fonda. Amid the many political speeches of the night, including digs against Donald Trump and his insane ban on Muslims, Tomlin quipped What sign should I make for the next march?




The 23rd Annual Screen Actors Guild Awards, Arrivals, Los Angeles, USA - 29 Jan 2017

So, what do you think? Best dressed? Biggest upset? How did it stack up to your expectations and how will it affect your Oscar pool?


SAG Surprises

rs_300x300-160130182244-600-idris-elba--accepting-sag-awards2016Idris Elba took home the trophy for best supporting actor. Sylvester Stallone, considered the front-runner in the same Oscar category, wasn’t even nominated at the SAG awards, perhaps because the Creed momentum didn’t really pick up until after their nomination ballots were in. Or maybe it’s just because he’s crap and he’s never acted a day in his life.

Last weekend The Big Short took home the top prize at the Producers Guild awards, but it was Spotlight proving they’re still neck in neck, taking home the top SAG award (outstanding performance by a cast) and

LOS ANGELES, CA - JANUARY 30: (L-R) Actors Billy Crudup, Brian d'arcy James, Mark Ruffalo, Rachel McAdams, John Slattery, Michael Keaton and Liev Schreiber, winners of the award for Outstanding Performance by a Cast in a Motion Picture for "Spotlight," pose in the press room during The 22nd Annual Screen Actors Guild Awards at The Shrine Auditorium on January 30, 2016 in Los Angeles, California. 25650_015 (Photo by Jason Merritt/Getty Images for Turner)

boosting their success rate to about 10/20 now. Next weekend the Directors Guild will add their considerable voice to the tally, and they tend to be better predictors than almost anybody.  Either way I’m angry – neither of these was the best thing I saw last year, and neither would probably breech my top 10.

jacob-tremblay-brie-larsonOtherwise it was pretty standard: Leo won. Brie Larson won. Alicia Vikander won over Kate Winslet for supporting work in a role that is clearly anything but (she’s great in The Danish Girl, but that’s a lead role if we’re being honest, which apparently we aren’t).

Mad Max: Fury Road was justifiably honoured for outstanding action performance by an ensemble.

And the stuff that really matters: who looked pretty.

SAG loser but style winner Helen Mirren

SAG loser but style winner Helen Mirren


Damn. Kate Winslet, born to vamp.











Sean’s Ten Favourite Movies of 2015

Since today is New Year’s Eve, it seemed like a good time to count down my favourite movies released in 2015. I still have lots to watch (Hateful Eight, you’re next!) so I don’t pretend this list is comprehensive, but it’s a damn good start.

10. What We Do in the Shadows

What We Do in the Shadows is such a crazy, what-we-do-in-the-shadowsbizarre comedy that I had to love it. It’s irresistible. There are so many great characters on display, a bizarre mix of humans, vampires, and werewolves, and their interactions with one another killed me. With laughter.  From start to finish, What We Do in the Shadows gave me scene after scene of amusement, from a bat fight to a werewolf showdown to one of the most awkward town dances imaginable.

9. The Martian

INTRO-2_20thCenturyFox_TheMartianThe Martian occupied a strange position for me. I absolutely loved the book, to the point I was worried the movie would fall short and disappoint, but I still felt optimistic that Ridley Scott and crew would pull it off. Well, there’s no doubt now – they pulled it off and then some. The Martian is a fantastic piece of film that captured the book even better than I hoped. It’s got a little of everything (comedy, drama, scifi, thrilller, even a hint of romance) in perfect balance, in a film that is so beautiful to watch it makes you want to visit Mars even after all that happens to poor Mark Watney.

8. Spy

Paul Feig and Melissa McCarthy always make good stuff together, and Spy is their best to date. As great as McCarthy is, Spy is not just about her, and the great performances from the entire ensemble are what makes Spy one of my favourite movies of 2spy-DF-04541_R2_rgb.0015.  McCarthy owns the screen when needed but steps back in order to give everyone their moment to shine, from Rose Byrne to Jude Law to Miranda Hart, and Jason Statham is especially memorable as the boneheaded spy who wants to use every action movie cliche in the book, to hilarious results.

7. Creed

Creed brought back Rocky, one of my most beloved franchises, in the best possible way.   It’s a creed-finalposter-frontpagefresh start with a new boxer, Michael B. Jordan, carrying the torch.  But at the same time, it forges strong connections to the existing franchise, with Jordan playing Apollo Creed’s son and Rocky being brought in to train the son of his best friend and biggest rival.  The atmosphere was perfect, the nods to the past were wonderful, and the story made us cheer again for a new underdog, feeling familiar while also opening up a whole new world of possibilities.

6. Kingsman: The Secret Service 

In a year where Marvel released two more superhero movies (and Fox gave us one that we are desperately trying to forget), Kingsman: The Secret Service is mykingsman-movie-review-the-secret-service favourite comic book adaptation of 2015.   Who knew that Colin Firth could be such an action hero?  His character’s last stand at a Kentucky church is one of the best action scenes in recent memory, and the symphony of exploding heads at the end is absolutely masterful.  Style and excess abound in Kingsman and I’m looking forward to more of the same in 2017, when the sequel is released!

5. Bridge of Spies

Is it just me or did Bridge of Spies fly WAY under the radar?  I heard almost nothing about this movie from anyone, which is shocking for a movie directed by Steven Spielberg, starring Tom Hanks, or written by the Coen Brothers (and Bridge of Spies is all three)!  And this is not just any movie.  It’s incredible.  I was captivated from start to finish by this cold war story that eschews stereotypes and in doing so gives us a much richer experience than I ever could have expected.  Nothing is black and white, everything is a shade of grey, especially the Russian spy being bartered (Mark Rylance), who is one of the most upstanding individuals you will ever see on film (especially when in any other movie he’d be the bad guy)!

4. Mad Max: Fury Road

I’m glad to see Mad Max: Fury Road getting so much love, both upon release and as we all reflect on the best of 2015.  Mad Max is my favourite action movie of the year by far.  Mad Max gave us something so original, frenetic, and crazy that it almost blew my mind.  Visually, Mad Max was spectacular but the story and characters were what lifted this movie above the pack. FURY ROAD Tom Hardy and Charlize Theron give particularly memorable leading performances, while Nicholas Hoult and Hugh Keays-Byrne both give us bizarre yet believable supporting turns that increase the crazy factor immensely.  Mad Max never stops, not even for a second, and it’s a hell of a ride!

3. The Revenant

Speaking of non-stop treks through desolate wastelands, The Revenant is next on my list of favourites.  But I would not call The Revenant an action movie – it’s more of a slow burn revenge story as bear attack survivor Hugh Glass (Leonardo DiCaprio) chases his son’s killer (Tom Hardy, who’s awesome again, this time in a supporting role).  And while the midwest winter is harsh, Hugh Glass’ surroundings are absolutely beautiful.  For my money, director Alejandro Gonzalez Inarritu and cinematographer Emmanuel Lubezki gave us the most visually stunning movie of 2015, and that’s high praise given the next two on the list are also brilliant in that regard.

2. Ex Machina

Ex-Machina-Cast-Wallpapers (1)As is probably evident, 2015 gave us a wide variety of excellent movies, and my favourites were all unique in some way.  And “unique” is the best way I can think to describe Ex Machina.  It’s a seemingly serene, beautifully shot meditation on what it is to be alive for much of the movie, and yet the whole time your brain is waiting for things to turn ugly.  Because it’s inevitable that they will, and yes, they do.   Domhnall Gleeson, Oscar Isaac and Alicia Vikander all deliver incredible performances, playing so well off each other that it’s easy to suspend any disbelief we may otherwise have had.  Ex Machina is spectacular from beginning to end, and most importantly, it puts very difficult questions to us, through the protagonists, that we will ultimately have to answer.

1. Anomalisa

Unique in every way, Anomalisa is head and shoulders above the rest of the movies I saw this year, and without question my favourite of 2015.  Everything in Anomalisa serves a purpose, everything has meaning, everything anomalisais a potential clue to our struggling protagonist of the hidden problems that he’s facing.  Charlie Kaufman’s writing is sharper than ever and Duke Johnson’s animation is stunning and absolutely essential to the story.  Anomalisa is pure cinematic brilliance, and I hope all of you are able to experience it for yourselves (as it’s open in select theatres, expanding to a wider release in January).  Of all the movies I saw this year, Anomalisa is the one that still sticks with me months later, and I don’t expect to shake it anytime soon.

Happy New Year, and please let me know in the comments what your favourites were in 2015!

My 2015 Oscar Predictions

Oscar season is always a time of year I look forward to. A bunch of my asshole friends and I get together and eat some food, have some drinks, make some bets, shit on some actors and generally have a great time.

In the spirit of competition and fun I thought I would post my Oscar picks in order to get the other assholes talking.  Let the games begin!


Best Picture: Boyhood

Best Director: Richard Linklater

Best Actor: Michael Keaton

Best Actress: Julianne Moore

Best Supporting Actor: J.K. Simmons

Best Supporting Actress: Patricia Arquette

Best Original Screenplay: Birdman

Best Adapted Screenplay: The Imitation game

Best Animated Feature: How To Train Your Dragon 2

Best Foreign Film: Ida

Best Documentary: CitizenFour

Best Cinematography: Birdman

Best Film Editing: Boyhood

Best Production Design: The Grand Budapest Hotel

Best Costume Design: The Grand Budapest Hotel

Best Score: The Grand Budapest Hotel

Best Song: Glory

Best Visual Effects: Interstellar

Best Hair & Makeup: The Grand Budapest hotel

Best Sound Mixing: American Sniper

Best Sound Editing: American Sniper

Best Live Action Short: Aya

Best Animated Short: Feast

Best Documentary Short: Crisis Hotline: Veterans Press 1